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Locks, Damon - List of Demands - New LPWho can see the shapes and colors as they are? (Isnt It Beautiful) List of Demands by Damon Locks< a> List of Demands, Damon Lockss first foray into creating an entire album from spoken and text based work, finds the Chicago based musician and educator collecting cultural abstractions and reorganizing them into a firm truth. The album lays out a vision of Black liberation and transmits
Who can see the shapes and colors as they are?
(“Isn’t It Beautiful”)
List of Demands, Damon Locks’s first foray into creating an entire album from spoken and text-based work, finds the Chicago-based musician and educator collecting cultural abstractions and reorganizing them into a firm truth. The album lays out a vision of Black liberation and transmits it outward as a song cycle of bite-sized Nikki Giovanni-meets-MF DOOM-style rhythm experiments.
The sample-based constructions are steeped in a lifetime of not only keen cultural observation, but direct communal participation in the culture. Locks’s decades-long resume connects the dots between experimental improvisation, sample based hip hop, punk, and poetry – each done at the highest level and with a list of collaborators that could spin the head of even the most jaded listener. And that seems to be the point. To jump-start the entire personality spectrum into action. Ecstatic positivity examined via his nuanced grasp of reality, all working toward that ever-evasive concept of what could be.
(“Isn’t It Beautiful”)
List of Demands, Damon Locks’s first foray into creating an entire album from spoken and text-based work, finds the Chicago-based musician and educator collecting cultural abstractions and reorganizing them into a firm truth. The album lays out a vision of Black liberation and transmits it outward as a song cycle of bite-sized Nikki Giovanni-meets-MF DOOM-style rhythm experiments.
The sample-based constructions are steeped in a lifetime of not only keen cultural observation, but direct communal participation in the culture. Locks’s decades-long resume connects the dots between experimental improvisation, sample based hip hop, punk, and poetry – each done at the highest level and with a list of collaborators that could spin the head of even the most jaded listener. And that seems to be the point. To jump-start the entire personality spectrum into action. Ecstatic positivity examined via his nuanced grasp of reality, all working toward that ever-evasive concept of what could be.
List of Demands was set in motion when Locks was asked to present new sound work by Experimental Sound Studio (ESS) at Chicago's Museum of Contemporary Photography inside an exhibition called Beautiful Diaspora / You Are Not the Lesser Part. He also contributed visual work, portions of which can be seen in List of Demands' album art. The pieces were guided by prompts from the exhibition’s curator, Asha Iman Veal, who aimed to “encourage deep thinking about parallel experiences and relationships between global artists of color and diverse Black artists.”
After the show, ESS chief engineer Alex Inglizian encouraged Locks to expand upon and record the material, and volunteered to operate the controls for the occasion. This new phase brought in a number of Locks’s go-to collaborators to bring depth and balance to the project: cornetist Ben LaMar Gay, violinist Macie Stewart, poet Krista Franklin, and turntablist / drummer Ralph Darden (aka DJ Major Taylor). The results, though, are distinctly Damon Locks. On top of that, the results are distinctly new for Damon Locks. Sure, there have been hints of List of Demands strewn throughout his catalog – the dense rhythms of his Black Monument Ensemble, the chaotic 404 cut-and-mix of New Future City Radio, the lysergic sci-fi deejay toasting of Rob Mazurek’s Exploding Star Orchestra, the dub-inflected post-punk of The Eternals – but this is a focused cross-section of its entirety. Arguably the most "Damon Locks" Damon Locks record to date.
His depth of experience as a mic controller is certainly on display here, but his signature vocal rhythms seem to permeate the sample choices as well. Locks’s always notable great taste, informed by years of digging in the crates, certainly brings with it a penchant for top-notch sample construction. The unsung crate-digging heroes, though, are the ones whose knowledge extends to the unclassifiable sections. The bins below the bins. These are the people who leave the shop with a stack of sermons, obscure radio broadcasts from now-defunct stations, crumbling documents of a past which remains relevant, disappearing voices for those with ears to hear. Locks has those ears, no doubt, and he definitely has those records. List of Demands utilizes samples of these Black voices of the past in a strikingly rhythmic way, often yielding much of the meter to overlapping human vocal patterns rather than entirely filling that space with traditionally “musical” sounds. The result is a sort of multifaceted, groove-focused body music executed with enough finesse to make a complicated concept seem easy.
