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Description
iConnectivity AUDIO4C Desktop 4x6 USB Type-C Audio/MIDI InterfaceWith its abundant I O, three auto configuring modes, and dual USB Type C ports, the iConnectivity AUDIO4c desktop 4x6 USB Type C audio MIDI interface makes it easy to stream, play, or record with a Mac Windows computer, an iOS Android mobile device, or two devices at the same time. It can even be used as a standalone audio and MIDI mixing center, no computer needed. Since it is powered by the included external power supply, it draws no power from your
With its abundant I/O, three auto-configuring modes, and dual USB Type-C ports, the iConnectivity AUDIO4c desktop 4x6 USB Type-C audio/MIDI interface makes it easy to stream, play, or record with a Mac/Windows computer, an iOS/Android mobile device, or two devices at the same time. It can even be used as a standalone audio and MIDI mixing center, no computer needed. Since it is powered by the included external power supply, it draws no power from your host device and is capable of powering/charging a USB Type-C device up to 15W.
The four preamps are outfitted with XLR-1/4" combo inputs and phantom power, so they can accept dynamic or condenser mics, instruments, or line-level sources. There are four balanced line outputs and a stereo headphone output, which can have its own mix. Integration of external MIDI devices is straightforward and flexible, thanks to the 5-pin MIDI I/O and USB-MIDI host port. Capacitive touch controls not only simplify operation, but also help keep the AUDIO4c compact.
Stream, Play, and Record
AUDIO4c is our new interface designed to help you stream, play, and record your way. Three custom-tailored modes automatically configure the interface's four XLR-1/4" TRS combo analog inputs, six outputs, USB-MIDI, and DIN MIDI for your specific needs. Since today's musicians and engineers work across multiple platforms, AUDIO4c works great on Mac/Windows computer and iOS/Android mobile devices.
Dual USB Type-C Ports
Many desktop and mobile computing devices feature USB Type-C connectivity, and that's why the AUDIO4c offers two USB Type-C ports. This lets you blend workflows between two simultaneously connected devices. If your machine doesn't use USB Type-C, use the included adapter to connect to an available USB Type-A port.
Designed for iOS and Android
The AUDIO4c is equally well suited for use with Android smartphones/tablets and Apple iPads equipped with USB Type-C. Connect your device and charge simultaneously. An Apple Lightning to USB camera adapter is required for Lightning-equipped iOS devices such as an iPhone or iPod touch.
Ideal for Streaming
AUDIO4c is ideal anywhere you're streaming live content and need high-quality audio and massive connectivity. Ideal for streaming a live performance, connecting with followers on Twitch, Instagram, or Facebook Live, or holding conference calls over Zoom or Skype.
Hit the Stream button in Auracle, and you're instantly in control of all your inputs and outputs. Mixing and merging audio inputs out to your computer, tablet, or phone is easy. Mix and merge inputs from your DAW, live mics, instruments, or other computing devices. Stream them out through your computer, tablet, or phone.
Hit the Stream button in Auracle, and you're instantly in control of all your inputs and outputs. Mixing and merging audio inputs out to your computer, tablet, or phone is easy. Mix and merge inputs from your DAW, live mics, instruments, or other computing devices. Stream them out through your computer, tablet, or phone.
Performance Powerhouse
As a performer, you can enjoy the digital mixing power of AUDIO4c with or without a computer. Incorporate multiple computing devices as sound sources or as live audio processors. Incorporate DAW sequencers into your set with built-in MIDI processing and connectivity. Simply hit the play button in Auracle, and AUDIO4c becomes your portable, performance powerhouse.
Recording Studio in Your Backpack
AUDIO4c packs a lot of analog I/O, MIDI, and computer connectivity into one portable package. It's like having your own studio you can chuck into a backpack, anywhere you might be. Don't let the compact size deceive you. AUDIO4c is more than mighty enough to do the heavy lifting in your project studio. Hit Auracle's record button, and enjoy the power the interface's flexible workflow brings to your recordings.
