SKU: 75251878662

EastWest Hollywood Orchestra Opus Edition

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Description

EastWest Hollywood Orchestra Opus EditionHollywood Orchestra Opus Edition is the highly anticipated expansion to Hollywood Orchestra, the best selling and most awarded orchestral virtual instrument ever produced. It includes brand new pristine recordings, reimagined original content, and powerful new features, all housed in the new revolutionary OPUS software engine. Produced by Doug Rogers and Nick Phoenix, recipients of over 100 international industry Awards, and sound engineered by

Hollywood Orchestra Opus Edition is the highly anticipated expansion to Hollywood Orchestra, the best-selling and most awarded orchestral virtual instrument ever produced. It includes brand new pristine recordings, reimagined original content, and powerful new features, all housed in the new revolutionary OPUS software engine.

Produced by Doug Rogers and Nick Phoenix, recipients of over 100 international industry Awards, and sound engineered by multiple Academy Award and BAFTA winner Shawn Murphy, Hollywood Orchestra Opus Edition is the culmination of years of recording and programming and will set a new industry standard for achieving professional sounding orchestral soundtracks.

  • Includes Hollywood Orchestrator ($199 value)
  • Includes Opus Software
  • Includes Hollywood Orchestra new content and reimagined original content
  • Includes all Hollywood Solo Instruments ($299 value)
  • Hard Disk space required - 950GB
  • 24bit / 44.1khz files and all mic positions.-

Brand new recordings include a new 18 violin string section for Hollywood Strings, new ensembles for Hollywood Brass and Hollywood Orchestral Woodwinds, plus new string, brass, and wind multi ensembles. The programming of the original content from Hollywood Orchestra and Hollywood Solo Instrument Series have been updated to take advantage of the features included in the new Opus software engine. Particular focus was placed on Hollywood Orchestral Woodwinds. After improving the original woodwinds, new ensembles were recorded, including 3 bassoons, 3 clarinets, and 3 flutes. The Opus Edition also includes new string, brass and wind multi ensembles that have a unique fat sound that captures the tuning of a large orchestra playing together in a live setting.

Powerful new control features include Master key-switches where all articulations can be fully customized in the new OPUS articulation palette. You can also customize the sound of each instrument using the new MOODS feature. Classic Mood is the original Hollywood Orchestra sound. Soft Mood modifies the sound for slower, more emotional passages. Epic Mood does the opposite, giving you a sound perfectly suited for your next Action Adventure score. Each mood changes the settings and the look of the interface, which has been completely redesigned and stylized for Hollywood Strings, Hollywood Brass, Hollywood Orchestral Woodwinds, Hollywood Orchestral Percussion, Hollywood Solo Violin, Hollywood Solo Cello, and Hollywood Harp.  In addition, all instrument versions have been simplified down to LITE and MAX, making Hollywood Strings much easier to navigate. The MOODS feature requires the Diamond edition that include all mic positions mixed by Shawn Murphy. Gold users will not experience MOODS as they were designed.

Multiple Academy Award and BAFTA winner Shawn Murphy was brought back to sound engineer all the new recordings. Shawn Murphy is one of the most prolific sound engineers and mixers in the history of cinema. Shawn Murphy has created special mic mixes for Hollywood Orchestra Opus Edition, including an additional recorded mic position for all new instrument ensembles that is made up of all "off-axis" close mics that were open, but not played directly into. This extra mic position is perfect for capturing the larger sound of EastWest Studio One, the home of countless Hollywood film and television scores.
The brand new OPUS software engine replaces PLAY and has been years in development. Not only is it faster, more powerful, more flexible, and better looking than PLAY, it comes with some incredible new features such as individual instrument downloads, the ability to start playing instruments while they're loading, customized key-switches, new effects for the mixer page, scalable retina GUI upgrades for legacy products, a powerful new script language, and many more features that allow you to completely customize the sound of each instrument.

In addition to Hollywood Orchestra Opus Edition and the new Opus software, EastWest is releasing a companion arranger tool, Hollywood Orchestrator, which works inside of Hollywood Orchestra Opus Edition just like WordBuilder works inside Hollywood Choirs. Developed in collaboration with Sonuscore, Hollywood Orchestrator uses all the instruments in Hollywood Orchestra Opus Edition to create real-time arrangements based on your MIDI input with the innovative Scoring Engine. Build your own rhythms and scores with the Step Editor. Create Patterns with a length up to 4 bars. Get started quickly with more than 400 Presets in different categories and moods. There's playable full orchestral articulations and MIDI record and export. It's the whole Hollywood Orchestra Opus Edition right at your fingertips with up to 16 Patches across all instrument sections. Hollywood Orchestrator is the perfect tool both for new composers who want to get that magical Hollywood sound quickly and effortlessly, and for professional composers who need to produce large amounts of compositions on a deadline. You can customize each preset or create your own with this powerful simple to use arranger tool. Please note: Hollywood Orchestrator requires Hollywood Orchestra Opus Edition, it is not a standalone product, and is not compatible with the original Hollywood Orchestra or Hollywood Solo Instruments which are now included in the Opus Edition with the newly recorded instruments.

