SKU: 12918751594

Cluster of 3 Glass Garden Feature

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Description

Cluster of 3 Glass Garden FeatureThe trick to placing decorative stakes well is the small group rather than the single piece. Three stakes at slightly different positions amongst your planting create a visual rhyme the eye finds one, then another, then the third, and the whole arrangement feels considered rather than placed. That's the thinking behind this LV Bespoke cluster of three garden features: a coordinated trio of glass sphere stakes, supplied as a set in a single chosen

The trick to placing decorative stakes well is the small group rather than the single piece. Three stakes at slightly different positions amongst your planting create a visual rhyme — the eye finds one, then another, then the third, and the whole arrangement feels considered rather than placed. That's the thinking behind this LV Bespoke cluster of three garden features: a coordinated trio of glass-sphere stakes, supplied as a set in a single chosen finish, designed to work together amongst soft cottage planting.

From LV Bespoke, our trusted Norfolk maker — supplied in raw steel, designed to weather and rust into a soft patina that lets the pieces settle into your garden as if they had always belonged there. Available in four finishes — prisms, photography ball, bubble ball, or cracked glass ball.

Four finishes to choose from

Each cluster comes in a single chosen finish — three matching stakes in your selected style:

  • Prisms — faceted spheres designed to catch and refract light. Particularly lovely in afternoon sun, where they cast small rainbow patterns onto surrounding planting
  • Photography ball — clear spheres with embedded three-dimensional designs (similar to LV Bespoke's standalone 3D Orb stakes). Worth checking the available designs at the time of order
  • Bubble ball — clear glass spheres with bubbles trapped inside. A quieter, more atmospheric finish; gentle rather than dramatic
  • Cracked glass ball — clear spheres with internal crackle effects that catch light beautifully without colour. The most subtle of the finishes

The names are evocative but each finish has its own personality once you see it in person — we'd encourage looking at the variant photos before deciding. There genuinely isn't a wrong choice; it's about which one suits your garden.

Specifications

  • Set: Three matching stakes in a single chosen finish
  • Heights available: approximately 750mm (short) or 1450mm (tall) [please verify height options]
  • Width: approximately 100mm (short) or 150mm (tall)
  • Depth: approximately 40mm (short) or 50mm (tall)
  • Material: Raw steel with glass spheres
  • Finish: Steel designed to develop a natural rust patina; sphere finish as chosen variant
  • Use: Outdoor garden — amongst planting, in containers, lining paths
  • Made by: LV Bespoke, Norfolk

A small note: as with all LV Bespoke pieces, exact specifications can vary slightly between batches as these are handcrafted in Norfolk rather than mass-produced. Please confirm exact height options before ordering.

Where they look loveliest

Clusters of three are most effective when the stakes are placed at slightly different positions rather than in a perfect row — creating the impression of a small considered grouping rather than a regimented line:

  • Through naturalistic planting — set at slightly different points amongst grasses, perennials and soft borders, where the eye finds them as small surprises
  • Around a central feature — circling a small tree, sundial, or birdbath at three points
  • Lining a path — three stakes spaced along a meandering path create rhythm without overwhelming
  • In a gravel garden or courtyard — the rust patina of the steel works beautifully with weathered stone and gravel
  • By a sitting spot — three stakes amongst the planting near a bench give the eye small focal points to settle on
  • In a meadow or wildflower patch — particularly the prisms version, which catches light beautifully against tall grasses

Worth resisting the temptation to space them too evenly. A grouping of three with one slightly forward and one slightly back reads as natural; three in a perfect line reads as decorative.

The rust patina

The steel stakes are supplied raw and designed to develop a natural rust patina over time, particularly outdoors. Within a few weeks they'll begin to take on a warm, mottled rust tone; over months and seasons it deepens further. The result is pieces that feel rooted in your garden rather than imposed onto it.

