SKU: 5662776401

Newmar Pt80 12v 80amp Charger 115-230v Input

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Description

Newmar Pt80 12v 80amp Charger 115-230v InputThree Stage "Smart" Chargers Phase Three "Smart" battery charging technology is now available in a wide range of power levels, allowing you to select the right size, features and flexibility you require for virtually any application from small recreational craft to large live aboards, workboats and other commercial vessels. These chargers interact with batteries to put them through the optimum three stage charge process which provides for fastest

Three Stage "Smart" Chargers

Phase Three "Smart" battery charging technology is now available in a wide range of power levels, allowing you to select the right size, features and flexibility you require for virtually any application from small recreational craft to large live-aboards, workboats and other commercial vessels. These chargers interact with batteries to put them through the optimum three stage charge process which provides for fastest recovery and ideal conditioning, maximizing battery performance and extending battery life.

A selector switch adjusts output voltage to adapt for gel-cell/flooded lead-acid/AGM battery types. An optional temperature compensation sensor also adjusts output for ideal voltage based on changes in the batteries' ambient temperature. All models are housed in a rugged stainless steel case with a durable white powder coat finish, and the internal circuitry is polyurethane coated for maximum corrosion resistance.

Features

  • "Smart" circuitry provides three stage charging?bulk, absorption, float.

  • Wide model range covers battery system ratings from 14-950 amp-hours

  • Gel-Cell/Flooded Lead-acid/AGM battery type switch selects optimum charge/float voltages.

  • Multiple isolated output banks; ammeter indicates total output current. (except PT-7)

  • Optional sensor adjusts output voltage based on battery temperature. (except PT-7)

  • Current limiting-prevents damage from overloading.

  • Charger status clearly displayed with L.E.D. and/or audible indicators or optional remote panel.

  • Use as a power supply; can power loads without a battery in line.

  • Built to last?rugged stainless steel case with a durable white powder coat finish with an optional drip shield and marinized internal circuitry.

  • Numerous Safety and EMC CompliancesTwo year parts and labor warranty

Models
 

12 Volt

24 Volt

32 Volt

PT-7

PT-24-8W

PT-32-25W

PT-14W

PT-24-13W

 

PT-25W

PT-24-20U

 

PT-40U

PT-24-45U

 

PT-80

PT-24-60W

 
 

PT-24-95U

 

Detailed specifications below.

 

Specifications
 

12 Volt Models

PT-7

PT-14W

PT-25W

PT-40W

PT-80

Input VAC (50-60 Hz.)

88-132 or
176-264

85-264

90-132 or
180-264

85-135 or
170-270

90-264

Input Amps @ Full Load

 

@ 115 VAC

2

2.8

6.5

8.5

12

@ 230 VAC

1

1.4

4

4.3

7

P.F. Rating

>.65

.93@230V
.98@115V

.7

.7

.95@230V
.98@115V

Max Output Amps

7

14

25

40

80

Output Banks

2

3

3

3

3

Battery Capacity (Amp-Hours)

14-70

28-140

50-250

80-400

160-800

Operating Temp.
Rating Reference

T-1

T-2

T-4

T-5

T-7

Case Size Ref.

A-1

A-2

A-2

A-3

A-5

Weight; Lbs./Kg.

3.2/1.5

8/4

8.2/4

12/6

15.2/7

Optional Temp.Sensor Model

N/A

TCS-12/24

TCS-12/24

TCS-12/24

TCS-12/24

Remote Panel Model

N/A

RP

RP

RP

RP

Equalize Option

No

Yes

Yes

Yes

Yes

Output Indicator Ref.

M-1

M-3

M-3

M-3

M-3

Compliance Ref.

CG, CE

CG, CE

CG

CG, CE

CE


 
 24 Volt Models

PT-24-8W

PT-24-13W

PT-24-20U

PT-24-45U

PT-24-60W

PT-24-95U

Input VAC (50-60 Hz.)

85-264

90-132 or
180-264

85-135 or
170-270

90-264

207-253

90-264

Input Amps @ Full Load

 

@ 115 VAC

2.8

6.5

8.5

12

NA

26

@ 230 VAC

1.4

4

4.3

7

13

14

P.F. Rating

.93@230V
.98@115V

.7

.7

.95@230V
.98@115V

.7

.95@230V
.98@115V

Max Output Amps

8

13

20

45

60

95

Output Banks

3

3

3

3

3

3

Battery Capacity (Amp-Hours)

16-80

26-130

40-200

90-450

120-600

180-950

Operating Temp.
Rating Reference

T-2

T-3

T-5

T-8

T-6

T-8

Case Size Ref.

A-2

A-2

A-3

A-5

A-6

A-6

Weight; Lbs./Kg.

8/4

8.2/4

12/6

12.2/6

24.1/11

24.5/11

Optional Temp.Sensor Model

TCS-12/24

TCS-12/24

TCS-12/24

TCS-12/24

TP

TCS-12/24

Remote Panel Model

RP

RP

RP

RP

N/A

RP

Equalize Option

Yes

Yes

Yes

Yes

No

Yes

Output Indicator Ref.

