Pay in installments of $8.74 with
,
and
Shipping Estimate
USA
- USA
- CAN
- USA
- CAN
Ships within 48 hours · Estimated delivery Jul 23 - Jul 28
Promo Codes Available:
For Your Every Summer RSVP, with Code: SUMMER15
Description
Kate Shackleton Mysteries Series 9 Books Collection Set By Frances BrodyTitle In this Set: A Medal For Murder Murder In The Afternoon Dying In The Wool Murder on a Summer's Day Death and the Brewery Queen A Woman Unknown The Body on the Train Death of an avid Reader Death at the Seaside A Medal For Murder A pawn shop robbery It's no rest for the wicked as Kate Shackleton picks up her second professional sleuthing case. But exposing the culprit of a pawn shop robbery turns sinister when her investigation takes her to
Title In this Set:
A Medal For Murder
Murder In The Afternoon
Dying In The Wool
Murder on a Summer's Day
Death and the Brewery Queen
A Woman Unknown
The Body on the Train
Death of an avid Reader
Death at the Seaside
A Medal For Murder
A pawn-shop robbery- It's no rest for the wicked as Kate Shackleton picks up her second professional sleuthing case. But exposing the culprit of a pawn-shop robbery turns sinister when her investigation takes her to Harrogate - and murder is only one step behind .
Murder In The Afternoon
DEAD ONE MINUTE Young Harriet and her brother Austin have always been scared of the quarry where their stone mason father works. So when they find him dead on the cold ground, they scarper quick smart and look for some help. ALIVE THE NEXT? When help arrives, however, the quarry is deserted and there is no sign of the body.
Dying In The Wool
When amateur sleuth detective Kate Shackleton receives a dawn telephone call from her cousin James, his news soon snaps Kate into wakefulness. The India Office seek her on-the-spot help in finding a Maharajah, last seen on the Bolton Abbey estate. He has with him a hugely valuable diamond.
Murder on a Summer's Day
A lady with a secret Kate Shackleton's sterling reputation for courageous sleuthing attracts the attention of the venerable Lady Coulton. Hidden in her past is a daughter, born out of wedlock and given up to a different family. Now, Lady Coulton is determined to find her and puts Kate on the case.
Death and the Brewery Queen
A call for help It's the spring of 1930 and Private Investigator Kate Shackleton responds to a call for help from the owner of Barleycorn Brewery in the North Riding of Yorkshire. The brewery's books don't add up, but when the one employee who may know what's really going on meets with a fatal accident, Kate's investigation intensifies.
A Woman Unknown
The Woman Unknown: Deirdre Fitzpatrick is married to a man who wants to know where she really goes when supposedly taking care of her sick mother and calls on the expertise of Kate Shackleton, amateur sleuth extraordinaire to investigate. The Gentleman: Everett Runcie is a banker facing ruin and disgrace.
The Body on the Train
1929, London. In the darkness before dawn, a London railway porter discovers a man's body as he unloads a special goods train from Yorkshire, all means of identification stripped away. Hitting a dead end, Scotland Yard call on indomitable sleuth Kate Shackleton, hoping her local Yorkshire knowledge and undoubted skills at winkling out information will produce the results they need.
Death of an avid Reader
A lady with a secret Kate Shackleton's sterling reputation for courageous sleuthing attracts the attention of the venerable Lady Coulton. Hidden in her past is a daughter, born out of wedlock and given up to a different family. Now, Lady Coulton is determined to find her and puts Kate on the case.
Death at the Seaside
Nothing ever happens in August, and tenacious sleuth Kate Shackleton deserves a break. Heading off for a long-overdue holiday to Whitby, she visits her school friend Alma who works as a fortune teller there. Kate had been looking forward to a relaxing seaside sojourn, but upon arrival discovers that Alma's daughter Felicity has disappeared, leaving her mother a note and the pawn ticket for their only asset: a watch-guard.
A Medal For Murder
Murder In The Afternoon
Dying In The Wool
Murder on a Summer's Day
Death and the Brewery Queen
A Woman Unknown
The Body on the Train
Death of an avid Reader
Death at the Seaside
A Medal For Murder
A pawn-shop robbery- It's no rest for the wicked as Kate Shackleton picks up her second professional sleuthing case. But exposing the culprit of a pawn-shop robbery turns sinister when her investigation takes her to Harrogate - and murder is only one step behind .
Murder In The Afternoon
DEAD ONE MINUTE Young Harriet and her brother Austin have always been scared of the quarry where their stone mason father works. So when they find him dead on the cold ground, they scarper quick smart and look for some help. ALIVE THE NEXT? When help arrives, however, the quarry is deserted and there is no sign of the body.
