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Tripp Lite by Eaton 10kW 200-240V 3PH Monitored PDU - LX Interface, Gigabit, 48 Outlets, L21-30P Input, LCD, 1.8 m Cord, 0U 1.8 m Height, TAAMeet a powerhouse in power distribution for demanding IT environments and rugged industrial installations: the Tripp Lite by Eaton 10kW 200 240V 3PH Monitored PDU, model PDU3EVN6L2130B. This advanced unit is engineered to deliver reliable, scalable power while turning complex electrical data into actionable insight. With a 10 kW capacity, it supports high density server racks, network appliances, and critical equipment in data centers, labs, and
Meet a powerhouse in power distribution for demanding IT environments and rugged industrial installations: the Tripp Lite by Eaton 10kW 200-240V 3PH Monitored PDU, model PDU3EVN6L2130B. This advanced unit is engineered to deliver reliable, scalable power while turning complex electrical data into actionable insight. With a 10 kW capacity, it supports high-density server racks, network appliances, and critical equipment in data centers, labs, and manufacturing floors. Its built-in Gigabit network connection enables real-time remote monitoring of voltage, frequency, and load levels, so facility managers and IT teams can observe performance from anywhere and respond before issues escalate. The 48-outlet configuration—featuring 42 C13 outlets for general IT gear and 6 C19 outlets for higher-current devices—provides abundant, flexible distribution for heterogeneous deployments. An LCD panel offers quick, local visibility on power conditions, while the LX Interface streamlines management, logging, and alerting across the network. The unit’s 1.8-meter cord accommodates diverse rack layouts, and its 0U form factor keeps precious rack space available for equipment. Designed to withstand the rigors of continuous operation, this PDU is TAA compliant and ready to deploy in both IT and industrial environments, delivering both power and precision to protect valuable assets and maximize uptime. In short, this PDU is built for reliability, visibility, and control in environments where every watt counts and every connection matters.
- Power capacity and outlets: 10 kW of three-phase capacity distributed across 48 outlets — 42 C13 outlets for standard IT gear and 6 C19 outlets for higher-current devices, enabling flexible, scalable circuitry for servers, storage, networking gear, and peripherals.
- Remote monitoring and local visibility: Real-time remote monitoring of voltage, frequency, and load through a built-in Gigabit network connection, complemented by an LCD display for quick local readouts at the rack.
- Secure cabling and management: Includes plug-lock insert sleeves to prevent cables from being accidentally unplugged, reducing downtime and maintaining stable configurations in busy data centers and labs.
- Flexible input and rack integration: 200-240V three-phase input via L21-30P, with a 1.8-meter power cord and a 0U rack height design, enabling compact, space-efficient installations without sacrificing performance.
- Build quality and compliance: TAA-compliant construction built to endure industrial environments, delivering dependable power distribution for IT and industrial applications while meeting procurement requirements for government and enterprise facilities.
Technical Details of PDU3EVN6L2130B
- Model: PDU3EVN6L2130B
- Power rating: 10 kW (three-phase)
- Input: L21-30P, 200–240V, 3-phase, 30A
- Output: 48 outlets — 42 x C13 and 6 x C19
- Monitoring: Built-in Gigabit network connection for remote monitoring of voltage, frequency, and load; LCD for local readouts
- Interface: LX Interface for streamlined management and visibility
- Cord length: 1.8 m
- Rack compatibility: 0U footprint for space-saving deployment
- Compliance: TAA compliant
- Ideal applications: IT racks, data centers, industrial control rooms, lab environments requiring precise power distribution and monitoring
How to install PDU3EVN6L2130B
- Plan your rack layout: Verify available rack space and confirm mounting requirements for a 0U PDU, ensuring there is room for cable management and the LCD display visibility.
- Mount the PDU: Secure the unit to the rack using appropriate rails or mounting hardware supplied or recommended by the manufacturer, ensuring a stable, vibration-free installation.
- Connect the input power: With the system powered off, connect the L21-30P input plug to a compatible three-phase supply rated for 30A at 200–240V. Confirm all input connections are tight and shielded from potential interference.
- Route and secure outlets: Organize cables for devices plugged into the 42 C13 outlets and 6 C19 outlets. Use the plug-lock sleeves to secure critical power cords and prevent unintentional disconnections.
- Configure monitoring and network: Connect the PDU’s Gigabit Ethernet port to your management network. Access the LCD and the LX Interface to configure monitoring thresholds, alerts, and data logging for voltage, frequency, and load.
- Power on and verify: Apply power and check the LCD readouts for immediate indicators of voltage, frequency, and load. Validate that remote monitoring is reporting correctly by querying the PDU from your network management system.
- Perform a startup test: Power a representative mix of devices to ensure that C13 and C19 outlets distribute power evenly and that monitoring alerts trigger as expected under load.
