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Description
le quattro stagioni stravinsky chamber orchestraTHE FOUR SEASONS Stravinsky Chamber Orchestra Available for sale: LP (Direct Metal Mastering) FREE HD FILE WITH VINYL SIDE A 21: 23 Spring, Op. VIII, no. 1 in E major, RV269 10: 31 Allegro Largo Danza Pastorale, Allegro Daniele Ruzza, solo violin Summer, Op. VIII, no. 2 in G minor, RV315 10: 49 Allegro non molto Adagio Presto Daniele Ruzza, solo violin SIDE B 23: 25 Autumn, Op. VIII, no. 3 in F major, RV293 13: 25 Allegro Adagio molto Allegro Agnese
THE FOUR SEASONS
Stravinsky Chamber Orchestra
- Available for sale: LP (Direct Metal Mastering)
- FREE HD FILE WITH VINYL
SIDE A 21:23
Spring, Op. VIII, no. 1 in E major, RV269 - 10:31
Allegro / Largo / Danza Pastorale, Allegro
Daniele Ruzza, solo violin
Summer, Op. VIII, no. 2 in G minor, RV315 – 10:49
Allegro non molto / Adagio / Presto
Daniele Ruzza, solo violin
SIDE B 23:25
Autumn, Op. VIII, no. 3 in F major, RV293 – 13:25
Allegro / Adagio molto / Allegro
Agnese Ferraro, solo violin
Winter, Op. VIII, no. 4 in F minor, RV297 – 10:00
Allegro non molto / Largo / Allegro
Agnese Ferraro, solo violin
Stravinsky Chamber Orchestra
Marco Tezza, conductor
Violins:
Daniele Ruzza, Agnese Ferraro, Enrica Maggi, Alessando Gasparini,
Federica Bertevello, Samuel Angeletti, Marco Toso, Carlo Giordani
Violas: Nicoletta Meneghini, Alberto Costantini
Cellos: Raffaele Franchini, Giordano Pegoraro
Double Bass: Daniele Roccato
Harpsichord and Organ: Nicola Reniero
Production: Marco Lincetto
Recording, Mix and Mastering: Marco Lincetto
Inside photo of Villa Pisani, Stra, Venezia: Marco Lincetto
Design and Layout: L’Image
The original “One Point Recording” was made at San Francesco church, in Schio (Italy) on April, 12, 13, 1999, using a very special stereo main microphones set up based upon 2x Schoeps MK2s and 2x Schoeps MK21 mounted on a single shaped aluminous bar, designed by Marco Lincetto. The new analog mastering was made at VLS Studio, in Naquera (Spain), on January, 28, 2026 Using Rupert Neve Design analog console and RTR STUDER A810 on ¼” master tape rolling at 38 cm/sec speed.
DMM and PET: The perfect solution for the best vinyls ever
Direct Metal Mastering (DMM): Audio is etched directly into the metal (copper) using a high-frequency carrier system and special diamond pins, vibrating at more than 40kHz, to facilitate etching (Father/Positive -> Galvanic/Negative Stamper -> Final Vinyl) This allows for improved accuracy in the grooves produced, resulting in improved sound output (particularly with reduced background noise and increased response to high frequencies). Actual benefits of using PET, polyethylene terephthalate, in audio vinyl printing Perfect centering (eccentricity) vertical and horizontal, ensures significantly reduced wow & flutter during playback. The grooved surface is ultra-smooth, resulting in very low background noise, which ensures greater effective dynamics, with much better transient response. It ensures less deformation of the groove during contact with the stylus, resulting in longer life over time, and greater extension and stability of high frequencies. Insensitivity to static electricity means that it is much less sensitive to dust accumulation and impulsive extemporaneous noises (tick-tocks) Injection molding, on the other hand, is much more precise and therefore causes less distortion of the grooves, hence a more stable stereophonic image, improved wide and deep and spatial depth.
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