SKU: 96595728946

Electro-Harmonix SUPEREGO PLUS Synth Engine/Multi Effect Pedal

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Description

Electro-Harmonix SUPEREGO PLUS Synth Engine/Multi Effect PedalDesigned with the most adventurous instrumentalists in mind, the Electro Harmonix Superego+ is a pedal capable of creating a multitude of effects, including glissando, infinite sustain, pitch shifting, organ like shimmer, and much more. It builds upon the synth engine of its predecessor, the Superego, in several ways. The original's SPEED, GLISS, DRY, and EFFECT parameters are still on hand, but added to mix are ATTACK and RELEASE knobs, as well as a

Designed with the most adventurous instrumentalists in mind, the Electro-Harmonix Superego+ is a pedal capable of creating a multitude of effects, including glissando, infinite sustain, pitch shifting, organ-like shimmer, and much more. It builds upon the synth-engine of its predecessor, the Superego, in several ways. The original's SPEED, GLISS, DRY, and EFFECT parameters are still on hand, but added to mix are ATTACK and RELEASE knobs, as well as a THRESHOLD parameter that allows you to control the onset of processing with your dynamics.

You’ll also note a knob giving you access to 11 onboard internal effects, including flanging, phasing, rotary, tremolo, low-pass filter, and others. Each internal effect responds, in specific ways, to corresponding RATE and DEPTH knobs. A MODE footswitch provides five different freeze settings, most which can be controlled by the BYPASS switch, as well as your favorite, previously purchased expression pedal.

In many modes, the effect section of the Superego+ operates on your “freezes”—i.e., on sustained notes/chords that you’ve created by means of holding down the BYPASS switch. This way, you can strum a chord, hold down the BYPASS switch, causing it to sustain; then, an onboard effect is applied to the frozen signal as you solo over this cacophonous sound-bed with your normal, unprocessed tone.

However, LIVE EFFECTS mode will allow you to run dry sound directly through the effects engine, foregoing the freezing altogether, and giving you dramatic, immediate effects on stage. Thus, you can use the pedal similarly to Electro-Harmonix's Freeze pedals, or as a direct modulation effect.

An external effects loop can be routed into the pedal by means of 1/4" send and return jacks. You can also opt to send processed signal from the send jack to another destination, such as an amplifier, or an impedance-appropriate mixer channel. When the signal is split in this manner, your freezes and processed notes will be directed out through the send jack, while unfrozen signal will route to your main amplifier.

When you use the Superego+ with an expression pedal, you can set up presets that sweep through different settings programmed into the heel and toe positions of the expression pedal. For a deep dive into this operation, as well as the effects and controls provided by the Superego+, please peruse the features section.

Controls at a Glance

DRY Knob: This controls the volume level of the dry signal. As you turn the knob clockwise, the volume of the DRY signal increases to a maximum of +3 dB.

 

EFFECT Knob: This controls the volume of the processed signal. Set to its lowest value, the knob will remove the effect signal entirely. Set fully clockwise, and you’ll hear maximum effect. This control operates before the send jack in the signal chain, and can be sent to a dedicated amplifier by means of this output.

ATTACK Knob: This controls the fade-in speed of the frozen signal. When set fully counter-clockwise, the frozen signal starts immediately. As the knob is turned clockwise, the frozen signal fades in more slowly. Adjust the ATTACK knob to create swell and pad effects.

DECAY Knob: This controls the fade-out speed of the frozen signal. At minimum values, the frozen signal fades out quickly. As the knob is turned clockwise, the fade-out time increases. When set to maximum, this control ensures that the frozen signal plays indefinitely until a new freeze function is triggered.

THRESHOLD Knob: This controls how sensitive the Superego+ is to the input signal. THRESHOLD is least sensitive when set fully counter-clockwise. At this setting, the input signal has to be quite strong to trigger the effect, so it will only respond to your loudest playing. As the knob is turned clockwise, the Superego+ becomes more sensitive, and the effect becomes increasingly easier to trigger. When the knob is set to maximum volumes, even light playing will trigger the effect.

