'Abstract' by Kazumi Amano

'Abstract' by Kazumi Amanoartist: Kazumi Amano (Japanese 1927 2001) medium: original woodblock print dimensions: 37 1 2 x 30 1 2 cm frame size (approx) signed and dated 69 presented in a hand finished timber frame with double thick archival mat and backing and non reflective UV museum glass Price: $570 AUD (outside of Australia approx. $425 USD) We happily offer lay by on all original artworks and prints, with a 50% deposit. Contact us to set up a lay by. Please note that the

artist: Kazumi Amano (Japanese 1927-2001)

medium: original woodblock print

dimensions: 37 1/2 x 30 1/2 cm frame size (approx)

signed and dated 69
presented in a hand finished timber frame with double thick archival mat and backing and non-reflective UV museum glass

Price: $570 AUD (outside of Australia approx. $425 USD)

We happily offer lay-by on all original artworks and prints, with a 50% deposit. Contact us to set up a lay-by. Please note that the product will not be marked as sold until we have received your payment, and will therefore be available for others to purchase until it has been secured.

artist biography
Amano Kazumi (尼野和三) was born in Takaoka City, Tôyama Prefecture in 1927. He graduated from the Takaoka High School of Industrial Art in 1945, specializing in furniture design. In 1950, Amano studied briefly under Munakata Shikô. By 1953, he was exhibiting at the Nihon Hanga Kyôkai (Japan Print Association), and then moved to Tokyo in 1955. In 1968, Amano relocated to the United States, first working as a teacher at Augustana College, Rock Island, Illinois and Marycrest College, Davenport, Iowa. In 1971, he moved his family to New York City, where he worked for 30 years.

Amano's early work showed Munakata's influence, but his later prints were very different, characterized by elegant, precision-cut abstractions featuring forms (sometimes embossed) balanced against empty space. His compositions are filled with shapes hinting at industrial or furniture design. Amano spoke in abstractions about his art, and is reported to have said that he was interested in "dynamic opposition and disorder," or the "constant metamorphosis" from "natural evolution."

Amano won prizes at international print biennales in Lugano (1964), Tokyo (1966), and Krakow (1968). His works are represented in the National Museum of Modern Art, Tokyo; the Toyama Modern Art Museum, Japan; the Museum of Modern Art, NY; the Cincinnati Art Museum; the New York Public Library; the Museum of Fine Arts, Boston; the Miami Museum; the Seattle Art Museum; the Stockholm National Museum; the Elvehjem Museum of Art, Madison, WI; and the Fine Arts Museums, San Francisco.