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Description
TOTO Drake Transitional WASHLET+ Two-Piece Elongated 1.28 GPF Universal Height TORNADO FLUSH Toilet with C5 Bidet Seat, Cotton White, Vitreous China, MW7863084CEFG.10#01TOTO Drake Transitional WASHLET+ Two Piece Elongated 1. 28 GPF Universal Height TORNADO FLUSH Toilet with C5 Bidet Seat, Cotton White, Vitreous China, MW7863084CEFG. 10#01 The TOTO Drake Transitional WASHLET+ Two Piece Elongated 1. 28 GPF Universal Height TORNADO FLUSH Toilet with C5 Bidet Seat is designed to conceal the WASHLET power cord and water supply hose for a seamless installation. Part of the newly redesigned C Series, the WASHLET C5 features
TOTO Drake Transitional WASHLET+ Two-Piece Elongated 1.28 GPF Universal Height TORNADO FLUSH Toilet with C5 Bidet Seat, Cotton White, Vitreous China, MW7863084CEFG.10#01
The TOTO Drake Transitional WASHLET+ Two-Piece Elongated 1.28 GPF Universal Height TORNADO FLUSH Toilet with C5 Bidet Seat is designed to conceal the WASHLET power cord and water supply hose for a seamless installation. Part of the newly redesigned C Series, the WASHLET C5 features a soft rear spray, rear cleanse, and front cleanse with the option of an oscillating or pulsating stream. The temperature and pressure of the water are adjustable, each with five settings. The controls are located on a slim, wireless remote. PREMIST wets the surface of the toilet bowl, aiding in the removal of waste and resulting in a better clean. The C5 model utilizes TOTO's EWATER+ system when the wand self-cleans. EWATER+ transforms the water into a safe and powerful compound, creating peace of mind by cleaning the inside and outside of the wand before and after every use. The WASHLET features a heated SoftClose seat with five temperature settings. The WASHLET features an air deodorizer and a warm air dryer with five temperature settings. The Drake features TOTOs TORNADO FLUSH, a rimless, hole-free design with dual-nozzles that creates a centrifugal washing action that assists in rinsing the bowl more efficiently. This version of the TOTO Drake includes CEFIONTECT, a layer of exceptionally smooth glaze that minimizes waste from sticking to the ceramic. CEFIONTECT, coupled with PREMIST and TORNADO FLUSH, assists to reduce the frequency of toilet cleanings, minimizing the usage of water, harsh chemicals, and time required for cleaning. This version of the TOTO Drake is designed in TOTOs Universal Height, which allows for a more comfortable seat position across a wide range of users. This WASHLET+ toilet includes WASHLET, Drake bowl and tank set with hardware, and toilet bolt caps. Compatible with T40 WASHLET+ electronic bidet seat and toilet bowl components only. Additional items needed for installation must be purchased separately: wax ring, toilet mounting bolts, and toilet water supply lines.
This product can expose you to chemicals including Lead, which is known to the State of California to cause cancer and birth defects, and other reproductive harm. For more information go to www.P65Warnings.ca.gov.
Please see our color disclaimer.
Features
- A REFRESHING CLEAN - Gentle yet powerful rear and front warm water cleansing; Adjustable temperature and pressure settings; oscillating and pulsating option creates a refreshing clean every time; WASHLET+ concealed connection for seamless integration
- STEP INTO A LAVISH STANDARD OF LIVING SoftClose heated bidet seat provides consistent warmth coverage over full seat surface; Air deodorizer neutralizes bathroom odors with powerful air filters; Adjustable warm air dryer provides easy clean up
- CLEAN INNOVATIONS OFFER PEACE OF MIND - PREMIST wets the surface of the toilet bowl, aiding in the removal of waste and resulting in a better clean; The wand self-cleans automatically with EWATER inside and out
- POWERFUL PERFORMANCE WITH LESS FREQUENT CLEANING - TORNADO FLUSH swirls water in a circular pattern to fully wash the bowl surface. CEFIONTECT is an ultra-smooth glaze that minimizes waste from sticking so that it is easily washed away.