The glass spheres themselves don't rust — they keep their original finish indefinitely. The contrast between weathered rust steel and bright glass is part of the visual appeal as the pieces age.

If you'd prefer to slow the rusting process, a clear protective wax or matte lacquer applied to the steel on arrival will hold off the patina considerably. Most owners come to love the natural ageing.

Other LV Bespoke garden features

If you like these, you may also like the other LV Bespoke pieces we stock — all from the same Norfolk maker, all in raw steel designed to rust naturally:

  • 3D Orb Decorative Garden Stake — single tall stakes with embedded 3D designs (dragonflies, butterflies, hummingbirds, more)
  • Bird & Insect Garden Stakes — silhouette and cast designs in two heights
  • Butterfly Garden Stakes — sculpted butterflies in two heights
  • Bird Feeding Stake — generous hanging stake for feeders, fat balls and water dishes
  • Bespoke Marble Steel Crown — a substantial sculptural centrepiece with marble inlays
  • Aeonium Stem Plant Support — small steel rings on slim stakes for keeping aeoniums upright
  • Garden Edging — bar-and-ball Victorian-style panels

The rust patina harmonises across all the LV Bespoke pieces over time — they age together as a properly considered set if you collect more than one.

About LV Bespoke

LV Bespoke is a small Norfolk maker producing handcrafted metal accessories for the garden and home. Each piece is made by hand in raw steel — designed to do its job quietly, age gracefully, and look like it belongs. We're proud to stock their work; objects with this kind of character don't come from factories, they come from somebody's careful hands.

A small thought: the loveliest gardens are full of small considered details — a rusted stake here, a glint of glass there, an unexpected colour amongst the planting. Three stakes together, slightly arranged, give you that feeling of considered detail without any single piece being the whole show. The kind of quiet decoration that earns its place in a cottage garden over years rather than seasons.