Features
- Multihost device ports for connecting up to two devices (macOS/Windows/iOS/Android) at the same time
- Audio and MIDI pass-thru routes audio digitally between two computing devices
- Comprehensive audio mixing and routing between connected USB computing devices and analog outputs
- Standalone computer-free operation lets you mix/merge audio and host 5-pin DIN plus USB class-compliant MIDI
- Multiple routable MIDI ports—computer MIDI, 5-pin DIN-MIDI, and class compliant USB-MIDI devices
- Up to 24-bit / 96 kHz AD/DA conversion for high-resolution audio
- Capacitive-touch user controls
- Four XLR-1/4" TRS combo analog inputs with premium microphone preamplifiers and 48v phantom power for condenser mics
- Four 1/4" TRS balanced analog outputs and a 1/4" stereo headphone output with independent mix
- 5-pin MIDI I/O and USB-MIDI host port (connect up to eight USB MIDI class-compliant devices with a USB hub)
- Auracle macOS/Windows software makes it simple to set up and configure your whole system, which is also stored in flash memory on the interface
- Power/charge a USB Type-C compatible device (up to 15W)
- Includes Ableton Live Lite music production software
Specifications
General
| Display | |
| Channels of I/O | |
| Built-In DSP | |
| Maximum Sampling Rate | |
| Number of Microphone Inputs | |
| Built-In Microphone | |
| Input Level Adjustment |
Signal Processing
| Pad | |
| High-Pass Filter | |
| Solo/Mute |
Connectivity
| Analog Audio I/O | |
| Phantom Power | |
| Digital Audio I/O | |
| Host Connection | |
| Host Connection Protocol | |
| USB (Non-Host) | |
| Sync I/O | |
| Network I/O | |
| MIDI I/O | |
| Expansion Slots | |
| Wireless |
Digital Audio
| Sample Rates | |
| Sample Rate Conversion | |
| Bit Depths | |
| Sync Sources |
Audio Storage & Playback
| Media/Memory Card Slot |
Compatibility
| OS Compatibility | |
| Mobile Device Compatibility | |
| Required Hardware |
Power
| Power Requirements | |
| AC/DC Power Adapter | |
| Power Consumption |
Physical
| Dimensions | |
| Weight |
Packaging Info
| Package Weight | |
| Box Dimensions (LxWxH) |
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4.3 ★★★★★
Based on 12 reviews
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Product Reviews
★★★★★ 4
Rediscovering America
This is an eye-opening, scholarly rebuttal to common perceptions about native American society before and after the European invasion. Ronald Wright makes no secret of his bias in favor of the people who were here first; in fact, he enhances the impact of what for many will be new information by presenting this extraordinary history from the point of view of the conquered. He also makes clear how large a part of the conquest was due to immune system rather than military deficiencies: if smallpox and other diseases had not done killed most of the native population, the facts recounted here suggest that history, particularly in South America, may have evolved quite differently.
In undertaking the massive task of recounting the invasion of all of the Americas, some selectivity is inevitable. Wright has chosen to focus on the story of five distinct native groups: Aztec, Maya, Inca, Cherokee and Iroquois. He then arbitrarily subdivides the story into three consecutive time periods: Conquest, Resistance and Rebirth. After the physical and political annihilation recounted in the first two sections, the title of the third may seem overly optimistic, particularly for the Guatemalan Maya. However, the concluding tone is more conciliatory and hopeful than mournful, particularly in the Afterword that updates matters to 2005, 13 years after the original publication date. The astounding amount of research involved in producing this admittedly selective overview is well-indexed and annotated.
My only quibble is that Wright, obviously an expert in the field of native culture, sometimes borders on the compulsive in matters of linguistic authenticity. I did not buy this book to learn ancient native languages, let alone their pronunciation, and at times I found the inclusion of such trivia distracted from rather than enhanced the otherwise convincing scholarship. This obsession with accuracy is commendable, but after getting it out of his system in the Author's note, his amazing narrative would have been no less compelling if he stuck to the language of his contemporary audience. Also, for an author who has settled in British Columbia, it is strangely disappointing that the rich history of the Pacific Northwest coastal natives was not among those he chose to examine.
I had read Charles Mann's "1491" prior to this book and found it primed my interest in the subject; both are excellent introductions to the reality of pre-Columbian American societies, but Stolen Continents provides more of a historical context for what has become of them.
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Reviewed in the United States on October 13, 2008
★★★★★ 5
... true things that really went on to know very great
Format: Hardcover
lots of true things that really went on to know very great book
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Reviewed in the United States on October 13, 2016
★★★★★ 3
Well intentioned but ignorant
It's clear that this author is well intentioned. He betrays his own ignorance in trying to justify why his book only addreses certain native nations, however. The author indicates that the book did not address the native peoples of the Caribbean because they are extinct. To state that the Taino and Carib are extinct is at best extremely ignorant and at worst racist. The Taino and Carib are very much alive. To begin with, there is a reservation of Carib Indians on the island of Dominica. These native people have retained their language and culture. Further, there is a Taino Revival movement happening throughout the major Antilles especially in the Dominican Republic, Puerto Rico and Cuba. It has been scientifically proven via DNA analysis that these people are of partial and in some cases total native descent. The Taino language is being heard and taught again in the Caribbean and Taino culture has always been an integral part of the the customs and culture of the major Antilles. It is very unfortunate to know that even this author is ultimately just another white guy bent on ignoring " incovenient truths ".
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Reviewed in the United States on September 25, 2012
★★★★★ 5
Recommend
Tells the other side of the story you didn't get in U.S. History class. Good read.
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Reviewed in the United States on May 15, 2015
★★★★★ 5
Five Stars
Outstanding book on the general history of European barbarism.
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Reviewed in the United States on December 26, 2017