SKU: 14419177125

HANNS WELLING FOR CERAMANO ‘NEGRO’ DÉCOR VASE Nr. 561

Sale price$126.00 Regular price$140.00
Save 10%

Pay in installments of $35.00 with ShopPay, AfterPay and Klarna

Shipping Estimate
USA
  • USA
  • CAN

Ships within 48 hours · Estimated delivery Jul 18 - Jul 23

Promo Codes Available:

For Your Every Summer RSVP, with Code: SUMMER15

Description

HANNS WELLING FOR CERAMANO ‘NEGRO’ DÉCOR VASE Nr. 561A Hanns Welling Negro dcor bottle vase designed for CERAMANO in the 1960s. A matt background of bronze brown supports glossy decorations of light blue dots and stripes that emerge from a slick, running espresso top glaze. Scratched into the base are the model number, the decor and maker names, the country of origin, "Handarbeit" (handwork), and the decorator's initials. The foil label is present as pictured. The interior is white. HANNS WELLING

A Hanns Welling Negro décor bottle vase designed for CERAMANO in the 1960s. A matt background of bronze-brown supports glossy decorations of light blue dots and stripes that emerge from a slick, running espresso top glaze. Scratched into the base are the model number, the decor and maker names, the country of origin, "Handarbeit" (handwork), and the decorator's initials. The foil label is present as pictured. The interior is white.


HANNS WELLING (1924–?) was responsible for some of the most sophisticated output of several of the best post-war German art-pottery manufacturers—Keto, Ruscha, and Ceramano, among them. He served as the third firm's artistic director in the early 1970s—otherwise, little is recorded about his relationships with these makers. Many famous CERAMANO shapes and décors are ascribed to him: Pergamon, Koralle, Minerva, Ceralux, and Tundra. Welling also designed tableware and collectibles for Goebel Porzellan GmbH.


CERAMANO was the brainchild of Jakob Schwaderlapp, the founder of Jasba Keramik. He set up the sister company in 1959 to produce high-end ceramics that would complement Jasba's mass-produced lines and respond to the growing demand for innovation in the decortive arts. The manufacture of more artistic and experimental items had heretofore been the province of small workshops; Schwaderlapp had the idea to replicate the look and feel and the creativity of artisanal work using modern factory methods. CERAMANO went public with the debut of an extensive product range at the Frankfurt Trade Fair. The celebrated Hanns Welling was introduced as the man in charge—responsible for the company's marketing as well as for all of its shapes and décors (glaze and pattern combinations). Welling remained at the helm until 1962 when the position of head designer was handed off to Gerda Heuckeroth, later known for her amazing body of work at Carstens.

To achieve its goals, CERAMANO employed many of the top ceramic artists of the day, notably (in addition to Welling and Heuckeroth) the Hungarian designer Dudas Laszlo. Unsurprisingly, the items it produced were generally of high quality and varied nature. Many of the more expensive pieces were completely handmade on a wheel; most vases were built using the company's signature reddish-brown clay. Compared with other German ceramics firms, an unusual amount is known about the décors of CERAMANO owing to its practice of listing their names on vessel bottoms. Top décors include Rubin, Toscana, Stromboli, and Pergamon, plus rarities like Saturn, Achat, and Incrusta. Along with the décor name, bases were generally engraved (by the décor artist) with the model number and the artist's initials. This practice enhanced the "studio" semblance of CERAMANO's pieces. Willi Schwaderlapp, Jakob's son and partner, took over the company in 1964, after which it was split off from Jasba entirely.

[Note: shape numbers usually have three digits. They are sometimes followed by a slash (virgule) and a second number, ranging from one to six, that denotes the piece's relative size. Whether or not and how much text is included on the base seems to depend on the size of the vessel in most cases. "Handarbeit" (handmade) is also a common marking. Vases from later periods were provided with paper labels.]

CERAMANO continued to develop economically with the takeovers of Waku Feuerfest and Steinzeug und Mosaikplattenfabrik in the 1970s, which allowed for expansion into the production of, respectively, tableware and architectural tiles. The company's export share slowly increased for a time, but CERAMANO's gambit ultimately proved unsuccessful. As the 1980s progressed, interest in art pottery waned sharply. CERAMANO finally closed its doors in 1989. (Jasba is still in operation, producing industrial tiles exclusively).

KEY DESIGNERS:

  • Hanns Welling, 1959–1961
  • Gerda Heuckeroth, 1962–1964
  • Dudas Laszlo, 1960s

DETAILS

Maker – CERAMANO

Production Period/Year – 1960s

Designer – HANNS WELLING

Design Period/Year – 1960s

Origin – WEST GERMANY

Styles/Movements – OP ART; MODERN

Materials – CERAMIC

Colors – TURQUOISE, INK BLUE

Condition – Excellent vintage condition. May show minor signs of previous use.

Dimensions – 3 ¼" DIAM. × 6 ¾" H

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 14419177125

Discover Niche Categories That Outsell

Top-Converting Item to Boost Your Average Order

4.2 ★★★★★
Based on 8 reviews
Sort
Highest Rating
Newest First
Oldest First
Product Reviews
C
Verified Purchase
Chiller Leonard
Grantham, US
★★★★★ 5
Excellent works great and I’m bang for your buck
Size: 8.5"x14"
I love this paper. It prints, nice and clear I will be buying more.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 30, 2026
F
Verified Purchase
Fe Oyekola
Grantham, US
★★★★★ 5
Very good for sublimation
Size: 8.5"x11"
Intact and very good for my sublimation
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 25, 2026
T
Verified Purchase
Tasha
Grantham, US
★★★★★ 5
Great paper and beginner friendly
Size: 8.5"x11"
I Really like using this A-Sub paper
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 8, 2026
J
Verified Purchase
Jon
Louisville, US
★★★★★ 4
Works
Size: 8.5"x11"
Works great for sublimation. Get plenty of sheets. Great value for the price. The paper is pretty thick and seems to hold a good amount of ink without smearing.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 9, 2026
M
Verified Purchase
Miss Washington Creates
Los Angeles, US
★★★★★ 5
My go-to sublimation paper for crafting
Size: 8.5"x11"
I've used several sublimation papers, and this one has worked really well for my crafting projects. The colors transfer bright and vibrant, and the images come out crisp with good detail when using the proper sublimation printer and ink. The paper feeds smoothly through my printer and feels like a good quality weight—not too thin and not overly thick. I've used it for tumblers, keychains, and other sublimation projects, and I've been happy with the results. I also appreciate getting 110 sheets in one pack because it lasts a while, especially when working on multiple projects at once. Overall, this is a reliable sublimation paper that gives consistent results and is great for crafters or small business owners.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 31, 2026

recommand products