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Description
Vintage V65H ReIssued Hard Tail Electric Guitar ~ Satin GreyThe Vintage ReIssued Series V65H hard tail electric guitar, replicates the unending appeal of the offset solid bodied guitar and, over the years, this beautiful guitar has pleased armies of cult followers of this classic, timeless trendsetter. Looking super cool with a Satin Blue finish, the V65H is visually balanced with a colour matched headstock, chrome hardware, a black scratchplate, black pickup covers and black control knobs. This exquisite
The Vintage® ReIssued™ Series V65H hard tail electric guitar, replicates the unending appeal of the offset solid bodied guitar and, over the years, this beautiful guitar has pleased armies of cult followers of this classic, timeless trendsetter.
Looking super cool with a Satin Blue finish, the V65H is visually balanced with a colour-matched headstock, chrome hardware, a black scratchplate, black pickup covers and black control knobs.
This exquisite model follows a traditional tonewood combo, with a lightweight USA Alder body and bolt-on one-piece maple neck, a construction that is well known for providing plenty of glassy top end, solid mids and a dynamic low-end response.
Couple this with a pair of Wilkinson W90SK stacked ceramic soapbar pickups, and the V65H delivers single coil clarity with meaty double coil characteristics in abundance.
Stunning looks aside, with a 22 fret, block inlaid fingerboard, Wilkinson WJ55 tuners, Wilkinson Hardtail WVFS bridge, a GraphTech nut and that huge frequency range, the V65H is a songwriter’s inspiration and a delight to perform with in the studio or live on stage.
It’s easy to see why the V65H has become another winner from the Vintage catalogue.
V65H Specifications:
Body:
Offset design, USA alder body provides resonance, tone and ‘correct weight’ comfort.
Bridge:
Wilkinson WVFS six saddle hardtail bridge, provides superb tuning stability and adjustable intonation for each string.
Pickups:
Two Wilkinson W90SK stacked ceramic soapbar single coil pickups provide fat and articulate cleans and cutting, punchy overdriven tones.
Controls:
Independent master Volume and Tone controls with three position pickup selector switch.
Machine heads:
Wilkinson WJ55 machine heads provide simple, effective action for superb tuning stability.
Neck:
One piece Maple with classic Vintage ‘soft C’ profile for instant comfort, speed, accuracy and great feel.
Fingerboard:
Block inlaid with traditional 10” radius for superb playability and feel.
Scale Length:
25.5" / 648mm.
Frets:
22 Medium Jumbo profile frets add to comfort, accuracy and overall positive feel of the Vintage V65H.
Nut:
43mm Graphtech for smooth and friction-free string bending and tuning.
Headstock:
Classic Vintage, colour matched headstock, designed for balance and visual appeal.
The V65H™ is an original Vintage® ReIssued Series guitar designed in the UK by the Vintage® design team.
Looking super cool with a Satin Blue finish, the V65H is visually balanced with a colour-matched headstock, chrome hardware, a black scratchplate, black pickup covers and black control knobs.
This exquisite model follows a traditional tonewood combo, with a lightweight USA Alder body and bolt-on one-piece maple neck, a construction that is well known for providing plenty of glassy top end, solid mids and a dynamic low-end response.
Couple this with a pair of Wilkinson W90SK stacked ceramic soapbar pickups, and the V65H delivers single coil clarity with meaty double coil characteristics in abundance.
Stunning looks aside, with a 22 fret, block inlaid fingerboard, Wilkinson WJ55 tuners, Wilkinson Hardtail WVFS bridge, a GraphTech nut and that huge frequency range, the V65H is a songwriter’s inspiration and a delight to perform with in the studio or live on stage.
It’s easy to see why the V65H has become another winner from the Vintage catalogue.
V65H Specifications:
Body:
Offset design, USA alder body provides resonance, tone and ‘correct weight’ comfort.
Bridge:
Wilkinson WVFS six saddle hardtail bridge, provides superb tuning stability and adjustable intonation for each string.
Pickups:
Two Wilkinson W90SK stacked ceramic soapbar single coil pickups provide fat and articulate cleans and cutting, punchy overdriven tones.
Controls:
Independent master Volume and Tone controls with three position pickup selector switch.
Machine heads:
Wilkinson WJ55 machine heads provide simple, effective action for superb tuning stability.