LAYER Knob: In SUSTAIN, AUTO, and LATCH modes, use the LAYER knob to set the level of previous freezes as new ones are introduced. When set fully counter-clockwise, the previously frozen signal will not be present in a new freeze. At a setting of fully clockwise, 100% of the previously frozen signal is present. The LAYER knob works in a similar fashion to the feedback knob on a delay, or the overdub parameter of a looper pedal.

GLISS Knob: This controls the speed of the glissando effect. The glissando/portamento feature glides the pitch of one frozen sound into the next. This function is suitable for adding texture and smoothness to transitions.

EFFECTS SELECTOR Knob: This selects which of the 11 effects will be applied to the frozen/processed signal when the EFFECT footswitch is engaged.

RATE Knob: This controls the rate/speed of the selected effect. For effects that do not utilize a rate control, the RATE knob will have an alternate function. To provide a handy reminder, this alternate function is printed in purple below the effect name on the EFFECTS SELECTOR knob.

DEPTH Knob: This controls the depth/amount of the selected effect. For effects that do not need a depth control, the DEPTH knob will have an alternate function printed in green below the effect on the EFFECTS SELECTOR knob.

BYPASS Footswitch: This enables or disables the Superego+ pedal. Depending on the mode, this footswitch can function as a freeze trigger, or an auto trigger enable/disable switch.

EFFECT Footswitch: This turns the internal effect section of the Superego+ on and off. In LIVE EFFECTS MODE, both the EFFECT footswitch and the BYPASS footswitch engage/bypass the Superego+.

MODE Footswitch: This cycles through the five modes indicated by the mode LEDs.

I/O Explained

INPUT and OUTPUT Jacks: These 1/4" jacks operate in a manner similar to nearly every other stompbox; your instrument (or previous effect pedal) goes into the input jack, while the output jack routes signal to the next effect, or to your amplifier.

 

SEND Jack: If you would like the frozen signal to go through an external effects chain, use this 1/4" jack to connect to the input of an external effect. Alternately, you can use the Send jack as a “wet-only” output. When you do so, the freeze signal is muted at the Output jack. The EFFECT knob always controls the volume at the Send jack.

RETURN Jack: If you're using an external effects pedal (or loop), plug the ultimate pedal into the Return jack provided here. The signal present at the Return jack is then mixed with the dry signal and sent to the Output jack. If no signal is received by the Output jack, the Superego+ will default to using signal carried over the Send connection as a “wet-only” output.

EXP (Expression) Jack: Connect a standard TRS expression pedal or (control voltage (CV) pedal between 0 to 5V) to the EXP input, and you'll have external control over the ATTACK, DECAY, RATE, DEPTH, THRESHOLD, LAYER, and GLISS parameters. An EXP preset can be saved for each effect setting, with the SUPEREGO+ taking a “snapshot” of all 7 knob parameters at the heel-down position, followed by another snapshot at the toe-down position. Thus, the expression pedal can sweep between the two settings. You can also use an expression pedal or other CV source without programming a preset. Each internal effect has a default expression control range that is set by the factory, or after erasing your previously loaded, expression-pedal preset.

EXT (External Control) Jack: Use a TRS three-button external/auxiliary switch (such as the DigiTech FS3X, available separately) to remotely control the Superego+’s footswitches.

Effects at a Glance

DETUNE: This effect produces a shimmery pitch detune. An expression pedal will control the pitch.

 

ECHO: This provides pristine repeats. An expression pedal can control delay time.

DELAY: This gives you warm, analog-sounding repeats with modulation. Feedback has been preset, while an expression pedal can control delay time.

FLANGE: This gives you an Electric Mistress-style flanger with filter matrix, rate, and feedback control. DEPTH controls the feedback amount. The RATE knob controls both the filter matrix and the flange rate. With the RATE knob fully counter-clockwise, the filter matrix is at minimum. The filter range increases to its maximum setting at about 11 o’clock on the RATE knob. As you turn RATE past 11 o’clock, the flange will begin to oscillate very slowly; modulation speed increases to maximum when RATE is set fully clockwise. An expression pedal can control the RATE.