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SKU: 12918751594

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4.6 ★★★★★
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K. Ryan Kane
Houston, US
★★★★★ 4
I enjoyed this book immensely
Format: Paperback
A pioneering book! It breaks new ground and proposes new ideas that are plausible. I enjoyed this book immensely. But with every pioneering book comes beliefs that may not always be what they seem. I withheld one star because there are some ideas proposed that I found hard to believe entirely. I like the fact that Dr. Schoch includes Biblical passages but I don't agree with the majority of his interpretations. For example, Ezekiel's writings and visions are not about shapes he saw in the sky that Dr. Schoch thinks are from solar outbursts or auroral displays. Instead, most of those are visions he had of the "Last Days." But he didn't know exactly what he was seeing so he did his best to describe the things he saw. The other point I would like to make is that not all of the glyphs from thousands of years ago could be describing auroral displays or solar outbursts. I would imagine that if solar flares were racing toward Earth, (1) there wouldn't be enough time to look at them and study their shapes because you would be racing for cover, (2) they would be too bright whereas nobody could actually look at them long enough to study their shapes even if they had modern sunglasses, and (3) there would be a lot more evidence of scorched and burned areas of Earth so that it would be more obvious if solar activity was what had set society back thousands of years. But I don't recall Dr. Schoch theorizing about these things. Overall the book is great and I think he right about a lot of things. Highly recommended!
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Reviewed in the United States on October 1, 2014
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Carol E.
Carnegie, US
★★★★★ 5
WHY YOU SHOULD BUY THIS BOOK
Format: Paperback
Forgotten Civilization by Dr. Robert Schoch Why should you buy this book? 1) You're already looking at it so you must have some interest in this topic. 2) Dr. Schoch has a great ability to take his, or others, theories and support them with well researched scientific data. This is helpful to those of us who are curious about alternative explanations but are still dependent on the "scientific thinking" paradigm. (He doesn't make statements like "when humans bred with aliens in 20,823 BC..."). 3) He always makes you think about conventional wisdom in a new way. For instance, in this book - the age of Easter Island statues (moai). How DID they get buried so deeply when they (conventionally) only go back to a South Pacific Polynesian settlement times?? I have stood in front of the moais on Easter Island and read many books on it's history and it never occurred to me to question the timeline. It takes that unique geologist perspective which Dr Schoch brings to his writings. 4) He introduces you to other researchers or writers that you will want to know more about. Like Thomas Brophy, Anthony Peratt, Paul LaViolette and many others. 5) The Appendices. Some excellent information on multiple topics included at the end of the book. 6) Because Dr. Schoch has gone where many others SHOULD go - against conventional archeological/historical wisdom which makes no sense. His initial theories on the age of the Sphinx as a young academic were very daring and absolutely correct. The geological community had no problem with his ideas - but Egyptologists did, and they have been after him ever since. Choosing a controversial research path has meant some changes in his academic career I'm sure, as "Academics," for all it's spouting of tremendous support for new knowledge and research is very much mired in politically correct concrete. (Go to Egypt and look for yourself. Even a casual tourist will see how wrong standard academic theories are currently). 7) I guarantee you will learn new and interesting things that just may change your life - or at the very least, change the way you think about the future. -C. Engel
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Reviewed in the United States on September 27, 2012
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Kindle Customer
Lake Worth, US
★★★★★ 3
A Book About Everything and Nothing
This was a great idea for a book and it's too bad that Mr. Schoch decided not to write it. Some of the ideas about solar events, the way the plasma manifested in the sky as it relates to ancient petroglyphs is fascinating. Mr. Schoch spent very little time in this space however (in spite of the book's title). Instead we got a brief, incomplete overview coupled with a survey of every piece of fringe science out there from the memory of water, to quantum entanglement to telepathy. There was the obligatory chapter on his work with the Sphinx of course. It always comes back to the Sphinx with this guy. Not an original thought in the book, but there was plenty of promotion of fringe science, especially the work of Paul LaViolette whose confusing and widely ignored and self-published work got several chapters. I gave the book 3 stars for its entertainment value and docked it two for not staying on point. This is still a great and fascinating subject. I wish Mr. Schoch thought so too.
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Reviewed in the United States on March 30, 2015
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Chongyean Cheang
Louisville, US
★★★★★ 5
An amazing book
Format: Paperback
