SKU: 88548108775

EBC Bluestuff NDX Full Race Brake Pads (DP51833NDX)

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Description

EBC Bluestuff NDX Full Race Brake Pads (DP51833NDX)Reformulated for faster bedding and reduced early life fade Bluestuff is our recommended entry level race pad. It brings along a medium plus lifetime and as such has been the choice for several seasons in BMW Cup racing. New Bluestuff is without a doubt the EBC Track day recommended pad. For longer races see the EBC RP1, RPX, or SR ranges. Bluestuff being R90 approved for street use also is a popular UPGRADE PAD for heavier SUVs, and 4 x 4 in street

Reformulated for faster bedding and reduced early life fade Bluestuff is our recommended entry-level race pad. It brings along a medium-plus lifetime and as such has been the choice for several seasons in BMW Cup racing. New Bluestuff is without a doubt the EBC Track-day recommended pad. For longer races see the EBC RP1, RPX, or SR ranges. Bluestuff being R90 approved for street use also is a popular UPGRADE PAD for heavier SUVs, and 4 x 4 in street use because of its incredible braking power and high fade resistance, and is very popular even on armored street vehicles.

Performance
EBC Bluestuff are heat scorched which helps bedding times but you still need to take care especially on the highway and when using on part worn rotors. Use the brakes gently for 200 miles, gradually increasing demand on the brakes in a SAFE ROAD ENVIRONMENT until you feel totally confident and can evaluate their stopping distances in all traffic conditions. Remember, it’s down to you and your bedding-in process. If you do feel brake fade a couple of times and even smell the brakes, this is totally normal and once achieved and the brakes are allowed to cool, they will have improved a lot. There are several ways of surface scorching pads and EBC has chosen an infra red lamp tunnel for surface preparation of its pad ranges. The furnace is now scorching all pads for resale including the Bluestuff NDX range.

Features:

  • Track-Ready: Designed for aggressive driving and track day use.
  • High Friction: Provides a high initial bite and friction level for performance braking.
  • Street Usable: Despite being track-oriented, they are still suitable for street use.
  • Deep V Grooves: Helps vent off dust and gases and maintain pad surface contact.
  • Surface Coating: Features EBC's Brake-In coating for faster bed-in.
  • Low Heat Fade: Performs well under high-temperature conditions with less fade.
  • Long Life: Durable material that offers a longer lifespan than conventional pads.
  • Reduced Disc Wear: Formulated to minimize disc wear compared to race pads.
  • Low Noise: Engineered to produce less noise than typical race pads.
  • Minimal Dust: Generates less dust than many other high-performance pads.
  • Direct Fit: Manufactured to be a direct fit replacement for factory pads.
  • Rotor Friendly: Material composition is kinder to rotors than many other aggressive pads.

 

Bedding Performance
The curve shows that friction builds quickly during bedding in even after 2-3 stops but in a real world TRACK USE where rotors may not be perfect and calipers not serviced weekly (like our lab dyno ones) the bedding in process with Blue may exhibit 20-25mm contact bands in the centre of the discs after 4-5 laps and on some standard street calipers some vibration.

This is simply the pad telling you “ I cannot hold onto the disc at these torques until I am fully bedded in”. If vibration happens you should continue driving whilst BRAKING EARLIER TO BE SAFE until the contact band widens to almost entire disc/rotor sweep at which point the vibration will stop. In street use the torques will not normally be enough to generate vibration during bed in but drive safely for 200 miles gentle brake use to bed in your new brakes and test them to performance in a safe and quiet road environment until you have total confidence that they are bedded. Hitting the brakes too hard, too soon can not only shorten pad life it may cause loss of brakes and an accident. Bed brakes in progressively.

Pre-bedding burns off a lot of the volatile organics in the brake pad surface by passing the pads under an apparatus similar to a toaster after manufacture for a few seconds; this chars the surface and the paint around the pad surface but the result is a major reduction in bed in time which all drivers will appreciate.