- MORE COMFORT ACROSS A WIDER RANGE OF INDIVIDUALS - TOTO's Universal Height is taller than a standard toilet and makes sitting down and standing up easier for many people. Universal Height models are capable of meeting the ADA height requirement.
Details
| ADA Compliant?: | Yes |
|---|---|
| Box Height: | 17.75" |
| Box Length: | 30.125" |
| Box Weight: | 62 lb(s) |
| Box Width: | 15.25" |
| CALGreen Compliant: | Yes |
| CEC Compliant: | Yes |
| Category: | Two-Piece Toilets |
| Collection: | Drake |
| Color: | Cotton White |
| Country of Origin: | Mexico|Vietnam|USA|Malaysia |
| Flush Lever Location: | Left |
| Installation Type: | Floor Mount/Floor Outlet |
| Item Height: | 30.6875" |
| Item Length (Front to Back): | 28.375" |
| Item Weight: | 96 lb(s) |
| Item Width (Side to Side): | 19.1875" |
| Material: | Vitreous China |
| Mounting Type: | Floor Mount/Floor Outlet |
| SKU: | MW7863084CEFG.10#01 |
| Shape: | Elongated |
| Water Consumption (GPF): | 1.28 |
| WaterSense Compliant?: | Yes |
Warranty
Manufacturer One Year Limited
Toto Warranty Details (PDF)
Manual(s)
Manual 1 (PDF)
Installation Instructions
Installation Instructions (PDF)
Product Specifications (PDF)
Video(s)
Product Video
Related Products
- TOTO Drake Elongated Universal Height TORNADO FLUSH Toilet Bowl with 10 Inch Rough-In and CEFIONTECT, WASHLET+ Ready, Cotton White, Vitreous China, C776CEFGT40.10#01
- TOTO Drake Transitional 1.28 GPF Toilet Tank with WASHLET+ Auto Flush Compatibility, Cotton White, Vitreous China, ST786EA#01
- TOTO C2 WASHLET+ Ready Electronic Bidet Toilet Seat with PREMIST and EWATER+ Wand Cleaning, Elongated, Cotton White, Plastic, SW3074T40#01
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
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- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
- Please click here for more details>>> Return & Exchange Policy
4.7 ★★★★★
Based on 29 reviews
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Product Reviews
★★★★★ 5
🫶🏻
Color: Caviar PDRN
I love these. I put these on every morning when I’m getting ready. Sometimes I’ll even leave them on under sunglasses if I’m just doing school drop off 😆 They don’t slide off, they really help brighten and de-puff my under eyes, they have a cooling effect, unscented, and there’s no irritation. They also help concealer go on super smooth. I recommend!
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Reviewed in the United States on May 18, 2026
★★★★★ 5
super hydrating
Color: Caviar PDRN
I love the full face mask but this is nice for a more frequent refresh. They are super convenient and work really well.
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Reviewed in the United States on June 4, 2026
★★★★★ 5
The Perpetual Joke
One of the best films I have ever seen is The Killing. It can boast a great many things. It can proudly say that it is the best heist film ever made and that it is the creme dela creme of film noir. Out of all the films in my top ten favorites, The Killing is easily the most watchable and purely entertaining. It doesn't try to be much more than a crime picture. A crime picture written by the legendary Jim Thompson of course. Thompson is one of the best American crime writers, well ever. And his work in The Killing is simply exemplary and total-classic Thompson. The film can also boast having a brilliant cast. Sterling Hayden, Elisha Cook Jr., and Marie Windsor soar, it can boast having possibly the strongest ensemble in all of the crime genre. It can boast having a pitch perfect tone and a distinctly unique and absorbing atmosphere. It can brag about the extraordinary tracking shots throughout or the lighting that startles and dazzles and vibes, melts. It can brag about being fun and devious and sly. It can brag about being unpredictable and clever. Smart. It can brag about being one the greatest films ever made. It's honestly that perfect.