M-3

M-3

M-3

M-3

M-2

M-3

Compliance Ref.

CG, CE

CG

CG, CE

EN, CE

EN, CE

EN, CE


 
32 Volt Model 

PT-32-25W

Input VAC (50-60 Hz.)

104-126

Input Amps @ Full Load 

 

@ 115 VAC

15

@ 230 VAC

N/A

P.F. Rating

.7

Max Output Amps

25

Output Banks

3

Battery Capacity (Amp-Hours)

50-250

Operating Temp.
Rating Reference

T-6

Case Size Ref.

A-4

Weight; Lbs./Kg.

12.2/6

Optional Temp.Sensor Model

TP

Remote Panel Model

N/A

Equalize Option

No

Output Indicator Ref.

M-2

Compliance Ref.

EN, CE


Case Size
 
 

Inches

Centimeters

Ref

H

W

D

H

W

D

A-1

10.5

5.0

2.8

26.7

12.7

7.1

A-2

12.5

7.7

4.3

31.8

19.6

10.9

A-3

13.85*

9.5

4.8*

35.2*

24.1

12.2*

A-4

13.8A

9.8

5A

35A

24.9

12.7A

A-5

14.8B

9.6

5.6B

37.6B

24.4

14.2B

A-6

17.5C

12

7.2C

44.5C

30.5

18.3C

* Add .75" (1.9 cm) to height and 1.35" (3.4 cm) to depth
A Add 1.27" (3.2 cm) to height and 1.1" (2.8 cm) to depth
B Add 1" (2.54 cm) to height and .5" (1.27 cm) to depth
C Add 2" (5.08 cm) to height and 1" (2.54 cm) to depth


Temperature Rating References:
 

T-1

-10°C to +45°C; Derate linearly from 100% @ 0°C to 80% @ -10°C

T-2

-10°C to +60°C; Derate linearly from 100% @ 40°C to 60% @ 60°C

T-3

-10°C to +60°C; Derate linearly from 100% @ 50°C to 60% @ 60°C

T-4

-10°C to +60°C; Derate linearly from 100% @ 40°C to 60% @ 60°C

T-5

-40°C to +60°C; Derate linearly from 100% @ 50°C to 75% @ 60°C

T-6

-20°C to +50°C; Full output

T-7

-20°C to +70°C; Derate linearly from 100% @ 45°C to 50% @ 70°C

T-8

-20°C to +70°C; Derate linearly from 100% @ 50°C to 50% @ 70°C


Output Indicator References
 
M-1
Total output ammeter
M-2
Charge/Float L.E.D.
M-3
Total output ammeter and charger status L.E.D.'s/Alarms

Compliance References*
See matrix for applicable models
CG USCG CFR 183.410 (Ignition protected)
EN EN 60335-1, EN 60335-2-29
CE Carries the CE Mark
* Numerous other Safety and EMC compliances may also apply. Contact factory if further compliance
  information is required.

Nominal Output Voltages at Gel/Flooded Switch Settings
(Without Temperature Compensation option installed or at 22.2˚C (72˚F) with Temperature
Compensation option installed.)
 
 
12 Volt Models
24 Volt Models
32 Volt Model
Charge
Float
Charge
Float
Charge
Float
Setting
@ 50% load
@ .5 amp load
@ 50% load
@ .5 amp load
@ 50% load
@ .5 amp load
Gel-Cell
14.0 VDC
13.6 VDC
28.0 VDC
27.2 VDC
37.3 VDC
36.2 VDC
Flooded/AGM
14.2 VDC
13.4 VDC
28.4 VDC
26.8 VDC
37.8 VDC
35.7 VDC
Shipping Notes
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Exchange/Return Notes
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SKU: 5662776401