- Documentation and maintenance: Record PDU serial numbers, model, and network address in your asset management system. Schedule regular checks for firmware updates, cable integrity, and alert configuration to maintain peak reliability.
Frequently asked questions
- Q: What kind of environments is this PDU best suited for? A: It excels in data centers, server rooms, and industrial IT spaces where 3-phase power distribution, remote monitoring, and high outlet density are essential for uptime and performance.
- Q: How does remote monitoring work? A: The PDU includes a built-in Gigabit network connection and LX Interface, allowing real-time visibility of voltage, frequency, and load from your network management tools, while the LCD provides local readouts on-site.
- Q: How many outlets are supported and what outlet types are available? A: The unit provides 48 outlets in total—42 C13 outlets and 6 C19 outlets—giving you versatility for a wide range of devices from servers and switches to storage arrays and power-hungry appliances.
- Q: What is the input configuration? A: The PDU uses a L21-30P input for 200–240V three-phase power at up to 30A, making it suitable for most data center and industrial electrical systems.
- Q: Is the PDU compliant with procurement requirements? A: Yes, it is TAA compliant, ensuring it meets procurement standards for government and many enterprise projects.
- Q: How should I secure cables to prevent accidental disconnections? A: The PDU includes plug-lock insert sleeves designed to secure high-priority power cords, reducing the risk of accidental unplugging during maintenance or busy operation periods.
- Q: Can I manage this PDU remotely with common networks? A: Yes. The Gigabit network interface supports standard management workflows via compatible network management systems, SNMP, and vendor-provided tools, enabling centralized power monitoring and alerting.
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4.5 ★★★★★
Based on 29 reviews
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Product Reviews
★★★★★ 5
A Feminist Divine Comedy?
Format: Paperback
Let me start with this: The Descent of Alette is difficult to read at first. Notley "puts quotation marks around" "groups of words" "in lines" "that can be off-putting." Note that I'm not quoting from the book there, just giving an example of what the book's text appears like. This forces us to read more slowly, taking in each line a few words at a time. What appears to be awkward is in fact a great solution to the speed-reading most of us do these days. That being said, it's troublesome for the first few poems, less so after that, virtually invisible by the end of the first section.
When talking about this book, I immediately compare it to Dante's Divine Comedy, and I commonly see others do the same (see an earlier review here on Amazon.com). Exchange Hell for a subway, and you've basically got it: an underground realm ruled over by a Tyrant, poor souls being tortured, though in this case there is no indication that they have done anything to deserve it. Notley's language might not be quite as beautiful/harsh as Dante's, but her images stand with anything he created. After introducing two characters on a subway, a woman and her baby, both on fire, Notley writes:
"another woman" "in uniform" "from above ground"
"entered" "the train" "She was fireproof" "she wore gloves, & she"
"took" "the baby" "took the baby" "away from the"
"mother" "Extracted" "the burning baby" "From the fire" "they
made together" "But the baby" "still burned"
("But not yours" "It didn't happen" "to you")
"We don't know yet" "if it will" "stop burning,"
"said the uniformed" "woman" "The burning woman" "was crying"
"she made a form" "in her mind" "an imaginary" "form" "to
settle" "in her arms where" "the baby" "had been" "We saw
her fiery arms" "cradle the air" "She cradled air" ("They take your
children" "away" "if you"re on fire")
"In the air that" "she cradled" "it seemed to us there" "floated"
"a flower-like" "a red flower" "its petals" "curling flames"
"She cradled" "seemed to cradle" "the burning flower of" "herself gone"
"her life" ("She saw" "whatever she saw, but what we saw" "was that flower")
After surviving the horrors of the subway, Alette goes even deeper underground, passing through a series of psychological challenges that at times seem straight out of Freud, at times out of Classical mythology, at times out of collective dreams. Throughout it all, we learn more and more about Alette, who is not just a "hero" who goes through the motions necessary to the plot, but who considers and stumbles and is confused and learns.
The third section of the book is a rebirth, wherein Alette finds a source for a stronger power than the Tyrant's, and it is distinctly feminist in its nature. I need to note here for those who react to feminism in a knee-jerk way: Notley's feminism is not a militant feminism, though it requires brief "military" action on Alette's part. Men are helpful in the story, have purpose besides being the bad guy. If anything, what Notley attacks in the form of the Tyrant is the idea of a corrupt masculinity, a kind of Big Brother who would easily stand as an antagonist in any number of 20th/21st century literary works. Alette's feminism is the discovery of her place in the world, and that place is not slaving away mindlessly for the Tyrant, not acting as just a womb or pair of hands or pretty face. It's a nuanced message, despite the epic (and therefore presumably black-and-white) nature of the whole book.
The fourth section is the showdown with the Tyrant, a great deal of philosophizing, and an ending that I actually find more satisfying than that of Paradiso. I won't spoil it here, but it just works extremely well in conjunction with the themes of Descent as a whole.