Neck:
One piece Maple with classic Vintage ‘soft C’ profile for instant comfort, speed, accuracy and great feel.
Fingerboard:
Block inlaid with traditional 10” radius for superb playability and feel.
Scale Length:
25.5" / 648mm.
Frets:
22 Medium Jumbo profile frets add to comfort, accuracy and overall positive feel of the Vintage V65H.
Nut:
43mm Graphtech for smooth and friction-free string bending and tuning.
Headstock:
Classic Vintage, colour matched headstock, designed for balance and visual appeal.
The V65H™ is an original Vintage® ReIssued Series guitar designed in the UK by the Vintage® design team.
About Vintage
Guitars for the Working Musician
Since 1993 Vintage® has enjoyed an excellent reputation around the world for creating guitars which use a blend of classic timber selection, premium branded components from some of the biggest names in pickups and hardware, and an approach to design which lets Vintage® instruments perform way beyond expectation.
Our philosophy of understanding, caring and ensuring that Vintage® can be equally at home in the bedroom, a garage band, with a local hero or used in anger on any one or the World’s most famous stages has seen legions of loyal fans who rely on Vintage to perform for them, day after day, gig after gig, session after session.
Our relationships with famous designers, and a skilful in-house design team means we never stand still, continually innovate, and focus on bringing the best bang for the buck guitars to players of all stripes, busting myths and debunking the black magic to produce outstanding value and outstanding guitars.
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
- Please click here for more details>>> Return & Exchange Policy
4.9 ★★★★★
Based on 1350 reviews
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Product Reviews
★★★★★ 4
Powerful and Hard-Hitting
Format: Paperback
This book explores how racism and disability justice issues intersect and intertwine, particularly within the American church. Lamar Hardwick writes from his perspective as an autistic Black pastor, and his recent battles with cancer also inform his writing. He takes an incisive look at the ways that people sideline and make judgments about "abnormal" bodies, and he explores how different racist and ableist ideas developed in early American history, primarily related to enslaved Africans. Because I share Hardwick's interest in American history, I was already familiar with most of this information, but it will be new and eye-opening for many readers.
Hardwick clearly explains the historical connection between ableism and racism, showing how people justified slavery by arguing that Black people were intellectually inferior, were childlike, and should not have agency over their own lives. Hardwick explores both glaring and subtle implications of this ideology, and he makes a number of very excellent points. He is bold and doesn't mince words, and he explains complicated, abstract ideas in accessible terms. He also touches on a variety of side issues to his main thesis, such as desirability politics, body shame, and issues with grind culture.
Hardwick gives examples of how early American Christians contributed to pervasive cultural problems, and he also shares contemporary stories to show how problematic ideas cause harm in real life. His personal stories add a lot to the book, and I appreciate his honesty and vulnerability. I also appreciate how Hardwick uses Scripture throughout the book, especially when he is writing about disability theology. Some similar books focus primarily on personal experiences and secular social justice theories, with only loose Scriptural connections, but Hardwick bases his arguments in specific Bible passages and the big story of Scripture. I disagree with some of his interpretations, but found his arguments significantly more persuasive than ones I've seen before.
One confusing, weaker element of this book is that Hardwick begins using "ableism" as a catch-all term for any kind of hierarchy of human value. Even though different forms of discrimination can overlap in complex ways, Hardwick often uses the word "ableism" in cases where there isn't a direct reference to physical or mental abilities. Because he stretches this word's definition, readers who are new to this conversation may struggle to follow his arguments at times.
My other critique is that even though Hardwick is accurate and persuasive in his coverage of historical wrongs in the American church, he sometimes makes it sound like all of these issues started with American Christianity. Even though we can trace back particular expressions of racism and ableism to influential people like Cotton Mather, the root issues are part of the human condition. Many Christians throughout time have absorbed harmful ideas from their societies and expressed these assumptions in Christian language, but they weren't inventing these forms of oppression.
Also, even though people created specific racist beliefs to justify the institution of slavery, ableism has been an issue in all cultures since the beginning of time. Christianity began in a cultural context where it was normal and acceptable for parents to discard female and disabled infants to die in the elements, and early Christian advocacy is part of why that is so gut-wrenching and unthinkable to us now. Even though Hardwick's analysis is helpful, it's only part of the story. I think that he could have balanced it out better with more context, while still holding the same American historical figures accountable for their sins and failings.
