SKU: 94981095712

Apex LIVIAU-S Touchscreen Audio / Video / Lighting Controller (DEMO)

Sale price$2607.50 Regular price$2897.22
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Description

Apex LIVIAU-S Touchscreen Audio / Video / Lighting Controller (DEMO)LIVIAU S takes a fresh approach to AV control for hospitality, retail and corporate applications, combining a comprehensive lighting controller, audio mixer processor, audio video file server and stereo power amplifier in a compact, elegant touch panel. LIVIAUs clean, clear user interface empowers non technical users to easily control audio, video playback and lighting, while its scheduling tools allow the room to be fully automated. Configuration is

LIVIAU S takes a fresh approach to AV control for hospitality, retail and corporate applications, combining a comprehensive lighting controller, audio mixer/processor, audio/video file server and stereo power amplifier in a compact, elegant touch panel. LIVIAU’s clean, clear user interface empowers non-technical users to easily control audio, video playback and lighting, while its scheduling tools allow the room to be fully automated. Configuration is quick and straightforward – no programming needed!

Scheduler

Comprehensive scheduling of video and lighting control is provided for regular promotions, advertising, ambience control, safety announcements etc.

No Programming Needed

LIVIAU S is a convenient, cost-effective alternative to the usual AV touchscreen solutions. System configuration is quick and simple, with no programming or certified training necessary.

Lighting

As well as regular architectural lighting, up to sixteen intelligent lighting devices may be controlled from the LIVIAU S, including moving heads, strobes, RGB devices, lasers, dimmers and more. In addition to its integral DMX512 controller, LIVIAU S also incorporates a programmable lighting mixer offering 24 cues, 16 fixtures, a sequencer with fade time and an effects generator with pan & tilt.

Audio

LIVIAU S features two balanced mic and four line level inputs, plus two inputs sourced from the HDMI input connector. Two additional internally sourced audio inputs are provided for routing internally stored audio. Six balanced line level outputs are provided, plus the outputs of the internal 50W/channel stereo amplifier and internally sourced audio files. All inputs can be combined and routed to any output using the audio mixing page.

Apps

Access a variety of third-party applications, such as Spotify and Tunify from the LIVIAU touchscreen. These built-in music platform connections grant you and your staff permanent access to an immense up-to-date music library.

Remote Control

LIVIAU allows businesses to remotely control their outlets from a phone, PC or tablet. Content can be remotely dropped onto the LIVIAU’s hard disk and scheduled for playback, giving business owners confidence that the correct content is reaching customers in their stores / bars / restaurants etc.

Video

LIVIAU’s ability to handle multiple video files for promotions / announcements is a powerful asset in retail, worship, hospitality and commercial environments. Content can be looped and may be scheduled and / or triggered from the touchscreen. Videos can be sourced from networked devices, USB or onboard memory.

Automation

Featuring 6 GPO & 2 GPIO connections, LIVIAU S can function as a simple room automation system. The integrated event scheduler enables the user to trigger external systems such as electrical screens and drapes, heating systems, projector screens, etc. at specific times.

Features

  • Audio, video & lighting control at your fingertips
  • Play music using Spotify, Tunify or your own music library
  • Set the right atmosphere with our extensive lighting controls
  • Simple user interface for non-technical staff
  • Remotely control your business from anywhere in the world
  • Video, light CUE and GPO scheduling
  • DMX 512 control for intelligent lighting and dimmer packs
  • Lighting effects controller
  • 6 balanced audio inputs (2 mic / 4 line)
  • Integral 50 W/ch stereo amplifier
  • Powerful audio DSP
  • Internal memory
  • USB port
  • Wi-Fi enabled
  • Network port
  • Spotify® integration
  • HDMI input and output
  • Control support for all common displays + projectors
  • GPIO ports
  • Silent operation
  • Very low power consumption (12W)