If you want to be challenged, if you want to think deep thoughts, if you want surreality and magic, pick up The Descent of Alette. For even more interesting reading from the author and her partner, you could also turn to The Scarlet Cabinet, which contains but actually predates the on-its-own publication of Descent.
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Reviewed in the United States on October 11, 2010
★★★★★ 5
A Contemporary Epic
Format: Paperback
I have a complicated relationship with most of the books I've read by Alice Notley. I admire her facility with the lyric, her ability to get just beneath a concept or sentiment using a very talk-y style so that I always feel like I'm with whatever speaker she's using, inside that mind and her mind all at once. This is a good kind of complication. It's one I yearn for with poems.
The unpleasant complications are when I feel as though I'm just being subjected to her unedited notebook entries. Too much, too much, too much. It comes up especially with her book Mysteries of Small Houses.
I mention these difficulties only to sharpen the accomplishment of The Descent of Alette. Like other reviewers, I feel the tonal similarities to Dante's Inferno. Which becomes a subversive allusion considering Alette seeks after a male Tyrant in order to destroy him, while Dante sought after his Beatrice out of desire. But I read and reread Alette, because Notley continually subverts patriarchal conventions in the book.
I actually find I crave the speaker's intellect, and the mythic logic that gives the book its arc. I want it more. Yes, there are quotations around each fragment in the poems. I actually appreciate them for slowing my reading down, and for sharpening my focus on the use of Notley's language. And it's not just a stylistic tic, or something to be endured. It could actually be described as further subversion of The Tyrant Alette pursues.
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Reviewed in the United States on August 25, 2011
★★★★★ 2
Imagery and diction
Format: Paperback
This book was very challenging to read because everything was written in quotations however, it was intriguing as a different way of writing poetry.
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Reviewed in the United States on August 11, 2020
★★★★★ 5
I tend to leave most books in this genre disappointed. I miss the classics
Format: Hardcover
I bought this book after hearing Stacey Lee speak about narrative tension at a lecture for YA writers - the talk was specifically entitled, "How to keep them up all night." The lecture (alongside Anna Shinoda) bit off a rather large amount of material. Neither woman mentioned vampires. The methods they discussed were smart, creative, and delivered with just enough humor to leave me wondering whether I'd be able to put their debut novels down.
I devoured GONE WITH THE WIND at least six times cover to cover between my sophomore and senior year. While I am more susceptible to the Historical Fiction page turner than the average girl, I tend to leave most books in this genre disappointed. I miss the classics. I opened this book determined to not judge it by its gorgeous pastel cover. I started slowly. I enjoyed the first four or five chapters - leaving each fully appreciative of Lee's craft. I particularly enjoyed her ability to pepper humor though tragedy. I often complain about writers who miss the mark here. Stacey Lee nailed that important believable balance for me. I liked her characters quickly. I left each chapter satisfied, but thoroughly able to get up and go on with my life. Like a jaded Thumper in Walt Disney's BAMBI, this book was more than nice, but I wasn't susceptible to any kind of teen-aged Twitterpation over it. After the sixth or seventh chapter - four or five days after I first picked it up, I quietly closed my copy, placed it on my nightstand, switched off my lamp, fluffed my pillow and turned over. I turned over again. I flipped on the light - OK, just one more chapter... I zombie sleepwalked to work the next day. That night I retired early, making some completely convincing excuse about being exhausted. I was certainly too tired to read. Flash forward to 6AM when I woke up with this novel on my face. I turned it's last page this afternoon, fully satisfied. I am truly sad it's over. This book transported me. It's one I'll want to have in my collection forever, alongside the beautiful books that mattered to me as a teen; JANE EYRE, TO KILL A MOCKINGBIRD, UNDER A PAINTED SKY. Classic in feel, subject matter, and voice - but modern in approach, I'd be as comfortable recommending it to my book club as I would handing it to any teen. Readers of all ages and walks of life will surely find something that resonates with their own stories too. As for me, I am sure I'll be back on the trail with these girls-- I mean boys, before long.
Now I'm off to try my hand at Anna Shinoda's LEARNING NOT TO DROWN. Well, maybe tomorrow. I need a good night's sleep and it's clear these authors know how to keep those pages turning.
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Reviewed in the United States on August 24, 2015
★★★★★ 4
Good, Fun, Important Topics
Format: Paperback
Good, solid, read for ages 12+. Somewhat unrealistic and yet believable story of two strong young female characters traveling west disguised as boys. Couldn't stop reading it until I was finished with the book, and now my granddaughter is doing the same. This book has many relevant themes about race, gender, class, religion, and other stereotypes and is an excellent choice for a classroom or family read aloud. Get it.
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Reviewed in the United States on February 26, 2017
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