More information
Rotor condition
Is important, an off-flat or ribbed and grooved rotor will treble bed in times for street or track use, this is a harder and more durable pad and rotors should be in almost dead flat condition. If you need to have your rotors skimmed we recommend ONLY the very praiseworthy ON CAR brake lathes from Pro Cut.

Lifetime
ALWAYS inspect pads every 30 laps and discard when friction material is down to one eighth of an inch or 3mm to avoid fade. In street use the lifetime is considerable – 20,000 miles and upwards can be expected, even when driving hard.

Ducting and caliper drag
When using a street car brake system for racing, the mere insertion of a race formula pad does not transform your car into a track beast. Some cooling ducts often need to be added to give the brake system and pads a chance to survive race use.

Using Bluestuff NDX as a Street only pad
In Europe, the ECE R90 brake safety regulations require brake pads to have R90 certification when used on the road and with Bluestuff, this is not available for all cars.

 

Bluestuff is an entry-level trackday and race pad that has good street manners and is actually R90-approved for street driving. There are two compounds within the Bluestuff range Bluestuff NDX higher friction 0.52 Mu and new Bluestuff B with a lower 0.42 Mu.

However, due to Bluestuff having excellent cold friction and being very controllable, this compound has quickly become the brake pad of choice for performance road car drivers in USA and Asia markets where R90 homologation does not apply. More recently, EBC is pleased to announce that Bluestuff has passed extensive road-focused testing and gained R90 approval on most E.U. fitments, making it unique in being the first truly track-focused pad which is also perfectly legal for use on the public roads across Europe. There is no requirement for E.U. customers to inform their insurance company following the fitment of R90-approved pads.

For customers with experience of EBC’s widely acclaimed Yellowstuff material, Bluestuff boasts a similar friction profile but with a usefully higher friction coefficient across the now larger working range, feeling much like you’d imagine Yellowstuff to feel after a double hit of espresso. Bluestuff has the added benefit of much faster bed in time and has a high friction coefficient without feeling grabby, taking things up a notch from EBC’s Yellowstuff material by bringing superb pedal modulation to a track pad with even greater fade resistance.

When planning a track day, even bedding in of the Bluestuff and Yellowstuff grades is essential that you bed your pads incorrectly. As we tweak compounds to further gain performance this advice changes, our latest advice on bedding in these two Hybrid grades for track use is here.

For customers seeking the ultimate road/track pad with even greater levels of performance, check out EBC’s range of RP-1 and RP-X race brake pads which deliver faster bed in and higher temperature fade resistance.

EBC’s track and race materials are exceptionally kind on brake discs, making them especially desirable for modern performance cars that feature complex and hugely expensive 2-piece brake disc systems from the factory. Customers report that EBC track and race pads are far kinder to brake discs than comparable granite-like semi-metallic pads, which may last longer but take the rotors with them.

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Exchange/Return Notes
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SKU: 88548108775