PHASE: This effect offers Small Stone-style phase shifting. An expression pedal can control the RATE.

MOD: Here you’ll find pitch-based vibrato or chorus. RATE controls speed of the chorus. DEPTH is 0 at noon. Noon to fully counter-clockwise controls pitch-vibrato depth, while noon to clockwise controls chorus depth. An expression pedal can control the RATE.

ROTARY: Here you can engage an organ-like rotary sound. Use the DEPTH knob to control tweeter/horn balance. Turning the DEPTH knob counter-clockwise adds more horn and reduces the tweeter. Turning the DEPTH Knob clockwise adds more tweeter and reduces the horn. An expression pedal can control the RATE.

TREM 1: This is your subtle sine-wave tremolo, with an expression pedal controlling RATE.

TREM 2: Here is your dramatic, start-and-stop square-wave tremolo. As above, an expression pedal can control RATE.

PITCH: This effect provides pitch shifting. The RATE knob at noon is unity. Turning the knob clockwise steps up the major scale (also including minor 3rd and minor 7th) to +1 octave. Conversely, moving the RATE knob counter-clockwise steps the pitch down to -1 octave. An expression pedal can control a +1 octave whammy-style effect over the unity-affected signal.

FILTER: This is a resonant low-pass filter. RATE controls frequency of the cut, while DEPTH controls resonance. An expression pedal can control frequency externally.

Modes Explained

MOMENT mode freezes your signal the moment you press and hold the BYPASS footswitch, and maintains the freeze until you let go.

 

SUSTAIN mode works similar to a piano's sustain pedal, freezing the signal—and all future notes—from the moment you depress the footswitch to the moment you release it.

AUTO mode automatically freezes notes when the pedal is on; holding down the BYPASS footswitch in this mode will prevent new signals from being frozen and processed, allowing you to lay unprocessed solos against a frozen backdrop.

LATCH mode freezes your signal the moment you hold down BYPASS, but continues to generate frozen signal even after you release the footswitch; double-tapping on the BYPASS footswitch in this mode will initiate a fade-out of the frozen signal.

LIVE EFFECTS mode disables the ability to freeze, passing your dry signal through the internal effects engine. In other words, this mode lets you apply effects to your direct signal, as you would with any other stompbox.

