SKU: 67644823105

VICO MAGISTRETTI ‘DALÙ’ TABLE LAMP FOR ARTEMIDE

Sale price$146.25 Regular price$162.50
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Description

VICO MAGISTRETTI ‘DALÙ’ TABLE LAMP FOR ARTEMIDEVico Magistretti designed the 'Dal' lamp for ARTEMIDE in 1969. These early examples retain their original cable management springs as well as the often absent clip on light bulb diffusers. Both are in remarkably good condition considering their age. [Offered priced individually.] VICO MAGISTRETTI was born in Milan in 1920, the son of architect Pier Giulio Magistretti. He studied in Italy and Switzerland during WWII and graduated from the Politecnico

Vico Magistretti designed the 'Dalù' lamp for ARTEMIDE in 1969.  These early examples retain their original cable management springs as well as the often absent clip-on light bulb diffusers.  Both are in remarkably good condition considering their age.  [Offered/priced individually.]

VICO MAGISTRETTI was born in Milan in 1920, the son of architect Pier Giulio Magistretti.  He studied in Italy and Switzerland during WWII and graduated from the Politecnico di Milan in 1945.  While in Switzerland, he met architect Ernesto Nathan Rogers.  Under the influence of Rogers' humanist ideas for the reconstruction of postwar Italy, Magistretti began a career in urban design at his father's firm in Milan.  He worked on the realization of the experimental suburb QT8, designing and building its famed round church, Santa Maria Nascente.  He also collaborated on the planning of several of its working-class neighborhoods, including an estate for Pirelli workers.  Their design stands out even today for its human scale and its use of green space.

In the 1950's Magistretti moved into the field of furniture mass-production.  He enjoyed successful stints as a designer with many prominent Italian and Scandinavian firms—ARTEMIDE, DE PADOVA, FLOU, FRITZ HANSEN, KARTELL, and SCHIFFINI among them.  His first break-out success came with the world-famous 'Carimate' chair produced by the Italian furniture manufacturer CASSINA.  Created in 1959, the chair combined rural simplicity with urban sophistication and was a best-seller for years.   Magistretti began to work directly with CASSINA in 1960.  Over the next three decades, his work there produced a number of classics, including the 'Maralunga' sofa (1973) and the 'Nuvola Rossa' bookcase (1977).  These items combined an almost functionalist simplicity with the smooth lines of Italian style.

Magistretti's long collaboration with CASSINA was based on his twin abilities to experiment and to work directly with artisans.  Never formally trained as a designer, he adopted an unorthodox and intensely practical approach to collaboration.  Perhaps consequently very few of his ideas went unproduced.  Magistretti had a close relationship with CASSINA's head, Cesare Cassina, designing his luxurious villa in the town of Carimate, near Como, in 1964-65.

Magistretti's works have been shown in the most important international museums in Europe, USA, and Japan.  His works are in the collections of MoMA in New York and the Stedelijk Museum in Amsterdam.  Magistretti has been the recipient of many awards—the Gold Medal at the 1951 Triennale, the Grand Prix at the 1954 Triennale, two Compasso d'Oro awards in the years 1967 and 1979, and the Gold Medal of the Chartered Society of Industrial Artists & Designers in 1986, among others.  He taught for 20 years at the Royal College of Arts in London, and was nominated as a royal designer.  He died in 2006.  His legacy is overseen by the Vico Magistretti Foundation.

ARTEMIDE was founded in 1960 by Ernesto Gismondi and Sergio Mazza in a suburb of Milan.  It specializes in the manufacture of lighting designed by designers and architects.  Famous ARTEMIDE productions include the 'Tizio' desk lamp designed by Richard Sapper (1972) and the 'Tolomeo' desk lamp designed by Michele De Lucchi and Giancarlo Fassina (1986).  Other noted designers collaborators include Mario Botta, Sir Norman Foster, Ettore Sottsass, Enzo Mari, Neil Poulton, Karim Rashid, Giò Ponti, Zaha Hadid, Luigi Serafini, Cini Boeri, and Carlotta de Bevilacqua.