Specifications

  • Display: 10.1″ multi-touch capacitive screen; ambient light sensor for backlight control
  • Video
    • Input: 1 x HDMI 1.4a, 1920 x 1080 p
    • Output: 1 x HDMI 1.4a
  • Audio
    • Mic inputs: 2x balanced
    • Line inputs: 4x balanced
    • Line outputs: 6x balanced
    • Power amplifier outputs: 2 x 50W into 4 Ohms
  • Comms
    • Network: Gigabit Ethernet port
    • USB: 1 x USB Type ‘A’
    • Wi-fi: Compliant with 802.11 a/b/g/n, 2.4/5.0 GHz MIMO
  • Other
    • Lighting control: DMX 512, GPI/O
    • GPIO: 8
    • Serial port: RS-232C, bi-directional
    • Infra red port: 1 x IR, for standard IR LED emitter
    • Power requirements: 24 V dc @ 6 A max., via supplied AC PSU
Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 94981095712

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4.8 ★★★★★
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Molly
Natrona Heights, US
★★★★★ 5
” shows what it is like to be young and irresponsible
Format: Paperback
This book offers relatable poems about youth all the way up to adulthood. No matter the readers’ age, they can find something relatable in this book. One of the first poems, “River Gods,” shows what it is like to be young and irresponsible. This poem describes an instance where two young guys are walking on top of a railroad trestle, which is above the Tennessee River. “Since no one wants to cheat a foolish death alone, / I convinced my friend to leave his satchel on the bank / and we stepped out a hundred feet over the night” (“River Gods,” 13-15). This stanza shows that the two guys knew that what they were doing was dangerous and potentially deadly. This poem in comparison with other poems in this book really demonstrates recklessness in youth. While in that poem readers see the recklessness associated with youth, “Piano Key,” a later poem in the book, provides an insight into a more serious adulthood. In this poem, the narrator is dealing with the memories associated with his grandmother’s piano. I plunk my way left to right, up from the deep-forest Bass notes toward the bright high registers, Just past middle C, a dead spot I remember as a child, A crucial note that will not sing. (“Piano Key,” 13-16) The narrator does not provide much insight into his emotions, besides the fact the narrator is remembering something from when he was a child, but there is a sense of longing created because his grandmother is likely dead, which is why he is reminiscing about the piano. Going from “River Gods” to “Piano Key” provides different narrators. The first narrator does not care about his future; he only cares about what he is doing right at that moment. The narrator in “Piano Key” is thinking about the future and the past. If these narrators are the same, readers can definitely see how the narrator has changed and grown up. In “Digging the Pond,” there is a notable shift where the narrator, a young teenager, notices that him and his dad are different. He can name every species of tree, wild root, the compounds of the soil in every field, and knows that I stood off to the side too often to learn what he was born knowing. (“Digging the Pond,” 21-24) In this part of the poem, the narrator is realizing that he does not know something that his dad knows really well. When a child notices that they are different than their parent, it is usually a significant moment in that child’s life. The narrator in this poem seems to be realizing that he is growing up and changing; he knows he is no longer doing everything his parents are doing or enjoying it. Tennessee Landscape with Blighted Pine is a great book for poems about growing up and changing. This book grows with readers as the readers grow. I highly recommend this book.
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Reviewed in the United States on November 30, 2017
L
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L. Moyse
Draper, US
★★★★★ 5
A fine performance
Format: Paperback
You see an old pocket knife on the cover, maybe a Case; it may have even belonged to Jesse Graves, but he has certainly used it in sculpting his poetry. "Tennessee Landscape" is pure plain speech, and all the more evocative for it. Graves uses language not to shock, not incite and not to transgress; he uses it to bring home simple and time worn truths that never go away. In the poem that is the book's title, Graves recounts his family history and ends telling us "The dead move through us at their will, their voices chime/just beyond our hearing...alone in the field, and never alone." He pays homage to a farming tool"(Elegy for a Hay Rake), not with a tone of jaundiced cynicism, speaking to it instead in a voice filled with thanks and appreciation, as if the hay rake, too,knew how worthwhile its job had been. The