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4.9 ★★★★★
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Product Reviews
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P. Biealczyc
Waukegan, US
★★★★★ 5
Really nice
Format: Paperback
Great read and gift
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Reviewed in the United States on May 31, 2026
K
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Kindra Foster
Waukegan, US
★★★★★ 4
Classic, but a bit disappointed
I’ve always wanted to read this book. Heard a lot about it and it’s importance in the science fiction genre. But I didn’t care for Heinlein’s style of writing. There was a lot of subtle humor in it that was enjoyable, and I suspect he meant for it to be a caricature of humanity. I enjoyed the analysis of human nature throughout the story. But I was disappointed in the direction the story took toward the end. It seemed like a cheap way to develop the possibilities that had been laid out in the rest of the book. I want to believe human beings would value the opportunity and show up in a better way if such a thing really happened. I felt like the main character was so rich and unique in the beginning, but in the end, he felt flat and inscrutable. Having said all of that, maybe if I hadn’t been swayed by my own expectations, I would have enjoyed the story more. I’ll have to try some of his other books and see what I think!
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Reviewed in the United States on May 28, 2024
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Craig in NE CT
San Leandro, US
★★★★★ 5
Great story!
Format: Mass Market Paperback
I read this book as a teenager, in the 1960s, and just, now, finished rereading it, at age 65. I see that I missed many of the author's ideas (due to my youthful lusts, antics, and ignorance of life and of the Bible). "Stranger in a Strange Land" struggles with boundaries of self, morality, and what may constitute/govern a normal healthy society. The author pokes at our spiritual needs, ideas, or rituals upon which we all depend to order our lives, whether we be atheistic, pantheistic, or monotheistic. By minimizing God and godhood to the level of individual understanding and growth, the Heinlein's story posits that all philosophical views need not be antagonistic toward one another; that, by default, truth is and should be relative, given our potentially reformed natural self-interests. Whether a `religious' or irreligious person or organization is primitive, civilized, or `who-cares', Heinlein poses that, despite our ideologies that distinguish us from others, or unite us, only a growing constructive self-awareness is really important, not whether God really exists or whether we will face a final judgment. The author's trick to redemption is how we decide to get along with ourselves and our neighbors, within a `fly right, or mess up and go back to the beginning' scenario, in contrast to the biblical one-life-one-chance view. By design or default, in this story, Heinlein relegates God below human self-actualization, and allows no room for absolute truth. Heinlein's self-fulfilling self-actualization is entirely at odds with biblical Christianity and biblical Judaism, yet quite at home with most religions and faiths that rely on salvation by personal works, and reincarnation-based religions. Maybe that was part of the author's point in telling the story. When it comes to putting a halt to abusive powers, I have to chuckle at how Heinlein has Smith frustrate the overbearing powers-that-be. A thought struck me about twenty years ago that those who have power or understanding have a God-given responsibility to exercise discipline and restraint with those who lack power or understanding. Having more power or understanding than someone or something else does not obviate one's responsibility to exercise that power or understanding to better the world in which we live, nor does it entitle one to do ought but to treat others with love, respect, and decency, which, for the betterment of society and our world, may require that one's power or understanding be exercised to identify or destroy evil. Though this philosophy is exercised by the lead character within the story, the clarity of this comes late to Valentine Michael Smith, yet, sadly, such clarity does not move him to embrace an absolute God, absolute truth, nor his own existence as a created being that is not God, leaving Heinlein's view of life and after-life harshly in contrast to the biblical viewpoint, hence at odds with God. Martian or human, in the end, Heinlein simply does a shell game with his characters, when the issue of death arises, leaving readers to guess in what level the author will eventually hide them, to avoid a final judgment, leaving each soul's story to continue ad infinitum, ad nauseam, without any ultimate accountability. This is an entertaining science fiction story, yet, Heinlein's ideas, in this sexual-religious-social romp, border on theological sophistry. His ideas will probably offend most established points of view. Despite his general bravado, and so bold a topic, Heinlein omits balanced discussion among the characters, fails to deal with any absolute truth or true final judgment of evil, and perfunctorily dismisses biblical views that might be germane to cogent biblical discussion. There are two upwelling truths that the author has twisted and cheapened them considerably, by his denial of absolute truth and avoiding our accountability to God's perfect righteousness. Those are self-sacrificing love and the inevitability that every soul is responsible for her/his own thoughts and actions. Though he allows watered down versions of those traditional moral elements to remain, Heinlein (who must have seen too many