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4.9 ★★★★★
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Brian R
Louisville, US
★★★★★ 4
lower quality casting but very functional. reseason is a must. good purchase otherwise
Size: 2-Quart
this was an amazon primeday impulse buy. initially when reading the reviews i was skeptical of its quality at all and attempted to cancel but i could not(too late). i figured it wasnt the end of the world when it showed up as i only payed 20$ on sale for it. well, it turns out thats a steal of a deal for this pot. when i opened the package i checked it all over with a magnet. who knows it could be lower quality pot metal but its definitely ferrous material. the season on it is real, like what you find on a lodge pan but not done well, it was sticky. so i boiled a pot of water and scrubbed the lid and pot insides with a scour pad to remove most of it. it looks exactly like youd expect cast iron to look and it has a smell reminescent of a deseasoned wet cast pan. so i trust it. my version should be 2qt, i do not know if they make larger versions. i trust it to work in the future and it seems like itll make great stews and soups. possibly even a good camp pot if youre into carrying cast iron with you. its not massive and its not overly heavy at maybe 3 lbs. it was a good buy and im happy with it. plan to add a bail so i can use it for camping as well as kitchen use. in conclusion its a lower quality casting but still very functional. it must be reseasoned to be useful but for the price i almost expect it. most cast iron cookware are not made to the spec they used to be and thus require love from the owner to really work well.
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Reviewed in the United States on July 13, 2025
K
Verified Purchase
Kid Icarus
Lexington, US
★★★★★ 5
Amazing Dutch!
I've been on a cast iron craze recently. I think back to college when I'd watch Yan Can Cook, and Chef Martin Yan would lean over into the pan and say, "It's got to be hot hot!" I finally realize what he means after all these years of cooking. Heat makes for awesome cooking. It gives wok hei. It makes the difference between a juicy, seared steak vs a dry, tough one. When I discovered this secret, I was like a kid in a candy store, picking this cast iron, that cast iron, another cast iron, please. When I bought the 5 quart Amazon Basics dutch oven, I figured that at the low price, if it came with issues, it wouldn't be an expensive loss. I was impressed with the packaging. Amazon did not want this pot to break, so it had form fitted Styrofoam everywhere, pot and cover nicely separated. There was a nice Amazon Basics logo on the bottom of the pot. Upon close inspection, I thought I found a hairline crack on the cover. It seems when they casted it, part of the iron folded over on itself and formed the line. Someone then took a sander and sanded part of it slightly. What I thought was the hairline crack was actually the edge of the polished surface. The next day, I cooked bacon in it. I fired up the Camp Chef Explorer stove and cooked two pieces of bacon in the pot. I also flipped the cover upside down and cooked two pieces of bacon in it. The cover makes a very nice ad-hoc skillet. After it cooled, I inspected the cover again, and it is not a hairline crack. The bacon seasoning started covering up both the polished and unpolished surface into a nice, uniform seasoning. The following day, I made chicken stew in it. While carmelizing the onions and carrots, I made another nice discovery. The flat bottom lends itself nicely to efficient stir frying. Sometimes, in a wok, I come across the problem of the bamboo spatula not being able to get under the food, so I end up chasing the food up the sides of the wok unable to flip it. The part of this dutch oven where the bottom meets the sides creates a nice angle that pushes the food onto my bamboo spatula for easy flipping. Yesterday, I took it to my parents' house and made artisan bread in it. Everyone was impressed with the crispiness of the bread crust. Everyone came back for seconds. Needless to say, I no longer have the dutch oven. My mom liked it so much I gave it to her. It's almost Mother's Day, and who would say no to their mom? *ahem* Amazon...another cast iron, please! LOL PS: The lid fits a 10 inch skillet but not a 10.25 inch skillet. It falls into a 10.25 skillet.
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Reviewed in the United States on May 6, 2019
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Verified Purchase
terrie
Port Orchard, US
★★★★★ 5
amazing pan
Size: 2-Quart
beautifully made just the right size. Already comes seasoned.
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Reviewed in the United States on April 30, 2026
S
Verified Purchase
ServoCrow3000
Boise, US
★★★★★ 5
Perfect for Bread
Size: 2-Quart
I bought this to make the bread in the book "Bittman Bread" by Mark Bittman and Kerri Conan, which I also bought here on Amazon. This Dutch Oven has been working perfectly for the last 6 months of baking. As a bonus, it's much less expensive that the same size Lodge pot. I've got a 5-1/2 quart regular and a 7-1/2 quart enameled both from Lodge and use them all the time for stuff, but I only use this 2 qt for the bread, usually more than once a week. It's great. Look up that "Bittman Bread" book and buy it from Amazon (I don't think you can insert links in the review), then definitely buy this Dutch Oven. I highly recommend both.
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Reviewed in the United States on May 6, 2026
M
Verified Purchase
Maria
San Leandro, US
★★★★★ 5
Excellent Enameled Cast Iron Dutch Oven
Color: Red, Size: 5Qt
This Dutch oven has quickly become my favorite piece of cookware in the kitchen. The enamel coating makes cleanup surprisingly easy, even after slow-cooked meals. It heats evenly and keeps food warm for a long time after cooking. I’ve used it for soups, roasts, pasta dishes, and homemade bread with amazing results every time. The red color is beautiful and looks great sitting on the stovetop. It feels heavy and durable without being impossible to handle. I would absolutely recommend this to anyone looking for a high-quality and versatile cooking pot.
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Reviewed in the United States on May 7, 2026

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