Silent Spring by Rachel Carson is one book that has opened our minds to how much has gone wrong in the world. It is an immensely powerful scientific book for general readers packed full of verifiable research and data. Rachel Carson wrote the book about the widespread use of chemical pesticides that have wreaked havoc upon the water, the atmosphere, the soil, and the earth since the experiments conducted during World War II. Carson begins the book with a short chapter containing an imaginary scenario of a quiet American countryside in spring devoid of birds and other wildlife. Carson then asks a question which the book attempts to answer: "What has already silenced the voices of spring in many towns in America?" (Carson 1962) The other sixteen chapters fully detail how the use of chemical pesticides and herbicides impacts the environment and silences living species when people do not pay attention. In chapter two she makes the point that humans can alter nature. "The most alarming of all man's assaults upon the environment is the contamination of air, earth, rivers, and sea" (Carson 1962). The author demonstrates that people try to get a quick fix for their small problems but are often unaware of the consequences of their quick fix solutions. "We use the chemicals to kill weeds, insects, and pests…… They should not call insecticides but biocides" (Carson 1962). In the next chapter, "Elixirs of Death," she introduces chemicals which can harm health such as chlorinated hydrocarbons (e.g., DDT), organic phosphates, and other hydrocarbons that are more toxic than DDT such as dieldrin, Aldrin, and endrin. She tells the story of a child and family dog that was suddenly killed by the use on an endrin cockroach spray. When the chemicals are combined with one another, it leads to an unpredictable and harmful result in the atmosphere and living creatures. Carson continues in chapter 4 and five by describing the effect of pesticides in water and soil. Even though low concentrations of insecticide in the water is not detrimental, a habit of putting poison in water builds up and ends up passing into fishes, animals, and humans. DDD and DDE, the toxaphenes used in clear lakes destroy the human adrenal cortex (Carson 1962). Even though the chemicals had been deposited years ago, it was carried on in living species from generation to generation. Similarly, soil can be destroyed if it contains too many pesticides and these chemicals may remain in the ground for an extended period. The following chapter of the book mentioned that there are ways to avoid using insecticides to kill insects such as introducing different species of plants or by introducing plant-eating insects. Carson continues her analysis of the life-threatening consequences of pesticides on the surroundings in chapters 7, 8 and 9. She mentions that the entire population of living creatures, including birds and fish, was killed in sprayed areas. "Aldrin, one of the deadliest of all chemicals, was chosen to kill the Japanese beetles... After a few reports came in of dead birds everywhere…. Dogs and cats sickened" (Carson 1962). The author also provides excerpts of letters from people who lived in the areas saying that these pesticides changed the landscape of the areas in which they lived. One woman reported that the spraying of these chemicals had wiped out robins, chickadees, and cardinals. Other women from Alabama said the result of fire-ant spraying made the birds disappear overnight. Other people in Mississippi saw no land birds for miles after spraying. The author ends the chapter with the question, "Isn't it possible to help the balance of nature without destroying it? Who has the right to decide about the use of chemicals?" Chapter 10 details the death of wildlife when aerial spraying is conducted. She comments on the lack of precaution and foresight being used by the pesticide industry. "No research was done before the launch of million acres aerial campaign" (Carson 1962). It shows the lack of caution and general unawareness of the consequences of their actions. The following chapter examines the evidence that the widespread use of poisonous substances can cause the slow, prolonged destruction of human health. For example, she mentions, "DDT has been found everywhere in processed food and cooked restaurant meals" (Carson 1962). The cumulative effect of using different chemicals is that it is incorporated into our food. It is unpredictable how much it can cause harm. A huge amount of poison is everywhere; people exist in their day-to-day lives without knowing that it is even there. Carson calls it "the age of poison" (Carson 1962). Chapters 12, 13 and 14, Carson directs examines the chemicals harmful to human tissues and organs. Back in the days, we lived in fear of infectious diseases such as smallpox and cholera. Now, we are living with and facing new diseases that Carson calls "the environmental disease." The author gives many examples of the sources of the chemicals and how it reacts and is incorporated into the body. "Dieldrin can have long-term effects such as loss of memory, insomnia, nightmares, and mania" (Carson 1962). At the end of chapter 14, she mentions the statistic that one in every four Americans is developing cancer. The possible explanation is that the sale of chemicals in the market is an accepted part of our lives. She describes how she was slowly dying of cancer as she finished this book. In the next three chapters, Carson describes how insects have developed the ability to reproduce and resist the effects of the sprays. In other words, like the title of Chapter 15 states, "nature fights back." Finally, the final chapter, "The Other Road" presents alternatives to chemical control of pests. Chemical "solutions" should be stopped. Instead, an alternative way is biological solutions based on knowledge of living organisms. She gives examples such as insect sterilization, insect venom as a poison, insect killing microorganisms, and ultrasonic sound to kill mosquito larvae. "The choice, after all, is ours to make" (Carlson 1962). Overall, Silent Spring is all about how the world has changed because of our misguided actions of using harmful chemical pesticides in nature. The book opens our eyes and minds to the fact that these synthetic pesticides have poisoned all living species, destroyed the environment, and contaminated the world. I would recommend this book to all people that are interested in how much the earth is contaminated by humans and want to find a way to help keep the balance of nature without destroying it.
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Reviewed in the United States on February 12, 2018
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Lisa D.
Los Angeles, US
★★★★★ 5
Book
Format: Paperback
Enjoyed the book
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Reviewed in the United States on April 27, 2026

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