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SKU: 75251878662

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4.5 ★★★★★
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Sara
Dallas, US
★★★★★ 5
They choose reading over screen time!
Format: Paperback
The nephews (10 & 8) love these kinds of books! I bought the prehistoric one as well and after they were done they swapped to continue their adventures! They're asking for more and choose the books over screen time! I'd say thats a win for the Aunt!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 7, 2026
R
Verified Purchase
Reading Writing And Me
Omaha, US
★★★★★ 5
Awesome!
Format: Hardcover
This was an awesome book with a focus on friendship and family which isn't seen often enough in YA. If you liked Who's That Girl, you'll love this music infused book. I have a full review for this book posted on my blog: Reading, Writing, And Me.
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Reviewed in the United States on February 2, 2018
D
Destiny B.
Boise, US
★★★★★ 3
She starts the book off fairly amusing and relateable with an excellent depiction of anxiety and paranoia
Format: Paperback
This was actually a 3.5 star read for me, but the more I pondered it over the two-day span between finishing it and reviewing it, I realized it wasn't quite remarkable enough for me to round up. Here We Are Now tells the story of Taliah, a biracial white/Arabic teen who's never met her father. She's only working on an educated guess that he might be Julian Oliver, rockstar sensationalist, when the man shows up at her door one day to tell her that her assumptions were correct - and he wants to take her to meet his family, including his dying father. Tal isn't the most enjoyable narrator in the beginning of the story. She starts the book off fairly amusing and relateable with an excellent depiction of anxiety and paranoia, but those feelings quickly morph into a level of snark and distrust that's not pleasant to read through. Despite the fact that Julian's entire existence points blatantly to a million lies Tal's mother has fed her throughout her life, Tal refuses to place any blame on her mother. The nice thing about Taliah, however, is how much she grows; throughout the story, through a handful of "tough love" scenarios from multiple friends and family members, she learns that life isn't as black and white as she thinks it is. She grows to slowly trust people and open up, and is forced to come to terms with her unhealthy level of possessiveness over her best friend, Harlow. The most unexpected thing about Here We Are Now was how quickly and how much I fell in love with Tal's father, Julian. From the opening of the story, I honestly expected him to be this flighty, dirtbag sort of stereotypical rockstar who would show up, get her hopes up, and then shatter her dreams a few times before disappearing again at the end of the book. That is totally not Julian at all, though. From the beginning, he's awkward, uncertain, and a little bit shy about learning he's Taliah's father. I won't spoil the fine details for you, but we learn that Julian hasn't been half bad enough to deserve some of the events of the past, and he's actually a pretty well-meaning guy. His banter with Tal is so enjoyable, and I loved the way the we got to see the past through his memories, but they were written in Lena's (Tal's mother) perspectives. Harlow is Tal's childhood best friend, who happens to be a lesbian. I loved the idea of Harlow to bits: she's obsessed with baking, she's sassy, she's proud of her sexuality, and she's got a good head on her shoulders. Unfortunately, her actual interactions with Tal and the other characters in the story are cringe-y most of the time, and her "tough love" spiel about not relying on only one person would have been a lot better if it hadn't been laced with her breaking a promise to Tal so she could hang out with her girlfriend. The romance in this book was one hundred percent the biggest disappointment in the entire story. It felt so incredibly lackluster and out of place that I probably would have rounded up to 4 stars if I could have somehow gone through and edited out the entire existence of this friend-of-the-family character. He's not a bad kid, but it would be so nice to see a YA contemporary every now and then that doesn't end in a couple forming, and this book would have been perfect for that! Totally a missed opportunity. First of all, I am not Muslim - or religious at all - and I cannot speak for how good this rep was. I do know, however, that Jasmine Warga identifies as a Middle Eastern/American woman, so the POC rep is own-voice and was so enjoyable to read. Tal's mother's perspectives frequently reflect on her Muslim beliefs and family, as well as how incredibly homesick she is for Jordan. She frets constantly that she is letting her parents down if she doesn't make a name for herself in the States, and there is even a solid bit of conversation about hijab-wearing and eating habits! Of course, there is also the lesbian rep that I mentioned in Harlow's case, which I found really enjoyable. Harlow is out and proud and has no questions about her sexuality. There are no tropes, or painful moments we commonly see through queer characters in YA contemporary titles. All in all, Here We Are Now was a fun read, but nothing spectacular. Had it not been for the romantic aspect, I would have given this 4 stars, but it was such a downer that I couldn't justify rounding up the rating. If you're looking for a fun YA contemporary story about family, with some nice diverse representation thrown in, or if you're already a Jasmine Warga fan, I'd recommend picking it up.
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Reviewed in the United States on November 9, 2017
C
Verified Purchase
CassieopiaBooks
Houston, US
★★★★★ 4
A very witty and heartwarming story for everyone...
Format: Hardcover
Wow, Pamplemousse! I think this book found me at the right time in my life. Here We Are Now is short and expands over a few days, but I also enjoyed that flashbacks of the main character’s parents falling in and out love is littered throughout the pages. I really connected with the main character Taliah, who is definitely a hard shell to crack. But I loved that although she is sarcastic, smart, and funny, she also holds a tight rope around her emotions. She is cautious with letting people in, but I liked that her journey to meet her father and his family for the very first time, opens up her world to new challenges and emotional breakthroughs. I don’t want to give too much away in regards to the plot, because it is very straight forward and well-focused on Taliah, a teenager, meeting her father, a well-known rock star, for the very first time. And throughout the pages, Taliah pushes herself to open up to her dad, discover unknown information about her mom, and meet her long lost family. And importantly she matures and discovers things about herself. Here We Are Now is very straight-forward and focuses a lot on modern day scenarios, such as familial conflicts, diversity, biracial relationships, and tough love. I found myself laughing a lot during this book, because these characters are so witty and heartwarming. But there are also some parts that are heartbreaking, and these moments are so raw and gritty and realistic. In the end, I liked that the conclusion of this book leaves the characters wide open for new possibilities and room to grow, instead of a simple “happily ever after” ending.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2018
R
Verified Purchase
roger
Massapequa, US
★★★★★ 5
Highly recommended
Format: Hardcover
Fun to read. Love Jasmine.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 10, 2017

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