The Boy Who Became a Parrot

The Boy Who Became a ParrotWritten with style and heart by Wolverton Hill and illustrated with whimsical art by Laura Carlin, this love letter to Edward Lear brings him wonderfully to life for young readers. A New York Times Best Children's Book of 2025! A 2026 Bologna Ragazzi Award Amazing Bookshelf Selection! Selected for The New Yorker's Holiday Gift Guide and the Politics & Prose Holiday Book Guide! One of New York Magazine The Strategist's Best New Books for Kids Published

Written with style and heart by Wolverton Hill and illustrated with whimsical art by Laura Carlin, this love letter to Edward Lear brings him wonderfully to life for young readers. 

A New York Times Best Children's Book of 2025!
A 2026 Bologna Ragazzi Award Amazing Bookshelf Selection!
Selected for The New Yorker's Holiday Gift Guide and the Politics & Prose Holiday Book Guide!
One of New York Magazine / The Strategist's Best New Books for Kids Published in 2025!
A Politics & Prose Children & Teen Favorite of 2025!
Awarded a Gold Medal at the Society of Illustrators 68th Annual, Books Category!

Edward Lear popularized the limerick as we know it and invented the modern literary genre of nonsense, made famous by Lewis Carroll. But did you know that as a teenager, he was a natural history artist on par with John J. Audubon? He has a memorial in Poets’ Corner in Westminster Abbey, placing him among the UK’s most important authors. Yet even still, Lear seems underappreciated. This picture-book biography will change all of that. Not only does it tell of what Lear did, it also shows who he was by conflating the naturalistic and nonsense, as Lear himself did, and by daring to be both fanciful and playful, for the facts of a life alone can never give you the full picture of a person.

Lear liked children and children liked Lear, for they shared an innate sense of play and silliness, as well as a tolerance for the absurd and unusual. As Lear understood so well, being silly isn't just about having fun, as a sense of play is foundational to a resilient life. And of course, nonsense as practiced by Lear was a sharp weapon of satire against rigid Victorian conformity. Whether in his keenly observed work as a natural history painter or in his nonsense verse, Lear animated the world through a deep sense of empathy, and it is in this way that author Hill and illustrator Carlin deliver Lear to us. Rich backmatter includes some Lear poems and paintings, a chronology, and notes from the author and illustrator.