And did I mention that some guy named Stanley Kubrick directed the thing?
The Killing is a film about a group of men who plan to knock off a racetrack, those who seek to thwart them, and how it all plays out. The characters are unforgettable. The Killing has in it's repertoire more than just a few of my favorite noir characters. What makes the players so special is that all of them are so sympathetic. Really. My heart goes out to each and every one of them, understanding and empathy seldom hits this hard within the parameters of the heist and noir genre. But here, the damn thing works every time. I've seen the film several times and I still physically act as if every time is my first. I cover my hands over my mouth in astonishment, I bite my nails in anticipation, I drum on my knees with rhythmic excitement, I laugh out loud, and I cheer relentlessly for everyone involved. I imagine myself as a member of the outfit. I have so much fun with this twisted picture that it's ridiculous.
Okay.
Lucien Ballard. Dick Tower. Earl Snyder. The men who walk the walk. One of the most dazzling things about The Killing is it's technical brilliance. The thing looks absolutely gorgeous and twisted and just right. Smokey and sexy and rough. There are shots in this film that your eyes can more than feast on, they can devour them. There are sequences of sight and sound and light that will make you fall in love with noir all over again. If that's not enough, Jim Thompson's dialogue will make your head spin it's so good. You'll find yourself quoting it to yourself without warrant or cause. The beats and the meter and time and scale of Thompson's writing will send you for a ride. Great dialogue and a truly complex and understated plot, the inner workings of which are not only of the heart-pounding variety but the very fabric that it is woven into is absolutely compelling.
There is a subtext here as well. I don't think Kubrick ever really made a film just for the sake of doing so, he always had something deeper to communicate on top of it. The Killing communicates within the subtext the idea of the perpetual joke. Borderline Absurdism. Characters die literally howling about not being able to understand their own private punchline. Robberies take place by men in the guise of clowns. Think Hayden Sterling as Pagliacci The Clown. The Killing feels like a crime film written by Jim Thompson, directed by Stanley Kubrick, and dreamt up by Albert Camus. The idea that everything is absurd, that life is a frenzied haywire with a morbid sense of humor. I think Sterling's Johnny finally understood the great joke of life at the end of it all. And its pointless brand of mischief.
It is fascinating seeing the great Stanley Kubrick, before he really was the GREAT Stanley Kubrick, working within the framework of the crime genre. Kubrick excels here, even if he was limited by boundaries of style and time. He is a filmmaker that mastered every genre he dabbled in. He is not only one of the greatest directors that ever lived but he is my personal favorite one. His films have a crazy power, an uncanny transcendental quality to them. The Killing possesses every bit as much magic that his post 2001 films do. The Killing has a little bit more than that as well. It has an incredible watchability factor. I could watch The Killing once a week for the rest of my life and still not get tired of it.
I think I'll do just that. Why not? You only live once, right?
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Reviewed in the United States on July 17, 2014
★★★★★ 5
Worth viewing and studying.
First major Kubrick feature film noir. Nothing about Sterling Hayden's Communism here. Cool caper with a classic cast. The flick provides an impactful reminder to never skimp on low quality luggage, to use a double lock, and to take time whenever possible to bundle your cash with rubber bands.