This is our list of demands: Beauty, Form, Destiny, Love, Time, Future, and Light
The title, List of Demands, is influenced by Locks’s work in Stateville Correctional Center with the Prison + Neighborhood Arts/Education Project. “In the summer of 2023 I taught a class where we developed a document that stated the desires of the incarcerated artists in the group,” he says. The group spent a summer session creating what would become the Artist Constitution, a document in which their beliefs, aspirations, and demands could be compiled, which would in turn be distributed outside the prison walls. A poster of that document is included in the vinyl edition of List of Demands.
“List of Demands is not just my list,” says Locks. “The list is in conveyance, in response, and in honor of all of those great Black speakers that turned a phrase to generate movement and change. It owes as much to Rammellzee, Fred Moten and Sun Ra’s oratory excellence as it does to Kwame Ture/Stokely Carmichael, and Angela Davis, to Michael Smith and Linton Kwesi Johnson (across the pond), to Ruby Dee’s spoken recordings, and to others too numerous to mention.”
After the show, ESS chief engineer Alex Inglizian encouraged Locks to expand upon and record the material, and volunteered to operate the controls for the occasion. This new phase brought in a number of Locks’s go-to collaborators to bring depth and balance to the project: cornetist Ben LaMar Gay, violinist Macie Stewart, poet Krista Franklin, and turntablist / drummer Ralph Darden (aka DJ Major Taylor). The results, though, are distinctly Damon Locks. On top of that, the results are distinctly new for Damon Locks. Sure, there have been hints of List of Demands strewn throughout his catalog – the dense rhythms of his Black Monument Ensemble, the chaotic 404 cut-and-mix of New Future City Radio, the lysergic sci-fi deejay toasting of Rob Mazurek’s Exploding Star Orchestra, the dub-inflected post-punk of The Eternals – but this is a focused cross-section of its entirety. Arguably the most "Damon Locks" Damon Locks record to date.
His depth of experience as a mic controller is certainly on display here, but his signature vocal rhythms seem to permeate the sample choices as well. Locks’s always notable great taste, informed by years of digging in the crates, certainly brings with it a penchant for top-notch sample construction. The unsung crate-digging heroes, though, are the ones whose knowledge extends to the unclassifiable sections. The bins below the bins. These are the people who leave the shop with a stack of sermons, obscure radio broadcasts from now-defunct stations, crumbling documents of a past which remains relevant, disappearing voices for those with ears to hear. Locks has those ears, no doubt, and he definitely has those records. List of Demands utilizes samples of these Black voices of the past in a strikingly rhythmic way, often yielding much of the meter to overlapping human vocal patterns rather than entirely filling that space with traditionally “musical” sounds. The result is a sort of multifaceted, groove-focused body music executed with enough finesse to make a complicated concept seem easy.
This is our list of demands: Beauty, Form, Destiny, Love, Time, Future, and Light
The title, List of Demands, is influenced by Locks’s work in Stateville Correctional Center with the Prison + Neighborhood Arts/Education Project. “In the summer of 2023 I taught a class where we developed a document that stated the desires of the incarcerated artists in the group,” he says. The group spent a summer session creating what would become the Artist Constitution, a document in which their beliefs, aspirations, and demands could be compiled, which would in turn be distributed outside the prison walls. A poster of that document is included in the vinyl edition of List of Demands.
