SKU: 65992542010

RARE CERAMANO ‘TUNDRA’ VASE BY HANNS WELLING

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Description

RARE CERAMANO ‘TUNDRA’ VASE BY HANNS WELLINGA large bottle form vase with a ring style handle in the rare Tundra dcor, designed for CERAMANO in the 1970s by the inimitable glaze artist Hanns Welling. Vertical stripes of pale yellow green start at the mouth of the vessel and end irregularly part way down the body. The underglaze is a mottled, silvery bluish gray, and the piece stands 13" tall. A top notch collector's item! HANNS WELLING was responsible for some of the most sophisticated output

A large bottle-form vase with a ring-style handle in the rare Tundra décor, designed for CERAMANO in the 1970s by the inimitable glaze artist Hanns Welling. Vertical stripes of pale yellow-green start at the mouth of the vessel and end irregularly part way down the body. The underglaze is a mottled, silvery bluish-gray, and the piece stands 13" tall. A top-notch collector's item!

HANNS WELLING was responsible for some of the most sophisticated output of several of the best post-war German art-pottery manufacturers—Keto, Ruscha, and CERAMANO, among them. He served as the last's artistic director in the early 1970s—otherwise, little is recorded about his relationships with these firms. Many famous CERAMANO shapes and décors are ascribed to him: Pergamon, Koralle, Minerva, Ceralux, and Tundra. Welling also designed tableware and collectibles for Goebel Porzellan GmbH.

CERAMANO was the brainchild of Jakob Schwaderlapp, the founder of Jasba Keramik. He set up the sister company in 1959 to produce high-end ceramics that would complement Jasba's mass-produced lines and respond to the growing demand for innovation in the decortive arts. The manufacture of more artistic and experimental items had heretofore been the province of small workshops; Schwaderlapp had the idea to replicate the look and feel and the creativity of artisanal work using modern factory methods. CERAMANO went public with the debut of an extensive product range at the Frankfurt Trade Fair. The celebrated Hanns Welling was introduced as the man in charge—responsible for the company's marketing as well as for all of its shapes and décors (glaze and pattern combinations). Welling remained at the helm until 1962 when the position of head designer was handed off to Gerda Heuckeroth, later known for her amazing body of work at Carstens.

To achieve its goals, CERAMANO employed many of the top ceramic artists of the day, notably (in addition to Welling and Heuckeroth) the Hungarian designer Dudas Laszlo. Unsurprisingly, the items it produced were generally of high quality and varied nature. Many of the more expensive pieces were completely handmade on a wheel; most vases were built using the company's signature reddish-brown clay. Compared with other German ceramics firms, an unusual amount is known about the décors of CERAMANO owing to its practice of listing their names on vessel bottoms. Top décors include Rubin, Toscana, Stromboli, and Pergamon, plus rarities like Saturn, Achat, and Incrusta. Along with the décor name, bases were generally engraved (by the décor artist) with the model number and the artist's initials. This practice enhanced the "studio" semblance of CERAMANO's pieces. Willi Schwaderlapp, Jakob's son and partner, took over the company in 1964, after which it was split off from Jasba entirely.

[Note: shape numbers usually have three digits. They are sometimes followed by a slash (virgule) and a second number, ranging from one to six, that denotes the piece's relative size. Whether or not and how much text is included on the base seems to depend on the size of the vessel in most cases. "Handarbeit" (handmade) is also a common marking. Vases from later periods were provided with paper labels.]

CERAMANO continued to develop economically with the takeovers of Waku Feuerfest and Steinzeug und Mosaikplattenfabrik in the 1970s, which allowed for expansion into the production of, respectively, tableware and architectural tiles. The company's export share slowly increased for a time, but CERAMANO's gambit ultimately proved unsuccessful. As the 1980s progressed, interest in art pottery waned sharply. CERAMANO finally closed its doors in 1989. (Jasba is still in operation, producing industrial tiles exclusively).

KEY DESIGNERS:

  • Hanns Welling, 1959–1961
  • Gerda Heuckeroth, 1962–1964
  • Dudas Laszlo, 1960s

DETAILS

Maker – CERAMANO

Production Period/Year – 1970s

Designer – HANNS WELLING

Design Period/Year – 1970s

Origin – WEST GERMANY

Styles/Movements – MID-CENTURY MODERN; ABSTRACT

Materials – CERAMIC

Colors – DOVE GRAY, LIGHT YELLOW

Condition – Excellent Vintage Condition. Wear consistent with age and use.

Dimensions – 5 ½" DIAM. × 13" H

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SKU: 65992542010

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Fascinating story and great graphics
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Fascinating story of a young girl from Nova Scotia working in the oil sands in a male dominated work force. Great graphics.
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Reviewed in the United States on March 9, 2024
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Compelling - Beautifully done
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I was surprised how much I enjoyed reading this. Ms Beaton has done an amazing job of storytelling. So thankful for the recommendation from John Warner - The “BibliOracle” of the Chicago Tribune. Several male members of my family worked in the Tar Sands projects over the last 30 years - mostly on Oil Exploration and the crew management side. But rumors about the rough environment were confirmed in this book. Reading this explains why one important family marriage failed from the “Wild West” behavior that took place there. As Ms Beaton acknowledged, this work provided important income for those who worked the Tar Sands projects. My family included. But the harm to the First Nations People and the environment are just terribly, horribly sad.
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★★★★★ 5
A human story of how our society operates
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There's a lot of terms you could use to describe the themes in this book. Capitalism, patriarchy, settler-colonialism, climate change but the book doesn't need to throw these terms around. It just shows them through the eyes of a person who experienced them. There's also a feeling of "there but by the grace of god go I" having been tempted by the possibility of oil work myself during the Great Recession. The story of how our drive for oil eats at our humanity is vital and helps show the cost of how we've structured our society at a personal level. At times funny, heartwarming, and tragic, a fantastically written and drawn work that I have to highly recommend!
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Stuck in Nova
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An amazing, if sometimes dark, memoir of work, solitude, and taking a pragmatic path in life.
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What do you do, when your only viable financial prospects are to move to even more remote, cold, dark and desolate land where you are part of a corporate mining operation dredging sands for valuable resources, living onsite in a company owned dormitory? Beaton recalls all this in her memoir of her post-university time, where she was faced with this decision to either live and work the oil sands, or face a life of financial bondage trying to pay back student loans, a decision we see many of her own countrymen face as their only viable means to survive. If you are familiar with Beaton's comic strip work, you'll see familiar reference to the genesis of it here, but Ducks is a far more serious graphic novel. Both engaging and often times bleak, Ducks gives a wonderful window into the reality of Canada's oil industry, and the humanity of the people, who are nothing more than cogs in a machine, that run it.
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Reviewed in the United States on December 7, 2023

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