"While playing chess in Washington Square, Kubrick met producer James B. Harris, who considered Kubrick to be "the most intelligent, most creative person I have ever come in contact with", and the two formed the Harris-Kubrick Pictures Corporation in 1955.[52] Harris purchased the rights to Lionel White's novel Clean Break for $10,000,[g] and upon Kubrick's suggestion, they hired film noir novelist Jim Thompson to write the script for the film—which later became The Killing (1956)—about a meticulously planned racetrack robbery gone wrong. The film starred Sterling Hayden, with whom Kubrick had been impressed in The Asphalt Jungle (1950).[54] Kubrick and Harris moved to Los Angeles from New York and signed with the Jaffe Agency to shoot the picture, which became Kubrick's first full-length feature film shot with a professional cast and crew. The Union in Hollywood stated that Kubrick would not be permitted to be both the director and the cinematographer of the movie, so veteran cinematographer Lucien Ballard was hired for the shooting. Kubrick agreed to waive his fee for the production, which was shot in just 24 days on a budget of $330,000.[55] He clashed with Ballard during the shooting, and on one occasion Kubrick threatened to fire Ballard following a camera dispute, despite being only 27 years old at the time and 20 years Ballard's junior.[54] Hayden recalled that Kubrick was "cold and detached. Very mechanical, always confident. I've worked with few directors who are that good".[56] The Killing failed to secure a proper release across the United States; the film made little money, and was promoted only at the last minute, as a second feature to the Western movie Bandido! (1956). Several contemporary critics lauded the film, however, with a reviewer for TIME comparing its camerawork to that of Orson Welles.[57] Today, critics generally consider The Killing to be among the best films of Kubrick's early career; its nonlinear narrative and clinical execution also had a major influence on later directors of crime films, including Quentin Tarantino. Dore Schary of Metro-Goldwyn-Mayer was highly impressed as well, and offered Kubrick and Harris $75,000 to write, direct, and produce a film, which ultimately became Paths of Glory (1957)." [Wikipedia]
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Reviewed in the United States on February 21, 2016
★★★★★ 5
Quintessential 50's Kubrick Noir!
Criterion continues to keep them coming. The Killing(1956), Stanley Kubrick's great noir adds to the recent influx of Criterion's recent titles in 2011, which closely follows Kiss Me Deadly(1955). What a feast for Noir addicts! Now we have another pristine upgrade of a print which greatly improves past releases in both quality as well as great special features. This time we get two jam filled discs of a very important Noir. This two-dvd special edition includes a bounty of goodies for lovers of Noir. There is a new digital restoration, which is excellent, as well as a new interview with producer James B Harris. Interviews with lead actor Sterling Haden, who is excellent in his role as the small-time criminal who plans a dangerous race-track heist with help from a corrupt cop, and an interview with author Robert Polito about writer Jim Thompson. That is just on the first disc, Disc two includes a richly restored high-def digital transfer of Kubrick's 1955 feature Killer's Kiss, new video appreciation of Killer's Kiss by film critic Geoffrey O'Brien, and a new trailer. Of course, you also get a 20 page booklet featuring an essay by film historian Haden Guest and an interview with actress Marie Windsor, which is a reprint but still quite good. Now on to the feature. The Killing was Kubrick's 3rd feature, and to most film historians, the one that put him on the map, although some people would favor Paths Of Glory which was released in the next year 1957 as his breakthrough as a major director. I beg to differ. The Killing is told in a non-linear style which many movie goers have difficulty following, even now in the 21st Century. But to lovers of Noir, by 1956 they had become quite used to it and had no problem with it. In fact, many noir lovers enjoyed putting the pieces together which to them, only added to the experience. The film displays what has become a very familiar Kubrick theme. That is the breakdown, malfunction or fallibility of man and his plans. Just as in Kubrick's subsequent films such as Dr. Strangelove and further on to 2001:A Space Odyssey which became major mainstream successes. His manipulation of time in bits and pieces differs most strikingly from 40's Noir, such as The Killers and Out Of The Past. As players inthis game are established, the film leaps backwards until all of the parts fit together like the pieces of a jigsaw puzzle. The well planned heist falls apart just like the suitcase full of money falls off a cart and scatters the bills in the wind. Just as they say, "The Best Laid Plans". In addition to Hayden, the other members of the heist, especially Vince Edwards, Elisha Cook Jr, and especially Timothy Carey, are all excellent. Most definitely, pay the extra money and get this edition. SMRZ!!!
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Reviewed in the United States on September 15, 2011