SKU: 9221614701

Journey Beyond XVI

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Description

Journey Beyond XVIA blend of Gicle printed foreground with meticulously hand painted background, Journey Beyond XVI is a vibrant series of unique mixed media artworks inspired by the enchanting landscapes of Scotland. Evoking a profound sense of calm due to the vast emptiness, the artwork portrays a moment of reflection and contemplation, its focal point inspired by a tree Rowan and his family came across while travelling through the highlands and affectionately named

A blend of Giclée printed foreground with meticulously hand-painted background, ‘Journey Beyond XVI’ is a vibrant series of unique mixed media artworks inspired by the enchanting landscapes of Scotland.

Evoking a profound sense of calm due to the vast emptiness, the artwork portrays a moment of reflection and contemplation, it’s focal point inspired by a tree Rowan and his family came across while travelling through the highlands and affectionately named ‘our Rowan tree’. Capturing the unique beauty of the landscape and ever present essence of family, this unique artwork is a mesmerising tribute to the many incredible vista’s of nature and the changing views possible in just one spot with the passing of time and light.

With muted dark hues, ‘Journey Beyond XVI’ is a contrasting landscape where the white clouds shine against the night sky.

A pioneer of reverse painting on glass Richard Rowan has created an atmospheric scene that allows us to escape from everyday life and take notice of the changing possibilities of nature. The sky takes full stage, framing the detailed silhouette of the tree with an incredible gradience of colour and depth.

“I love the process of creating these unique artworks and creating new tones and palettes within my work, there are endless inspirations in nature and that’s really what I’d love these Unique collections to capture.”

While working on this collection of unique artworks, Rowan listened to Tony Anderson's album "The Heart Of Man” which profoundly influenced the ambiance of the pieces.

Produced in high-quality giclée on glass, Rowans silhouetted foreground has been reverse printed in layers onto glass perfectly reflecting the incredible techniques used in his original artwork and returned to his London studio. There Rowan has meticulously hand-painted each vista using his reverse painted layering technique, often involving several coatings of paint to be applied, taken away and built in complex blended layers to create a completely unique image with incredible depth and photorealism.

Find out more about Journey Beyond here or alternatively shop more Rowan’s art here.

