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Description
1980 Queen Elizabeth II Proof Gold Half Sovereign + Capsulated / Case1980 Queen Elizabeth II Proof Gold HALF Sovereign + Encapsulated within Luxury Case and COA. Limited edition especially struck proof sovereign in original royal mint issue case, air tight screw capsule and certificate of authenticity. The proof sovereign differs from the standard sovereign issued or bullion type in that this coin is in perfect proof condition free of finger prints, scratches, and other blemishes. The proof sovereign is also specially
1980 Queen Elizabeth II Proof Gold HALF Sovereign + Encapsulated within Luxury Case and COA.
Limited edition especially struck proof sovereign in original royal mint issue case, air tight screw capsule and certificate of authenticity. The proof sovereign differs from the standard sovereign issued or bullion type in that this coin is in perfect proof condition free of finger prints, scratches, and other blemishes. The proof sovereign is also specially dipped during the the minting process to produce the iconic frosted raised features on both obverse and reverse.
Queen head facing right wearing a coronet, The initials of the designer do not appear and the truncation is blank. St.George mounted with sword attacking the dragon, streamer flowing from St George's helmet. The date appears below the exergue line at the bottom with the letters B.P. to the right.
Obverse Legend: ELIZABETH.II.DEI.GRATIA.REGINA.F:D:
Milled: Rev: BP: Benedetto Pistrucci
Weight 3.99 grams Contains 0.1177 of 1 Troy Oz Gold
We endeavour to keep all years available, the image is of the coin you will receive some years may not be available due to rarity, if you are interested in the rare examples not on offer here, please contact us
Should you not be entirely happy with your purchase you may return it for a full refund, please see our returns section for more information.
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4.7 ★★★★★
Based on 1319 reviews
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Product Reviews
★★★★★ 4
Make Sure You Read the Vintage Edition with the Afterword
I initially purchased this book to read for two reasons: First, it was written by William Styron, who wrote the great "Sophie's Choice;" and second, it won a Pulitzer Prize. It was only after I was into the book that I learned that this vintage sixties' book was the subject of a major controversy over the depiction of the title character, Nat Turner.
I learned that Styron openly acknowledged fictionalizing large portions of Turner's life, including his motivations for leading the slave revolt. I also learned that Styron's largely fictionalized portrait of Turner outraged many black leaders of the time. Rather than painting Turner (entirely) as a hero, called to action by the injustices of slavery, Styron created a darker picture of a man fixated on religion, a vision of himself as a prophet, and frustrated by lust and desire (particularly, for a young, blond haired white girl).
As I read the book, I search my own feelings, and felt that if I were black, I would certainly have objected similarly. We all need our heroes, who become much larger as symbols than they could ever be as people. For the sake of those that come after, such icons are perhaps entitled to be treated with a greater level of sensitivity and care--even at the cost of literary restraint.
It is here that the story gets fascinating. After I finished the novel, I read Styron's Afterword. Styron was truly stung by the criticism and in the Afterword, provided an elegant and persuasive defense of his writings. While I will not say that Styron entirely changed my position, he definitely made me see the other side of the argument. The dialogue between Styron and his critics not only allows the reader to consider one of the great social and political issues of our time, but permits the reader a unique insight into the thinking of a great writer--and suffices, in and of itself, as a reason for reading this novel. MAKE SURE YOUR VERSION OF THE NOVEL HAS THIS AFTERWORD.
Putting the issue aside as to the real "Nat Turner," the novel itself is beautifully written. The characters are fully developed and believable. The description of the system of slavery and the relationship between whites and blacks feel very real, and very accurate. Styron shows us good and bad of each race, and how all of them are bound by the system of slavery and their actions directly the product of it.
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Reviewed in the United States on September 26, 2008
★★★★★ 5
I loved this book.
I read this book for my book club and I thought it was beautifully written. It has stayed with me for weeks now. I love when a book does that. I'm glad I wasn't swayed by controversy. I had no problem with the fact that the author was white and using a black voice(maybe because I'm white - but I do like when an author gets the voice right and I thought Styron did that). I didn't understand the charges of racism after reading the book. Sometimes I wonder if, what some people find uncomfortable, they label as racist or sexist or whatever. Anyway, I would encourage everyone to read this book because it gave me a fresh awareness of a huge part of U.S. history, it reminded me that there are always gray areas to consider and it was a great novel. You might think so too.
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Reviewed in the United States on February 8, 2007
★★★★★ 5
great read
I enjoyed this book. As a person who enjoys history this book was a great read for me and the author gives an in depth vision on the trial.
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Reviewed in the United States on September 14, 2023
★★★★★ 3
Nat Turner was NOT happy
I think Mr Styron may have took some liberties with Nat Turner's "orientation" without the research or data to support his opinion.
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Reviewed in the United States on October 20, 2016
★★★★★ 5
A book for the ages...historically concise and horrific at once
William Styron, a gifted writer outdid himself with this book. His concise detail gives us an inside view on the depth of feeling employed by the subject of this book. The book while concise and tender pulls us in as these events take place. As Mailer delves deeper into the mind of Nat Turner, we cannot help but feel a sense of the suffering this man endured and this is what gives us perspective into this tragedy as it unfolds. A compelling masterpiece of literature.
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Reviewed in the United States on December 20, 2012