Dying In The Wool
When amateur sleuth detective Kate Shackleton receives a dawn telephone call from her cousin James, his news soon snaps Kate into wakefulness. The India Office seek her on-the-spot help in finding a Maharajah, last seen on the Bolton Abbey estate. He has with him a hugely valuable diamond.
Murder on a Summer's Day
A lady with a secret Kate Shackleton's sterling reputation for courageous sleuthing attracts the attention of the venerable Lady Coulton. Hidden in her past is a daughter, born out of wedlock and given up to a different family. Now, Lady Coulton is determined to find her and puts Kate on the case.
Death and the Brewery Queen
A call for help It's the spring of 1930 and Private Investigator Kate Shackleton responds to a call for help from the owner of Barleycorn Brewery in the North Riding of Yorkshire. The brewery's books don't add up, but when the one employee who may know what's really going on meets with a fatal accident, Kate's investigation intensifies.
A Woman Unknown
The Woman Unknown: Deirdre Fitzpatrick is married to a man who wants to know where she really goes when supposedly taking care of her sick mother and calls on the expertise of Kate Shackleton, amateur sleuth extraordinaire to investigate. The Gentleman: Everett Runcie is a banker facing ruin and disgrace.
The Body on the Train
1929, London. In the darkness before dawn, a London railway porter discovers a man's body as he unloads a special goods train from Yorkshire, all means of identification stripped away. Hitting a dead end, Scotland Yard call on indomitable sleuth Kate Shackleton, hoping her local Yorkshire knowledge and undoubted skills at winkling out information will produce the results they need.
Death of an avid Reader
A lady with a secret Kate Shackleton's sterling reputation for courageous sleuthing attracts the attention of the venerable Lady Coulton. Hidden in her past is a daughter, born out of wedlock and given up to a different family. Now, Lady Coulton is determined to find her and puts Kate on the case.
Death at the Seaside
Nothing ever happens in August, and tenacious sleuth Kate Shackleton deserves a break. Heading off for a long-overdue holiday to Whitby, she visits her school friend Alma who works as a fortune teller there. Kate had been looking forward to a relaxing seaside sojourn, but upon arrival discovers that Alma's daughter Felicity has disappeared, leaving her mother a note and the pawn ticket for their only asset: a watch-guard.
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
- Please click here for more details>>> Return & Exchange Policy
4.5 ★★★★★
Based on 10 reviews
Sort
Product Reviews
★★★★★ 5
A book on dialogue should be experienced first as a book on tape
Format: Audio CD
I think of this more as a great master class lecture. Dialogue should be seemingly simple (we all talk), but McKee defines its essence and differences for prose, stage and cinema. The bulk is narrated by McKee, but the scene examples are read by voice actors and they do quite well. Even the roots of the English language are examined in order to make better decisions on your character's particular use of words. After listening the 10 hours twice while commuting, I finally picked up the book and read it. The book on tape is a better way to initially absorb the material, while the actual book helps to clarify the info. A must for all writers, especially screenwriters.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 30, 2018
★★★★★ 4
Helpful, but not as good as "Story" by same author, and it disses certain genres
Format: Hardcover
This book contains a lot of helpful information on how to write dialogue. It's dense with dialogue analysis and insights, tough to take in by just reading it through once. But it is helpful.
McKee covers the three dialogue tiers (said, unsaid, unsayable) as well as how dialogue ties into story turning points and scene conflict type. I still have lots of practice ahead of me to figure out how best to do this in my story. I will definitely use his advice as a guide. He understands dialogue at a much deeper level than I do.
However, many of McKee's dialogue examples did not speak to me. While I liked reading the dialogue examples for Breaking Bad, 30 Rock, The Sopranos, Frasier, A Raisin in the Sun, and The Great Gatsby, and agreed they were good, I disliked the dialogue from Shakespeare, Elmore Leonard, Sideways, Fraulein Else, and Lost in Translation. McKee says fine dialogue turns the reader/audience into a mind reader; I guess I'm not interested in movies which expect me to be as much of a mind reader as those latter examples did. I totally missed the subtext of the dialogue in those until he explained it to me as an aside. And that's after I already saw most of those movies!
If I have to guess what every character means with every line, that's too much work and too little entertainment for me. Maybe mystery lovers liked the dialogue in "Lost in Translation"; I'm not a mystery lover. McKee quoted one novelist as saying that the crux of good writing is to, "Make em laugh, make em cry, make em wait." Lost In Translation and its dialogue did none of that for me. The subtext was so confusing and subtle that I lost interest in the movie. I can't even remember what it was about anymore, only that it won some award and I had no clue why.