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4.2 ★★★★★
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Product Reviews
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Verified Purchase
Doug S.
Battle Creek, US
★★★★★ 5
One Of My Top Ten Movies
It's a Terry Gilliam masterpiece that blends a touch of Monty Python, Twilight Zone, and Broadway! Worth the watch!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 3, 2026
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Verified Purchase
Tripp Moore
Belleville, US
★★★★★ 5
Visually Brilliant, Darkly Funny, and Still Uncomfortably Relevant
I rented Brazil through Amazon primarily because I’d heard it described as a dystopian sci-fi classic, but I wasn’t fully prepared for just how strange, creative, and visually dense this movie actually is. It feels like George Orwell had a stress dream after getting trapped inside a malfunctioning government office building designed by someone obsessed with ducts and paperwork. The film does an incredible job blending dark comedy, bureaucracy, paranoia, retro-futurism, and outright absurdity into something that somehow still feels coherent. The world-building is fantastic in a very grimy, claustrophobic way where technology exists everywhere but almost none of it works properly. Everything feels intentionally inefficient and overcomplicated, which makes the setting weirdly believable. Jonathan Pryce does a great job playing a character slowly unraveling under the weight of an increasingly surreal system, and Robert De Niro’s appearance is memorable despite limited screen time. The production design is honestly one of the standout elements of the entire film. Nearly every scene has some strange visual detail happening in the background that adds to the oppressive but oddly humorous atmosphere. This definitely is not a fast-paced mainstream sci-fi movie, though. The pacing can feel slow at times, and the tone swings between satire, anxiety, fantasy, and bleakness in ways that probably won’t work for everyone. It’s the kind of movie where you occasionally stop and think, “What exactly am I watching?” while still wanting to keep watching. The Amazon streaming quality itself was good with no playback issues during my rental, and the film benefits from a decent screen because there’s so much visual detail packed into the sets and cinematography. Overall, Brazil is one of those movies that feels increasingly relevant the older it gets. Strange, unsettling, funny, visually inventive, and much more layered than I expected.
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Reviewed in the United States on May 23, 2026
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Verified Purchase
Joel Bradford
Los Angeles, US
★★★★★ 4
Beautiful, glorious, and depressing but not without levity
Probably Gilliams most serious film, a story of a dreamer in a dystopian bureaucratic future, plagued by monotony and endless paperwork, our protagonist (played by Jonathan Pryce) isn't sure what he wants in his life, but he knows he wants something different. When the Department of Information Retrieval disappears the wrong person (played by Robert De Niro), our hero goes to reimburse the widow and discovers a woman living in the same building who looks like the woman out of his dreams (played by Kim Greist). Really stellar performances by Pryce, and a gaggle of supporting actors such as Ian Holm, Michael Palin, Kathrine Helmond, and Bob Hoskins. Greists performance is probably the weakest, but she does enough for the role that the critique of it amounts to a nit pick really. While this film is considered a cult classic, I would qualify it even less and say its just a classic, full of symbolism with a increasingly repressive tone throughout balanced by Gilliams puncturing, dark humor.
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Reviewed in the United States on September 29, 2024
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Verified Purchase
Mr. Watkins
Belleville, US
★★★★★ 5
Classic Terry Gilliam- Watch It!
One of the best Terry Gilliam movies out there. Made in the 1980's, the cast is superb, and it holds up well 40 years on. WAtch it- it's a trip!
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Reviewed in the United States on April 27, 2026
M
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***moviemaker***
Birmingham, US
★★★★★ 5
BLU RAY is the 132 minute Original U.S. Theatrical Cut FINALLY!!!!
] On this Blu-ray for the first time ever we get the ORIGINAL 132 minute version of the film as was shown in U.S. theaters. (Note: This is NOT the "Love Conquers All" Sheinberg/TV Edit.) All the DVD releases before this have been the European Version/Director's Cut of the film. Even the original Universal DVD release that said Theatrical Cut on the box actually had the European Version/Director's Cut. Unfortunately, Universal didn't really spend any time cleaning up the negative for Hi-Definition (there is very noticeable instances of dirt and debris on the negative) but it still beats the image quality found on the Universal SD DVD, and they do include an amazing DTS-HD Master 5.1. We'll just have to wait for the Criterion Blu-ray of Brazil for image perfection but serious fans of Brazil will want to get this Blu-ray edition just to have this version of the film as it was originally seen in theaters in 1985. I actually find this 132-minute version is in many ways a superior cut of the film. Here are the differences in detail: *In the 132-minute version you cut from Sam in bed with Jill, police sack goes over head, then CUT TO Pull off police sack to reveal Sam in Torture Chamber/Interrogation chair. This one cut is simply brilliant and very powerful. In the Criterion Version you have the added scene of Mr. Helpman as Father Christmas (completely out of charcater from the rest of the film) and the whole interrogation scene of Sam hanging from the rack inside the police/mail pouch which becomes narratively redundant and dilutes the impact of the final scene. *To end it with cooling tower/interrogation room fade to clouds was a great Gilliam wink of subversion and irreverence to the cliche Hollywood Ending. As opposed to the European cut of just credits over cooling tower/interrogation room. *The Samurai Scene is divided into 3 separate scenes in the 132-minute version versus 1 LONG scene in the European cut. And you know what? Like most things, it works better in 3's. *The 132-minute version cuts straight to the Dinner Scene with Ida (his mother) ordering numero deux, trois, etc. while the European version has the entrance to the restaurant of going through the metal detector which really doesn't add anything and is again a bit redundant when the bomb does eventually go off in the restaurant. With the scene, you're signaling to the audience we are looking for a bomb, so we expect a bomb. Without the added scene, the bombing is unexpected and it actually shocks you so you're both horrified and laughing. The unexpectedness also works as it builds upon the bomb motif from the first explosion at the beginning of Brazil during the Ducts advert. *And finally I just love that the 132-minute version opens on those clouds (outtakes from The Never-Ending Story) then goes to the Central Services advert about Ducts: "Are your ducts old-fashioned, out-of-date... " Now the Criterion version also has the clouds opening (The Original European Cut didn't) but it's funny because the Studio asked Gilliam to start off with the clouds for the US Cut and he actually prefers it as quoted in his Director's commentary. Hilarious. Little changes that add up to a tighter and overall, better film.
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Reviewed in the United States on July 12, 2011

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