second part of the volume expands Graves' geography from East Tennessee to New Orleans, North Carolina, points beyond, and the cast of subjects becomes a little broader as well, but the language remains firm and precise. "The Night Cafe: North Rendon, New Orleans": diction so perfect I feel I was there that night too. "My Sister at Sea": likely my favorite here. It feels personal, a short glimpse into a private heart; the glimpse is snatched away in a hurry but not before Graves tells us "...wishing I could bring/ you to this shore...Make your illness a small boat we could burn/Sailing out in ashes on the current." Whether it is a landscape, a hay rake, a bar or a loved one, Jesse Graves is a poet of things that last, one who writes quiet confessions with confidence in a spare quiet and sure voice. Very highly recommend this book.
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Reviewed in the United States on February 24, 2013
T
Thomas A. Holmes
Natrona Heights, US
★★★★★ 5
Fine Contemporary Poetry--Just Happens to Be Appalachian
Format: Paperback
The poems in Jesse Graves' TENNESSEE LANDSCAPE WITH BLIGHTED PINE express an indebtedness to a way of life that we contemporary Appalachians have watched transform at an accelerated pace over the past few decades, as we see the beloved old ways of our culture adapt to the demands of a society marked with the pervasiveness of media, the incursion of corporate demands, and the poignant recognition that as much as family prepares us to face the world outside our community, the impact of that world can blur the impressions our homes have made on us. Graves' work approaches these themes from various directions, as a son looking to the legacy of his family, as a youth and young man balancing education--both formal and that gleaned from personal experience--and as a family man weighing what he shares and offers in embodying those values. In this consistently fine volume, it is difficult to select favorites, but there are "River Gods," where an inebriated student and his companion cross the high railway trestle over the Tennessee River in Knoxville, Tennessee, "Deep Corner," where the speaker contemplates how his life has turned out differently than his brother's, "Mother's Milk," where the speaker weighs how much his mother has contributed to his life (including, sweetly, "an ear for slightly off-pitch singing"), and "Digging the Pond," where the speaker and his father silently acknowledge that the son will not preserve all his father's values: . . . I stood off to the side too often to learn what he was born knowing. The doing and the undoing. I can find in his face what he reads about the future in the tea-colored water, his eyes and mine trying to avoid it. Graves' love for these gifts, those accepted and those only acknowledged, resonates throughout TENNESSEE LANDSCAPE WITH BLIGHTED PINE. Graves' appreciation for lyric poetry, his talent for finding the expressiveness of everyday language, and his offering scenes with great depth of meaning and feeling make this collection memorable, worthy of high recommendation.
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Reviewed in the United States on December 30, 2011
J
jwriter
Cuba, US
★★★★★ 5
Extraordinary Journey
Format: Paperback
Jesse Graves conducts the reader on an intimate journey from childhood to manhood. Rooted deep in the rich red clay of East Tennessee, the narrative provides fresh insights about the ties of land and family. "Johnson's Ground" describes an annual homecoming at the family cemetery: "they never let us go, even the ones/Laid under before our births continue to make their claims." The poems express both nostalgia for the past as well as forward-looking hopes for a fresh life in the future. Daughter, Chloe often becomes a bridge from present to past as in "Water Washing Away": "A fair price for the vision of a girl/ who has warped the ancient spell of time,/ who has turned back my eyes." Tennessee Landscape with Blighted Pine is an enchanting read for poet and non-poet alike.
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Reviewed in the United States on February 10, 2013
A
Verified Purchase
Austin Duck
Lowell, US
★★★★★ 1
Go Read Art Smith or Charles Wright
Format: Paperback
This book is clearly the case of someone steeped in a lyric tradition, but, rather than engaging in the self-reflexive structure of the tradition, is interested in describing ad nauseum, his southern experience. While there are moments in the book that tend toward the sublime, it rests largely as self-indulgent in a way antithetical to the form it chooses.
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Reviewed in the United States on November 5, 2013

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