RADIOHEAD - OK COMPUTER OKNOTOK 1997-2017 (3xLP+CASSETTE+BOOK)

RADIOHEAD - OK COMPUTER OKNOTOK 1997-2017 (3xLP+CASSETTE+BOOK)DELUXE EDITION. BLACK VINYL 3xLP+CASSETTE+BOOK. "Featuring Remastered OK COMPUTER, B Sides and Three Never Before Released Tracks: I Promise, Lift, Man Of War Rescued from defunct formats, prized from dark cupboards and brought to light after two decades in cold storage OKNOTOK will be issued June 23 on XL Recordings, coinciding (roughly) with the original 1997 release date(s) of Radioheads landmark third album OK COMPUTER. OKNOTOK features the

DELUXE EDITION. BLACK VINYL 3xLP+CASSETTE+BOOK.

"Featuring Remastered OK COMPUTER, B-Sides and Three Never Before Released Tracks: “I Promise,” “Lift,” “Man Of War” Rescued from defunct formats, prized from dark cupboards and brought to light after two decades in cold storage… OKNOTOK will be issued June 23 on XL Recordings, coinciding (roughly) with the original 1997 release date(s) of Radiohead’s landmark third album OK COMPUTER. OKNOTOK features the original OK COMPUTER twelve track album, eight B-sides, and the Radiohead completist’s dream: “I Promise,” “Lift,” and “Man Of War.” The original studio recordings of these three previously unreleased and long sought after OK COMPUTER era tracks finally receive their first official issue on OKNOTOK. All material on OKNOTOK is newly remastered from the original analogue tapes. Digital formats, double CD, and triple 180g LP versions of the 23 track album will be released widely on June 23rd. OK COMPUTER was originally released on various dates ranging from May to July 1997. Produced by the band and Nigel Godrich, the album is widely cited as one of the greatest works of Radiohead’s--or any artist’s--catalogue and was the first Radiohead record to reach #1 in the UK and to be be nominated for the Album of the Year GRAMMY. The album features singles “Paranoid Android,” “Karma Police,” “Lucky” and “No Surprises.” In 2015, The National Recording Registry selected OK COMPUTER to be preserved in the Library of Congress as a recording that has proven “culturally, historically, or aesthetically significant.”