"How Ableism Fuels Racism" covers a variety of issues in a thought-provoking, engaging way. I appreciate the author's historical analysis, thoughtful reflections, and personal stories, and I would recommend this book to people who are invested the topic. Also, even though some aspects of this book might be confusing for people who haven't read anything like this before, the author's accessible writing style, clear explanations, and personal stories can help engage readers who are new to the topic. Overall, I was impressed with this book and am interested in reading more from this author.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 21, 2024
★★★★★ 5
Amazing Book Every Church Leader Should Read
Format: Paperback
Great Book and worth reading
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 6, 2024
★★★★★ 5
Provocative Read!
Format: Audiobook
I found this book to be profound, provocative, and very different than any other books I have read on racism and ableism. I never understood how ableism is the catalyst for racism, and how disability compounds racism. Highly recommend especially for those who are well versed in social justice.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 25, 2025
★★★★★ 5
Destined to Be One of My Favorite Books of the Year
Format: Paperback
I will openly acknowledge that Lamar Hardwick, the lead pastor of Atlanta's Tri-Cities Church and a pastor with autism, wasn't on my disability theology radar and I wasn't sure what to expect from his upcoming release "How Ableism Fuels Racism: Dismantling the Hierarchy of Bodies in the Church."
I was blown away.
With "How Ableism Fuels Racism," Hardwick proposes that ableism and the resulting disability discrimination are the root causes of racial bias and injustice in American culture and in the church. Weaving together a tapestry of historical records, biblical interpretation, and disability studies, Hardwick examines how ableism in America led to the creation of images, idols, and institutions that would ultimately fuel both disability and racial discrimination.
After engaging in this discussion, Hardwick calls the church into action to address the deeper issues of ableism and offers practical steps to help readers dismantle ableism and racism in both attitude and practice.
As an ordained minister and seminary graduate who is also a paraplegic and double amputee, I've long immersed myself in the world of disability theology and long believed that the church embraces the hierarchy of bodies about which Hardwick writes. "How Ableism Fuels Racism" served up a myriad of Aha! moments for me and times when long-held beliefs were finally communicated with clarity. Interestingly, Hardwick even clarified for me what had troubled me with another book I recently read around the issue of "deconstruction." I may have actually shouted out "Yes, that's it!"
I've long believed that being accommodated by a church is the ground floor step toward full inclusion. It's far from enough, yet for an institution that fought against the ADA it's often seen as the ultimate gift for those with disabilities. Instead, Hardwick argues that the church should be passionately pursuing those with disabilities and others outside the "typical" hierarchy of bodies."
I'm telling you. Brilliant stuff here. I can't stop thinking about it. Precise in its criticism yet also constructive and forward thinking, "How Ableism Fuels Racism" confronts the shameful and shame-filled underbelly of American Christianity and offers a broader and more inclusive vision of God, faith, and church life.
How much did I love this book? I'm already reading it again.
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Reviewed in the United States on February 20, 2024
★★★★★ 5
great read for those in the church who want to learn more about equality
Format: Kindle
While this book focuses on ableism and racism, I learned a significant amount about how the church has perpetuated ableism over the years and how the founding fathers of our country used religion and ableism as the initial forms of a caste system. Black bodies were seen as inferior and therefore were able in their minds able to be enslaved. This book is a great read for those in the church who want to learn more about equality and how we as a community and church can do better about falling into the trap that we may be "better than." Lamar Hardwick quoted many different authors and theologians, including one who wrote a book about how Jesus was disabled as a result of the crucifixion. This book is great food for thought and I recommend for those who want to learn more about how they and the church view those seen as different.
"Racial slavery in the West began by using disability to make chattel slavery a matter of charity rather than a matter of equality. Defining Africans as mentally inferior and effectively disabled allowed for proslavery advocates to appeal to the Christian ethos of benevolence."
"The challenge is that beauty is an abstract concept. Our inability to define beauty without using a deficit model stands in contrast to our fundamental beliefs about how God created us. Our origin begins outside of us. An infinitely holy and wise God who creates with intention and intimacy placed us in the world. Acknowledging God's creative genius challenges us to believe that God does not create anything that is not beautiful in its own way."
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Reviewed in the United States on June 11, 2024
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