McKee says that with rare exceptions, a scene should never be outwardly and entirely about what it seems to be about. Dialogue should imply, not explain, its subtext. An ever-present subtext is the guiding principle of realism.
Nonrealism, on the other hand, employs on-the-nose dialogue in all its genres and subgenres: myth and fairytale, science fiction and time travel, animation, the musical, the supernatural, Theatre of the Absurd, action/adventure, farce, horror, allegory, magical realism, postmodernism, dieselpunk retrofuturism, and the like. It's a bit unclear how, if at all, anyone writing in any of these "nonreal" genres should take his dialogue advice. It seems to me that even sci fi scenes need some good dialogue with subtext to be engaging.
With McKee, all the accolades go to what is implied and unsaid over what is said. I agree that subtext matters, but for me, he's out of proportion with how much it matters to most people and how hard audiences are willing to work to discover the intended subtext. Also, memorable spoken character lines can elevate movie themes and characterization like nothing else.
In the end, I think this book is geared more toward writers who want other advanced writers as their audience rather than the average reader or movie watcher. And McKee admits it is definitely not geared toward sci fi, fairytales/myths, action/adventure, horror or allegory. It's almost as if he's saying those genres can't have excellent dialogue. I disagree.
But it was still a helpful book to read, and one I will be thinking about and trying to more fully understand for a long time. McKee understands how character's subconscious drives can deepen what they say or avoid saying, and how dialogue interacts with many other aspects of a story to make it all work together.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 12, 2019
★★★★★ 5
Amazing.
Format: Kindle
Just like a good movie, the first 10 pages = mind blown. Wow, such really, really good material here. If you're new, this will help you a ton. If you're experienced, this book will help you realize WHY great dialogue is so great, enabling you to create the magic again and again. I love how McKee covers several medias ( screen, theater, novel ) but still stays true and clear on the concept. A virtual masterclass on the subject. One of the best screenwriting books out there, and Yes, it's well worth all the hype.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 18, 2017
★★★★★ 5
So to speak
Format: Kindle
Previews did not show the Table of Contents, but it is worth searching the web for. The coverage includes practical techniques as well as case studies. Notes cover titles on topics over several decades. This book has four parts about what dialogue is, how it can mended, and how it can be created and designed. Trialogue, the third thing through which a pair of characters channel conflict in conversation, is an interesting concept because it overlaps social networks or media and comms devices; it is also looked at historically. Dialogue is reportedly the quickest way to fix a narrative text since it appeals to intuition. Those levels of depth are what the book is about. They can be found in first person voice. The approach could easily fill a site on the order of tropes for favorite titles, but for deconstruction and revision, which are also relevant to works in progress. It talks about finding characters in the dark, though not necessarily from the milieu, unless it were compressed and made to transfer meaning like in poetry, but reflexive so that it is symmetrical to the characters or human nature. If there is a boundary to be found, then this method is going to hit the lines to find out what happens then. The impact on the rest of the narrative elements is discussed. This extends back through the early philosophers, through tragedy, the merging of European roots into English, and the study of personalities to contemporary customs. Voice is plot.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 12, 2017
★★★★★ 5
ONE OF THE TWO BEST BOOKS ON SCREENWRITING
Format: Hardcover
Probably the best book on screenwriting ever (besides Egri), though there is also much here for the novelist and playwright. I am a professional TV writer, of long-standing (35 years), and I can tell you I used this book to figure out how to fix the problems of a complex pilot I'm writing; the author truly " guided me home." And lest you think I'm a McKee sycophant, I am not. I found little in STORY for me. The only thing I disagree with in DIALOGUE is that the author sells his own work short: it isn't just for those who are "lost" in their writing, like me, and the student, it's for anyone who writes fiction for a living, in any form, no matter how much experience they have. It's that good.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on October 14, 2016
recommand products
Relaxin With The Miles Davis Quintet & Bootleg Series Vol. 7: That’S What Happened 1982-1985 (2LP/White Vinyl) & Sketches Of Spain (Mono) & Round About Midnight (180G/Mono) & Kind Of Blue (Mono)
158.73
Welcome 2 America (Deluxe/2LP/CD/Blu-Ray) & Come & Hits 1 (X) (2LP) & Hits 2 (X) (2LP)
101.46
Dolly Parton - Holly Dolly Christmas (Ultimate Deluxe Edition) & Jolene (140G/Dl Insert) & Run Rose Run & Diamonds & Rhinestones: The Greatest Hits Collection (2LP)
138.03
Baby One More Time (Picture Disc/140G/Dl Code) & In The Zone & In The Zone (Blue LP Vinyl/Import) & Femme Fatale (Light Grey Marbled LP Vinyl/Import)
137.51
Homogenic & Post & Greatest Hits & Selma Songs
165.66