money-hungry medicine shows, tent meetings, and carnival acts) relies solely on human constructive self-awareness, self-discipline, and self-empowerment to pose a stab at a positive future for humanity and the afterlife. The story's quasi-moral might read, "Find any way to beat the present system and exploit it at almost any cost, so long as no one really gets hurt." Smith's earthly end-game of self-sacrifice is a corrupted shadow of Christ's. Smith's is a twisted image of self-sacrifice, a huckster's trick to work the crowd, avoiding entirely the biblical God and plan of Christ. Heinlein's bootstrap theology, in the end, can neither respect nor agree upon one God, nor save itself from its own moral meanderings and wishful unthinking of human sin. As an author, myself, I would add that every one of our actions, gestures, and our written or spoken utterances, has its consequences, and that we are ultimately responsible, to God, for everything that we generate and utter. I believe that Heinlein's story agrees partly with my belief, except that Heinlein leaves the one true God completely out of his story. Despite Heinlein's philosophical thrust that everyone can claim "Thou art God", for self or others, I personally subscribe to the biblical view that all things and people are created by God, and that He holds us together by His Laws and will, and that there is, yet, a separation that He reserves between us and Him, that can only be bridged or reconciled through His Christ, and, furthermore, that we are the only part of His Creation that has been offered that exclusive plan of redemption. By contrast, Heinlein's story offers the carrot of constructive self-awareness as the means of possible redemption for humanity, insecurely hoping to save us from ourselves. Craig M. Szwed (Author, photographer, combat veteran, father, composer)
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Reviewed in the United States on May 18, 2013
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M. Estopinal
Lexington, US
★★★★★ 5
A True Arthurian Legend
Format: Mass Market Paperback
The Once and Future King provides an excellent perspective into the world of Arthur, the King of England. This book is divided into four sections, each dealing with the different aspects of Arthur's life, including both the good and the bad. The first book, the Sword and the Stone, has been immortalized by countless movies, such as the one by Disney. This book deals with the upbringing of Arthur, or in this case, Wart, his childhood nickname. Here we see the trials Wart must face as he learns about the many forms of leadership, courtesy of his mentor, Merlyn. The second book, the Queen of Air and Darkness, is a prelude to the collapse of Arthur's kingdom. The result of this book begins to brew throughout the entire novel, finally impacting at the end of the final book. The third book, the Ill-Made Knight, is my personal favorite. This book is about Lancelot's personal quest to become the best knight in the world. This book is filled with exciting quests that Lancelot has taken up, including such things as saving a maiden from a boiling pot of water, as well as the ill-fated quest to find the Holy Grail. The fourth and final book, the Candle in the Wind, deals with the collapse of Arthur's kingdom. Arthur's sins "come home to roost" in this book, forcing him to make decisions that could jeopardize the safety of his wife, Guenever, and his best friend, Lancelot. This novel is truly one of the classic fantasy books that one reads and never forgets. Although there are many portrayals of the Arthurian legend, this is without a doubt one of the better ones.
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Reviewed in the United States on September 6, 2004
A
Verified Purchase
Amazon Customer
Natrona Heights, US
★★★★★ 5
A novel about all of life
I've read this novel (and listened to the excellent audio book narrated by Neville Jason) in all its different versions over several decades and every time come away with fresh admiration not only for White's fantastic prose style but also for his insight into all aspects of human character and the workings of society. I cannot over-emphasise how rich it all is. For those who have only read The Sword in the Stone (or seen the Disney version), it is important not to write this volume off as a children's story. Each of the four or five books that make up The Once and Future King reflects a different stage in life and experience. The greatness and the tragedy of the story is something we fully recognise only as we grow older. All of the books are wonderful, but The Ill-Made Knight (the third) is an education in adulthood. The background of the entire work from individually-published volumes is a little messy. The Kindle edition I have seems to match the Harper Voyager paperback complete edition which has the integrated four-book version (with the geese and ants integrated into The Sword in the Stone, and Madam Mim removed) and The Book of Merlyn added at the end without any changes to fix the resulting duplication. This is the form in which I am most familiar with all the parts. The Neville Jason audio book available through Audible is synchronised with the Kindle book but actually includes a different version of The Sword in the Stone (Madam Mim included). When I first listened to this, it frustrated me, because the sections on the geese and ants seem so essential. However, taking it all in its entirety, it works very well and avoids the duplication that otherwise occurs. Neville Jason's reading is of the highest quality, with clearly recognisable voices for all characters.
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Reviewed in the United States on April 14, 2014

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