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SKU: 9221614701

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4.9 ★★★★★
Based on 9 reviews
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Verified Purchase
Awsiukiewicz Lukasz
Lowell, US
★★★★★ 5
you will start wondering if this is real of sc-fi
Format: Paperback
Great book to read and see what potentially could be there. Its raw description of races without any bigger context, but this is what almanac is. Its not a story book. It gives glimpse of possibilities and and insight into political structure in the universe, what is good, what is bad - but that's just a glimpse without going deep in it leaving reader with impression: "OK, i want more!" and "ok, were to get more details on governance and technology, metaphysics, religion"? It's well organized. One thing that will come after reading is question: Is it really something real that is hidden in government secrets or its new branch of SC-FI?
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Reviewed in the United States on November 16, 2022
D
Verified Purchase
D. Kobza
Massapequa, US
★★★★★ 5
Human-being ET celebration!
Format: Paperback
What made this book so fascinating and essential to my collection is the amount of Human Being looking humanoid off worlders who have visited our planet…it is so fascinating. Most of the time you hear, simply about the Pleiadians when the word Nordic is brought up. This goes so much further into the diversity of systems out there that human beings exist within. Highly recommended.
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Reviewed in the United States on May 29, 2025
G
Verified Purchase
Geral T. Blanchard
Dallas, US
★★★★★ 5
An Amazingly Wise Book
Format: Paperback
Trauma, in fact, intergenerational trauma that has not been metabolized, is a recipe for racism. As a psychotherapist with over 50 years addressing trauma and the need for decolonization therapies that go far beyond what is customarily taught in universities, My Grandmother's Hands is the clearest guide I have come across to help suffering individuals "grow up" as Resma Menakem respectfully says. This is a profound, wise, brilliant, compassionate, and exceptionally insightful effort to confront our body's pain as well as that of our families, communities, and our American culture. When we grow as individuals we will also grow as communities -- what Martin Luther King Jr. referred to as "the beloved community."
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 25, 2026
S
Verified Purchase
Syd Seattle
Chelsea, US
★★★★★ 5
A must read for therapists and everyone else
Format: Paperback
As a psychologist who works primarily with individuals in marginalized communities, I see a lot of clients who have experienced historical, intergenerational, developmental and ongoing current trauma, often as a result of systems of oppression (racism, sexism, homophobia, transphobia, etc.). I was very excited to dive into training in somatic experiencing (SE), a "bottom up" approach to trauma treatment that recognizes the ways that traumatic experiences get stored in the body, and therefore need to be healed through the body. However, I was disappointed to find that most of the books on SE, as well as the trainings themselves, rarely if ever mention racism or other systems of oppression and the trauma they cause. This was such a disappointment to me, especially given that racial trauma is so prevalent in the everyday lives of my clients and perpetuated daily by the current political climate. Therefore I was thrilled to discover this book. Resmaa Menakem filled in the gap I was feeling in the SE literature, applying somatic experiencing to racial trauma and the ways that racism impacts the bodies of white people, black people (and all people of color), and those who are charged with "serving and protecting" us, the police. This book was a huge eye opener for me. Not only did it give me compassion for my own white body and the ways that trauma has been metabolized and passed on from white folks to POC through the mechanisms of white supremacy, but it gave me new and more embodied ways to understand the lives of people of color and work effectively with my POC clients. It also gave me new compassion for cops, who, through their own trauma responses and the effects of white supremacy, are now more like soldiers whose mission is to control and suppress black and brown bodies. Although I will continue to feel outrage and grief at every unnecessary police killing of an innocent man or woman of color, this book helped me to remember that we are all impacted by centuries of white supremacy conditioning and that cops need and deserve healing around racial trauma too. I highly recommend this book to therapists and healers, especially those who work with individuals in marginalized communities. Each chapter provides exercises to embody the learning in the chapter, so that healing is happening not just from the top down, but from the bottom up. There are exercises for individuals and groups, for white bodies, POC bodies and police bodies. The book is extremely timely and relevant and should be required reading for anyone wanting to understand more about the history and current conditions of racism in America, its impacts, and how to heal.
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Reviewed in the United States on September 3, 2018
M
Verified Purchase
Marc
Dallas, US
★★★★★ 5
Think of racism as a moral failing isn’t helpful. Instead, think of it as a trauma response.
Format: Kindle, Format: Kindle
If we are willing to stop and listen to the voices of these people, both in the streets and in their writings (for generations now), we will hear them tell us their experience. And their experience is horrific. Some of us will turn away, finding solace in justifications (“He should have complied!”) or distancing (“My family was poor too. None of my family owned slaves.”) But if we care about a sustainable future for our country, if we have the smallest shred of a sense of responsibility for our neighbor, or if (like me) we claim to follow Jesus, the one who taught us to love our neighbor as ourselves, and to put other people’s lives before our own, then we must listen. In My Grandmother’s Hands, Resmaa Menakem comes to this conversation from a different and very helpful angle. He suggests that three groups are clashing in our country today: black-bodied people, white-bodied people and police. He suggests that the animus, reactivity, and often explosive violence between these groups is in fact the result of unprocessed trauma. He digs deep into the story of each of these groups to demonstrate the primary and secondary trauma each group carries. Then he talks about the process of trauma retention and how, if we fail to understand and process our trauma, we inevitably become less flexible, more reactive, and more violent. He suggests that the solution to our problem is not solely in education, awareness or even new policies, but in becoming more aware of our bodies, learning how to handle and process trauma, and becoming more resilient in our interactions with other traumatized people. This is the first book about racial injustice that I’ve read where I finished feeling like I could actually make a difference. I’m not a policy maker. I’m not able to be a regular front-line activist. I don’t have piles of money to spend at Black-owned businesses. It’s easy to feel like my small contribution can’t possibly make a real difference. But Menakem suggests a path that any one of us can walk--coming to terms with our own experience of racialized trauma -- and this will open up the path for other ways we can be a part of creating a more just, compassionate, and equal society.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 23, 2020

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