ARTEMIDE has won numerous awards including the Compasso d'Oro in 1995 and the European Design Prize in 1997.  In 2006, two "Best of The Best" Red Dot awards went rrespectively to lamps by designer Neil Poulton and by architects Herzog & de Meuron.  Carlotta de Bevilacqua's 'Cata' lamp for ARTEMIDE took the IF Product Design Award in 2013.  The permanent collections of the Musée des Artes Décoratifs de Montreal, the Metropolitan Museum of Art and MoMA in New York City, and the Galleria Nazionale d'Arte Moderna in Rome hold the work of ARTEMIDE.

Design Year – 1969

Country of Origin – ITALY

Designer – VICO MAGISTRETTI (1920-2006)

Maker – ARTEMIDE

Attribution – MARKED

Materials – PLASTIC

Colors – ORANGE, WHITE

Condition – VERY GOOD (no defects; may show slight traces of use)

Plug – N. AMERICAN

Height (in.) – 10.5

Width (in.) – 7.0

Depth (in.) – 7.5

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SKU: 67644823105

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4.7 ★★★★★
Based on 15 reviews
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Product Reviews
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Verified Purchase
Sean
Carnegie, US
★★★★★ 5
Sound quality
Style: AVR-X1800H
Great sound for home entertainment center and surround sound for watching hd movies
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 1, 2026
K
Verified Purchase
KB
Houston, US
★★★★★ 5
8.5 sound out of the box! (Want bespoke configs? Sorry.) Great Value, Easy Setup
Style: AVR-X1800H
Excellent unit. Off the shelf sound is very nice, but every room is different, so a bit of tweaking is usually required. Accessing the EQ settings takes a bit of sleuthing and the use of its app... which is subpar. The app interface can only be explained as designed by people who must not actually use it. Still, a wonderful machine at a fair price. I run in ECO mode and it powers my 35x47 room with plenty of power to spare and NEVER gets hot. I am running Infinity Reference speakers and a Klipsch sub in a 7.1 config. I highly recommend the use of the included Audyssey calibration microphone! My prior experience with Yamaha YPAO left me wondering what was the point. This time with the Denon, it set up the speakers, (i'm embarrassed to say) better than I did on my own. (To be fair, I'm sure Yamaha has improved its YPAO in the decade since my prior purchase) Bottom line. If you want maximum flexibility on EQ. Shop a different solution. However, If you want quality sound with 4K and up to and including ATMOS processing, with minimal tweaking, or just want to unbox and play, this is a wonderful unit at a very fair price.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2025
A
Verified Purchase
Al G
Los Angeles, US
★★★★★ 4
Does well for my needs
Style: AVR-X1800H
I got this to replace a Sony head unit that was starting to fail after 10 or so years of use. This one doesn’t have the same power output, but I use Bose speakers. Bose is fairly low wattage for the most part so no problem there. Setup was fine. My only complaint is that center channel only dialog is too quiet. I need to adjust that. Everything else is great. I don’t care about Internet connectivity, but it has that if you want it. I’m very happy so far with this unit.
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Reviewed in the United States on October 1, 2025
D
Verified Purchase
devo129
Fort Morgan, US
★★★★★ 5
Love denon
Style: AVR-X1800H
Value for money,looks and connection quality
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Reviewed in the United States on March 16, 2026
W
Verified Purchase
Whomanic
Charlottesville, US
★★★★★ 5
Nice AVR
Style: AVR-X1800H
Refurbished and looking like brand new. One small scratch on the side. It went in a cabinet and it's hidden. All paperwork seemed to be there. If I didn't know it looks like factory sealed . I've got an older Denon. Just wanted to move up to 7.2. Audyssey recognize a second sub. But neither did my older on. No problem with that though. Just FYI. After the original setup and minor tweaking it sounds fantastic for me. I haven't had it but a few days and I hope I get many years of enjoyment from this
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Reviewed in the United States on May 29, 2025

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