“List of Demands is not just my list,” says Locks. “The list is in conveyance, in response, and in honor of all of those great Black speakers that turned a phrase to generate movement and change. It owes as much to Rammellzee, Fred Moten and Sun Ra’s oratory excellence as it does to Kwame Ture/Stokely Carmichael, and Angela Davis, to Michael Smith and Linton Kwesi Johnson (across the pond), to Ruby Dee’s spoken recordings, and to others too numerous to mention.”
released January 31, 2025
All songs/lyrics by DAMON LOCKS
except "High Priestess" lyrics by KRISTA FRANKLIN
players:
DAMON LOCKS - voice & electronics
KRISTA FRANKLIN - voice on "High Priestess"
RALPH DARDEN - drums on "Isn't It Beautiful" & turntables on "Meteors of Fear"
BEN LAMAR GAY - cornet on "Holding the Dawn in Place" & melodica on "Click"
MACIE STEWART - violin on "Distance" & "Isn't It Beautiful"
Recorded by:
ALEX INGLIZIAN at Experimental Sound Studio
and DAVE VETTRAINO at International Anthem Studios
Mixed by:
DAVE VETTRAINO at International Anthem Studios
Mastered by:
DAVID ALLEN
Cover Art by:
DAMON LOCKS
All songs/lyrics by DAMON LOCKS
except "High Priestess" lyrics by KRISTA FRANKLIN
players:
DAMON LOCKS - voice & electronics
KRISTA FRANKLIN - voice on "High Priestess"
RALPH DARDEN - drums on "Isn't It Beautiful" & turntables on "Meteors of Fear"
BEN LAMAR GAY - cornet on "Holding the Dawn in Place" & melodica on "Click"
MACIE STEWART - violin on "Distance" & "Isn't It Beautiful"
Recorded by:
ALEX INGLIZIAN at Experimental Sound Studio
and DAVE VETTRAINO at International Anthem Studios
Mixed by:
DAVE VETTRAINO at International Anthem Studios
Mastered by:
DAVID ALLEN
Cover Art by:
DAMON LOCKS
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★★★★★ 5
Great product
Style: 16 oz
Worked as advertised. I would order again.
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Reviewed in the United States on May 29, 2026
★★★★★ 5
Fixes flats and old tires like a charm
Style: 1 gal
This stuff is awesome. If you have tractor tires, ATV tires, bike, tires, hell, any tires that hold air. This stuff is awesome. Awesome. Awesome. It does not work for highway vehicles, i.e. Cars and truck trucks. But anything else it’s great. Dollies, air compressors, wheelbarrows, the stuff is awesome dude.
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Reviewed in the United States on April 5, 2026
★★★★★ 5
slime is and has always been amazing for bike tires and other small pneumatic tires
Style: 1 gal
this is a great value, I have been using slime in my tubes of my bikes and a small inflatable pneumatic tires for probably 30 years, and I can say slime has only improved, and it works fantastic, this is a very good way to save money, and it works great on goat heads and several other ways your tires can get punctured, I still always recommend carrying a small air compressor or pump, but for the price point you just cannot beat slime, every bike shop should always carry this.
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Reviewed in the United States on April 18, 2026
★★★★★ 3
They need to find a better way to ship it
Style: 1 gal
What was left in the bottle worked great. However, the cap was off of the jug when I opened the package. Ididn't have enough for the other tires.
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Reviewed in the United States on March 19, 2026
★★★★★ 5
TireJect Product Featured on Youtube Channel "sixtyfiveford" Works Fantastic!
Size: 8oz MTB Tire Sealant Kit, Size: 8oz MTB Tire Sealant Kit
I recently had an opportunity to work on an old Troy-Bilt Snow Blower with a Carlisle Stud Bias Tire - 4.80-8 4 that had a continual leak and would not hold pressure for more than a day. After investigation, I discovered that it "Champagne" sized bubbles coming from an area on the sidewall that I circled in yellow "China" marker. Because of the size of the tire, I decided to purchase the "TireJect Mountain Bike (MTB) Tire Sealant Kit because I didn't require a lot of material to seal the tire. The TireJect Mountain Bike (MTB) Tire Sealant Kit came with an single 8oz container and I used 4 of those 8oz's in this single tire. The TireJect material sealed up the area beautifully. After the sealant cured, I was able to pump up the tire to 15PSI and it has held it's pressure for more than a week now. You can see from the photos, that the sidewalls in that yellow circled area were actually cracked (probably due to the tire sitting flat for more than a year). I highly recommend this product over previous products I have used in the past (Slime).
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Reviewed in the United States on October 3, 2025