Zebra Crossing

Zebra CrossingThis artwork is featured in Billys new book The Accidental Artist. The irrepressible Billy Connolly returns with the latest instalment of his Born on a Rainy Day collection, this time with coloured interpretations his most celebrated images. Originally sketched in black and white, Billys reimagination of this artwork illustrates the continuing evolution of his unique signature style. By introducing a spectrum of colour to the famous Zebra Crossing,

This artwork is featured in Billy’s new book ‘The Accidental Artist’.

The irrepressible Billy Connolly returns with the latest instalment of his Born on a Rainy Day collection, this time with coloured interpretations his most celebrated images. Originally sketched in black and white, Billy’s reimagination of this artwork illustrates the continuing evolution of his unique signature style.

By introducing a spectrum of colour to the famous ‘Zebra Crossing’, Billy expresses his love for creativity and originality, encouraging us all to embrace our individuality, no matter what. Although his figures are faceless, they still manage to possess an extraordinary self-awareness and humanity, whilst their anonymity opens them up to individual interpretation, creating a unique bond with the viewer. Connolly told us “When I started this, I drew the beacons. There was a place in Scotland I would go through, a place called Danny's land cross, and it was the biggest collection of beacons you ever saw. You could never cross it without the aid of your Belisha beacons. I thought, What about a zebra crossing?”

Billy’s joy for life is clear and infectious in this collection. As we see the figures playing music, dancing and expressing their unique style, Billy gives us an insight into some of the most nostalgic moments throughout his life and career.

Whether it’s hearing the pulsing sound of bagpipers lining the streets at the Edinburgh Fringe, the blossoming relationship with his art or the magical light of the Scottish gloaming, each piece reveals life through Billy’s eyes, while inviting the viewer to enjoy it in a way that’s true to them.

Described by The Times as 'poignant', 'funny' and 'enigmatic', Billy’s highly collectible prints and stainless-steel sculptures are as amusing as his comedy.

This artwork is a Double Hit Flatbed Giclée Limited Edition on 100% Cotton Saunders Waterford 300gsm Paper. A set of six is also available framed or as a portfolio. Find out more about this collection here or alternatively shop more Billy's art here.